A NATIONAL CONSERVATORY

"Some five years ago too many teachers gave their pupils the Mendelssohn

and Paganini concertos to play before they knew their Kreutzer. But

there has been a change for the better during recent years. Kneisel was

one of the first to produce pupils here who played legitimately,

according to standard violinistic ideals. One reason why Auer has had

such brilliant pupils is that poor students were received at the

Petrograd Conservatory free of charge. All they had to supply was

talent; and I look forward to the time when we will have a National

conservatory in this country, supported by the Government. Then the

poor, but musically gifted, pupil will have the same opportunities that

his brother, who is well-to-do, now has.

Violin Mastery: Talks with Master Violinists and Teachers · 第 189 / 241 题