When that celebrated laboratory of budding musical genius, the Petrograd
Conservatory, closed its doors indefinitely owing to the disturbed
political conditions of Russia, the famous violinist and teacher
Professor Leopold Auer decided to pay the visit to the United States
which had so repeatedly been urged on him by his friends and pupils. His
fame, owing to such heralds as Efrem Zimbalist, Mischa Elman, Kathleen
Parlow, Eddy Brown, Francis MacMillan, and more recently Sascha Heifetz,
Toscha Seidel, and Max Rosen, had long since preceded him; and the
reception accorded him in this country, as a soloist and one of the
greatest exponents and teachers of his instrument, has been one justly
due to his authority and preëminence.
It was not easy to have a heart-to-heart talk with the Master anent his
art, since every minute of his time was precious. Yet ushered into
his presence, the writer discovered that he had laid aside for the
moment other preoccupations, and was amiably responsive to all
questions, once their object had been disclosed. Naturally, the first
and burning question in the case of so celebrated a pedagogue was: "How
do you form such wonderful artists? What is the secret of your method?"
[Illustration: LEOPOLD AUER, with hand-written note]