Philip Hale's
章节目录
共 143 题- PHILIP HALE’S BOSTON SYMPHONY PROGRAMME NOTES
- HISTORICAL, CRITICAL, AND DESCRIPTIVE COMMENT ON MUSIC AND COMPOSERS
- EDITOR’S NOTE
- CONTENTS
- INTRODUCTION
- PHILIP HALE’S BOSTON SYMPHONY PROGRAMME NOTES
- THE BRANDENBURG CONCERTOS
- THE CONCERTOS FOR PIANOFORTE
- THE ORCHESTRAL SUITES
- SYMPHONY NO. 1, IN C MAJOR, OP. 21
- SYMPHONY NO. 2, IN D MAJOR, OP. 36
- SYMPHONY NO. 3, IN E FLAT MAJOR “EROICA,” OP. 55
- SYMPHONY NO. 4, IN B FLAT MAJOR, OP. 60
- SYMPHONY NO. 5, IN C MINOR, OP. 67
- SYMPHONY NO. 6, IN F MAJOR, “PASTORALE,” OP. 68
- SYMPHONY NO. 7, IN A MAJOR, OP. 92
- SYMPHONY NO. 8, IN F MAJOR, OP. 93
- OVERTURE TO “LEONORE NO. 3,” OP. 72
- OVERTURE TO “EGMONT,” OP. 84
- OVERTURE TO “CORIOLANUS,” OP. 62
- CONCERTO FOR PIANOFORTE, NO. 4, IN G MAJOR, OP. 58
- CONCERTO FOR PIANOFORTE, NO. 5, IN E FLAT MAJOR, OP. 73
- CONCERTO FOR VIOLIN, IN D MAJOR, OP. 61
- SYMPHONIE FANTASTIQUE, IN C MAJOR, OP. 14 a
- OVERTURE, “THE ROMAN CARNIVAL,” OP. 9
- SYMPHONY NO. 2, IN B MINOR, OP. 5
- SYMPHONY NO. 1, IN C MINOR, OP. 68
- SYMPHONY NO. 2, IN D MAJOR, OP. 73
- SYMPHONY, NO. 3, IN F MAJOR, OP. 90
- SYMPHONY NO. 4, IN E MINOR, OP. 98
- VARIATIONS ON A THEME BY JOSEF HAYDN, IN B FLAT MAJOR, OP. 56a
- ACADEMIC FESTIVAL OVERTURE, OP. 80
- CONCERTO FOR PIANOFORTE, NO. 1, IN D MINOR, OP. 15
- CONCERTO NO. 2, IN B FLAT MAJOR, FOR PIANOFORTE AND ORCHESTRA, OP. 83
- CONCERTO FOR VIOLIN, IN D MAJOR, OP. 77
- SYMPHONY NO. 7, IN E MAJOR
- SYMPHONY NO. 8, IN C MINOR
- SUITE. “ADVENTURES IN A PERAMBULATOR”
- NOCTURNES
- Debussy and the Sea
- SYMPHONY NO. 5, IN E MINOR, “FROM THE NEW WORLD,” OP. 95
- VARIATIONS ON AN ORIGINAL THEME, “ENIGMA,” OP. 36
- THEME
- VARIATIONS
- VIII. “W.N.” _Allegretto_, G major, 6-8. Clarinets vary the theme.
- BALLET-PANTOMIME: “EL AMOR BRUJO”
- THREE DANCES TAKEN FROM THE BALLET “THE THREE-CORNERED HAT”
- SYMPHONY IN D MINOR
- TWELVE CONCERTI GROSSI, FOR STRING ORCHESTRA
- SYMPHONY NO. 2, IN B FLAT MAJOR, OP. 57
- SYMPHONIC VARIATIONS, “ISTAR,” OP. 42
- A “FAUST” SYMPHONY IN THREE CHARACTER PICTURES (AFTER GOETHE)
- SYMPHONIC POEM, NO. 3, “LES PRÉLUDES” (AFTER LAMARTINE)
- PIANOFORTE CONCERTO, NO. 1, IN E FLAT
- ORCHESTRAL SUITE NO. 2, IN E MINOR, “INDIAN,” OP. 48
- 1. First theme, Iroquois. There is also a small Chippewa theme.
- 2. Iowa love song.
- 4. Kiowa (woman’s song of mourning for her absent son).
- 5. Women’s dance, war song, both Iroquois.
