Violin Mastery:
Violin Mastery: Talks with Master Violinists and Teachers
作者：Martens, Frederick Herman, 1874-1932
体例：题 章数：241
字数：268,510 来源：Project Gutenberg
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cache/epub/15535/pg15535.txt（Project Gutenberg）
章节目录
共 241 题- VIOLIN MASTERY
- BY
- FREDERICK H. MARTENS
- WITH SIXTEEN PORTRAITS
- FOREWORD
- EUGÈNE YSAYE The Tools of Violin Mastery 1
- LEOPOLD AUER A Method without Secrets 14
- SAMUEL GARDNER Technic and Musicianship 54
- ARTHUR HARTMANN The Problem of Technic 66
- FRITZ KREISLER Personality in Art 99
- FRANZ KNEISEL The Perfect String Ensemble 110
- ADOLFO BETTI The Technic of the Modern Quartet 127
- HANS LETZ The Technic of Bowing 140
- DAVID MANNES The Philosophy of Violin Teaching 146
- TIVADAR NACHÉZ Joachim and Léonard as Teachers 160
- MAXIMILIAN PILZER The Singing Tone and the Vibrato 177
- LEON SAMETINI Harmonics 198
- ALEXANDER SASLAVSKY What the Teacher Can and Cannot Do 210
- TOSCHA SEIDEL How to Study 219
- JACQUES THIBAUD The Ideal Program 259
- Mischa Elman 38
- Arthur Hartmann 66
- Jascha Heifetz 78
- Fritz Kreisler 100
- Franz Kneisel 110
- Adolfo Betti 128
- David Mannes 146
- Tivadar Nachéz 160
- Maud Powell 184
- Toscha Seidel 220
- Albert Spalding 240
- Theodore Spiering 248
- Jacques Thibaud 260
- Gustav Saenger 278
- VIOLIN MASTERY
- EUGÈNE YSAYE
- THE TOOLS OF VIOLIN MASTERY
- YSAYE'S REPERTORY
- THE TOOLS OF VIOLIN MASTERY
- VIOLIN MASTERY
- II
- LEOPOLD AUER
- A METHOD WITHOUT SECRETS
- A METHOD WITHOUT SECRETS
- HOURS OF PRACTICE
- NATIONALITY VERSUS THE CONSERVATORY SYSTEM
- VIOLIN MASTERY
- THE BACH VIOLIN SONATAS AND OTHER COMPOSITIONS
- AS REGARDS "PRODIGIES"
- III
- EDDY BROWN
- HUBAY AND AUER: SOME COMPARISONS
- TECHNIC: SOME HINTS TO THE STUDENT
- A SPANISH VIOLIN
- PROGRAMS
- PROGRAM
- I. Beethoven . . . . . Sonata Op. 47 (dedicated to Kreutzer)
- II. Bruch . . . . . . Concerto (G minor)
- VIOLIN MASTERY
- IV
- MISCHA ELMAN
- MANNERISMS IN PLAYING
- LIFE AND COLOR IN INTERPRETATION
- TECHNICAL PHASES
- PROPORTION IN PRACTICE
- AUER AS A TEACHER
- VIOLIN MASTERY
- WHAT TO STUDY AND HOW
- A REMINISCENCE OF COLONNE
- SAMUEL GARDNER
- TECHNIC AND MUSICIANSHIP
- CHARLES MARTIN LOEFFLER AND FELIX WINTERNITZ AS TEACHERS
- KNEISEL'S TEACHING METHODS
- TECHNIC AND MUSICIANSHIP
- EDISON AND OCTAVES
- WIRE AND GUT STRINGS
- VIOLIN MASTERY
- VI
- ARTHUR HARTMANN
- THE PROBLEM OF TECHNIC
- WHAT VIOLIN PLAYING REALLY IS
- THE PROBLEM OF TECHNIC
- NINE BEATITUDES FOR VIOLINISTS
- ARRANGING VERSUS TRANSCRIBING
- DEBUSSY'S POÈME FOR VIOLIN
- VII
- JASCHA HEIFETZ
- THE DANGER OF PRACTICING TOO MUCH
- THE DEVELOPMENT OF A VIRTUOSE TECHNIC
- PROFESSOR AUER AS A TEACHER
- A DIFFICULTY OVERCOME
- VIOLIN MASTERY
- TECHNICAL MASTERY AND TEMPERAMENT
- REPERTORY AND PROGRAMS
- VIII
- DAVID HOCHSTEIN
- SEVČIK AND AUER: A CONTRAST IN TEACHING
- THE VIOLIN AS A MEANS OF EXPRESSION
- VIOLIN MASTERY
- TONE PRODUCTION: RHYTHM
- IX
- FRITZ KREISLER
- PERSONALITY IN ART
- HOW KREISLER CAME TO COMPOSE AND ARRANGE
- AT THE VIENNA CONSERVATORY
- VIOLIN MASTERY
- TECHNIC VERSUS IMAGINATION
- MENTAL TECHNIC: ITS DRAWBACK AND ITS ADVANTAGE
- PRACTICE HOURS FOR THE ADVANCED STUDENT
