PERSONALITY IN ART

The influence of the artist's personality in his art finds a most

striking exemplification in the case of Fritz Kreisler. Some time before

the writer called on the famous violinist to get at first hand some of

his opinions with regard to his art, he had already met him under

particularly interesting circumstances. The question had come up of

writing text-poems for two song-adaptations of Viennese folk-themes,

airs not unattractive in themselves; but which Kreisler's personal

touch, his individual gift of harmonization had lifted from a lower

plane to the level of the art song. Together with the mss. of his own

beautiful transcript, Mr. Kreisler in the one instance had given me the

printed original which suggested it--frankly a "popular" song, clumsily

harmonized in a "four-square" manner (though written in 3/4 time) with

nothing to indicate its latent possibilities. I compared it with his

mss. and, lo, it had been transformed! Gone was the clumsiness, the

vulgar and obvious harmonic treatment of the melody--Kreisler had kept

the melodic outline, but etherealized, spiritualized it, given it new

rhythmic _contours_, a deeper and more expressive meaning. And his rich

and subtle harmonization had lent it a quality of distinction that

justified a comparison between the grub and the butterfly. In a small

way it was an illuminating glimpse of how the personality of a true

artist can metamorphose what at first glance might seem something quite

negligible, and create beauty where its possibilities alone had existed

before.

It is this personal, this individual, note in all that Fritz Kreisler

does--when he plays, when he composes, when he transcribes--that gives

his art-effort so great and unique a quality of appeal.

Talking to him in his comfortable sitting-room in the Hotel

Wellington--Homer and Juvenal (in the original) ranked on the piano-top

beside De Vere Stackpole novels and other contemporary literature called

to mind that though Brahms and Beethoven violin concertos are among his

favorites, he does not disdain to play a Granados _Spanish Dance_--it

seemed natural to ask him how he came to make those adaptations and

transcripts which have been so notable a feature of his programs, and

which have given such pleasure to thousands.

[Illustration: FRITZ KREISLER, with hand-written note]

Violin Mastery: Talks with Master Violinists and Teachers · 第 103 / 241 题