- THE SYMPHONIES
- SYMPHONY NO. 5, IN C SHARP MINOR IN THREE PARTS
- SYMPHONY IN A MAJOR, “ITALIAN,” OP. 90
- CONCERT OVERTURE, “THE HEBRIDES,” OR “FINGAL’S CAVE,” OP. 26
- CONCERTO FOR VIOLIN, IN E MINOR, OP. 64
- SYMPHONY IN E FLAT MAJOR (KOECHEL NO. 543)
- SYMPHONY IN G MINOR (KOECHEL NO. 550)
- SYMPHONY IN C MAJOR, “JUPITER” (KOECHEL NO. 551)
- OVERTURE TO THE OPERA, “THE MARRIAGE OF FIGARO”
- OVERTURE TO THE OPERA “THE MAGIC FLUTE”
- CONCERTOS FOR VIOLIN
- MOZART AS PIANIST
- SCYTHIAN SUITE, “ALA AND LOLLI,” OP. 20
- CLASSICAL SYMPHONY, OP. 25
- SYMPHONY NO. 2, IN E MINOR, OP. 27
- CONCERTO NO. 2, IN C MINOR, FOR PIANOFORTE WITH ORCHESTRA, OP. 18
- BOLERO
- SYMPHONIC POEM, “PINES OF ROME”
- CAPRICE ON SPANISH THEMES, OP. 34
- V. Fandango of the Asturias. A major, 3-4.
- SYMPHONY NO. 3, IN C MINOR (WITH ORGAN), OP. 78
- SYMPHONY NO. 8, IN B MINOR (“UNFINISHED”)
- SYMPHONY NO. 7, IN C MAJOR
- SYMPHONY NO. 1, IN B FLAT MAJOR, OP. 38
- SYMPHONY NO. 2, IN C MAJOR, OP. 61
- SYMPHONY NO. 3, IN E FLAT MAJOR, “RHENISH,” OP. 97
- SYMPHONY NO. 4, IN D MINOR, OP. 120
- CONCERTO IN A MINOR, FOR PIANOFORTE AND ORCHESTRA, OP. 54
- SYMPHONY NO. 1, IN E MINOR, OP. 39
- II. _Andante, ma non troppo lento_, E flat major, 2-2.
- SYMPHONY NO. 2, IN D MAJOR, OP. 43
- SYMPHONY NO. 4, IN A MINOR, OP. 63
- SYMPHONY NO. 5, IN E FLAT MAJOR, OP. 82
- 1. The fiery ardor with which Don Juan pursues his ideal;
- 2. The charm of woman; and
- 3. The selfish idealist’s disappointment and partial atonement by death.
- Introduction
- Theme
- Variation I
- Variation II
- Variation III
- Variation IV
- Variation V
- Variation VI
- Variation VII
- Variation VIII
- Variation IX
- Variation X
- Finale
- The Hero
- The Hero’s Antagonists
- The Hero’s Helpmate
- The Hero’s Battlefield
- The Hero’s Mission of Peace
- The Hero’s Escape from the World, and Conclusion
- SUITE FROM THE BALLET, “PETROUCHKA”
- I. The Adoration of the Earth
- II. The Sacrifice
- Ia. Dedication
- A simple song theme, briefly developed, leads to
- Ib. The Garden of Live Flowers
- II. Jabberwocky
- III. Looking-Glass Insects
- IV. The White Knight
- SYMPHONY NO. 4, IN F MINOR, OP. 36
- SYMPHONY NO. 5, IN E MINOR, OP. 64
- SYMPHONY NO. 6, IN B MINOR, “PATHETIC,” OP. 74
- CONCERTO FOR PIANOFORTE NO. 1, IN B FLAT MINOR, OP. 23
- CONCERTO FOR VIOLIN, IN D MAJOR OP. 35
- OVERTURE TO “RIENZI, THE LAST OF THE TRIBUNES”
- OVERTURE TO “DER FLIEGENDE HOLLÄNDER” (“THE FLYING DUTCHMAN”)
- OVERTURE TO TANNHÄUSER
- PRELUDE TO “LOHENGRIN”
- PRELUDE AND LIEBESTOD FROM “TRISTAN UND ISOLDE”
- PRELUDE TO “DIE MEISTERSINGER VON NÜRNBERG”
- A SIEGFRIED IDYL
- PRELUDE TO “PARSIFAL”
- OVERTURE TO THE OPERA “OBERON”
- OVERTURE TO THE OPERA “DER FREISCHÜTZ”
- OVERTURE TO THE OPERA “EURYANTHE”
- A LONDON SYMPHONY
- FOOTNOTES
- INDEX
- Transcriber’s Notes