- AN EXPLANATION BY MR. WINTERNITZ
- STYLE, INTERPRETATION AND THE ARTISTIC IDEAL
- FRANZ KNEISEL
- THE PERFECT STRING ENSEMBLE
- VIOLIN MASTERY IN THE STRING QUARTET
- THE FIRST VIOLIN IN THE STRING QUARTET
- HELLMESBERGER QUARTET
- HINTS TO THE SERIOUS VIOLIN STUDENT
- THE GENERAL FAULT
- THE ART OF THE BOW
- XI
- ADOLFO BETTI
- THE TECHNIC OF THE MODERN QUARTET
- THE MODERN QUARTET
- THE MODERN QUARTET AND AMATEUR PLAYERS
- THE TECHNIC OF QUARTET PLAYING
- REHEARSING
- INTONATION
- TEMPO
- DYNAMICS
- INTERPRETATION
- SOME IDEALS
- XII
- HANS LETZ
- THE TECHNIC OF BOWING
- VIOLIN MASTERY
- THE KEY TO INTERPRETATION
- THE TECHNIC OF BOWING
- RHYTHM AND COLOR
- SUGGESTIONS IN TEACHING
- THE ART AND THE SCHOOLS
- XIII
- DAVID MANNES
- THE PHILOSOPHY OF VIOLIN TEACHING
- STUDYING WITH YSAYE
- SOME INITIAL PRINCIPLES OF VIOLIN STUDY
- THE PHILOSOPHY OF VIOLIN TEACHING
- GUT VERSUS WIRE STRINGS
- CHIN RESTS
- VIOLIN MASTERY
- XIV
- TIVADAR NACHÉZ
- JOACHIM AND LÉONARD AS TEACHERS
- THE BEGINNING OF A VIOLINISTIC CAREER: PLAYING WITH LISZT
- JOACHIM AS A TEACHER AND INTERPRETER
- STUDYING WITH LÉONARD
- SIVORI
- GREAT MOMENTS IN AN ARTIST'S LIFE
- VIOLINS AND STRINGS: SARASATE
- THE NARDINI CONCERTO IN A
- VIOLIN MASTERY
- XV
- MAXIMILIAN PILZER
- THE SINGING TONE AND THE VIBRATO
- THE SINGING TONE
- THE VIBRATO
- VIOLIN MASTERY AND ITS ATTAINMENT
- THE SHINING GOAL
- PLAYING BACH
- XVI
- MAUD POWELL
- THE DEVELOPMENT OF A CONCERT VIOLINIST
- THE INFLUENCE OF THE TEACHER
- TECHNICAL DIFFICULTIES
- SOME HINTS FOR THE CONCERT PLAYER
- VIOLIN MASTERY
- XVII
- LEON SAMETINI
- HARMONICS
- REMINISCENCES OF SEVČIK
- TEACHING PRINCIPLES
- DOUBLE HARMONICS
- VIOLIN MASTERY
- XVIII
- ALEXANDER SASLAVSKY
- WHAT THE TEACHER CAN AND CANNOT DO
- WHAT THE TEACHER CAN AND CANNOT DO
- A GREAT DEFECT
- TONE: PRACTICE TIME
- A NATIONAL CONSERVATORY
- SOME PERSONAL VIEWS AND REFLECTIONS
- VIOLIN MASTERY
- XIX
- TOSCHA SEIDEL
- HOW TO STUDY
- STUDYING WITH PROFESSOR AUER
- ARTIST PUPILS AND AMATEUR STUDENTS
- HOW TO STUDY
- FIDDLE AND STRINGS
- VIOLIN MASTERY
- XX
- EDMUND SEVERN
- THE JOACHIM BOWING
- A PRE-TEACHING REQUISITE
- DRAWING A LONG BOW
- WRIST-BOWING
- STACCATO AND OTHER BOWINGS
- THE LEFT HAND
- VIOLIN MASTERY
- XXI
- ALBERT SPALDING
- VIOLIN MASTERY
- A LESS DEVELOPED PHASE OF VIOLIN TECHNIC
- GOOD AND BAD HANDS: MENTAL STUDY
- NATIONALITY AS A FORMATIVE INFLUENCE
- PLAYING WHILE IN SERVICE
- XXII
- THEODORE SPIERING
- TWO TYPES OF STUDENTS
- MENTAL AND PHYSICAL PROCESSES COÖRDINATED
- THE TWO-FOLD VALUE OF CELEBRATED STUDY WORKS
- SOME OF MR. SPIERING'S OWN STUDY SOUVENIRS
- VIOLIN MASTERY
- XXIII
- JACQUES THIBAUD
- THE IDEAL PROGRAM
- THE GREATEST DIFFICULTY TO OVERCOME
- MARSICK AS A TEACHER
- THE MECHANICAL VERSUS THE NATURAL IN VIOLIN PLAYING
- SARASATE
- STRADIVARIUS AND GUARNERIUS PLAYERS
- THE IDEAL PROGRAM
- XXIV
- GUSTAV SAENGER
- THE EDITOR AS A FACTOR IN "VIOLIN MASTERY"
- OLD WINE IN NEW BOTTLES
- AMERICAN EDITORIAL IDEALS
- THE MASTER VIOLINIST AS AN EDITOR
- EDITORIAL DIFFICULTIES
- A UNIQUE COLLECTION OF VIOLIN STUDIES
- A NEW CLASSIFICATION OF VIOLIN LITERATURE
- VIOLIN EDITIONS "MADE IN AMERICA"