WRIST-BOWING

"Wrist-bowing is one of the bowings in which the student should learn to

feel absolutely and naturally at home. To my thinking the German way of

teaching wrist-bowing is altogether wrong. Their idea is to keep the

fingers neutral, and let the stick move the fingers! Yet this is

wrong--for the player holds his bow at the finger-tips, that terminal

point of the fingers where the tactile nerves are most highly developed,

and where their direct contact with the bow makes possible the greatest

variety of dynamic effect, and also allows the development of far

greater speed in short bowings.

"Though the Germans say 'Think of the wrist!' I think with the Belgians:

Put your mind where you touch and hold the bow, concentrate on your

fingers. In other words, when you make your bow change, do not make it

according to the Joachim method, with the wrist, but in the natural way,

with the fingers always in command. In this manner only will you get the

true wrist motion.

Violin Mastery: Talks with Master Violinists and Teachers · 第 205 / 241 题