"In making up a recital program I try to arrange it so that the first
half, approximately, may appeal to the more specifically musical part of
my audience, and to the critics. In the second half I endeavor to
remember the general public; at the same time being careful to include
nothing which is not really _musical_. This (Mr. Brown found one of his
recent programs on his desk and handed it to me) represents a logical
compromise between the strictly artistic and the more general taste:"