III. (a) Beethoven . . . . Romance (in G major)
(b) Beethoven-Auer . . Chorus of the Dervishes
(c) Brown . . . . . Rondino (on a Cramer theme)
(d) Arbos . . . . . Tango
IV. (a) Kreisler . . . . La Gitana
(Arabo-Spanish Gipsy Dance of the 18th Century)
(b) Cui . . . . . . Orientale
(c) Bazzini. . . . . La Ronde des Lutins
"As you see there are two extended serious works, followed by two
smaller 'groups' of pieces. And these have also been chosen with a view
to contrast. The _finale_ of the Bruch concerto is an _allegro
energico_: I follow it with a Beethoven _Romance_, a slow movement. The
second group begins with a taking Kreisler novelty, which is succeeded
by another slow number; but one very effective in its working-up; and I
end my program with a brilliant virtuoso number.