II. Jabberwocky

This is the poem that so puzzled Alice, and which Humpty-Dumpty finally

explained to her. The theme of that frightful beast, the Jabberwock, is

first announced by the full orchestra. The clarinet then begins the

tale, recounting how on a “brillig” afternoon, the “slithy toves did

gyre and gimble in the wabe.” Muttered imprecations by the bassoon warn

us to “beware the Jabberwock, my son.” A miniature march signalizes the

approach of our hero, taking “his vorpal sword in hand.” Trouble starts

among the trombones—the Jabberwock is upon us. The battle with the

monster is recounted in a short and rather repellent fugue, the double

basses bringing up the subject and the hero fighting back in the

interludes. Finally his vorpal blade (really a xylophone) goes

“snicker-snack” and the monster, impersonated by the solo bassoon, dies

a lingering and convulsive death. The hero returns to the victorious

strains of his own theme—“O frabjous day! Callooh! Callay!” The whole

orchestra rejoices—the church bells are rung—alarums and excursions.

Conclusion. Once more the “slithy toves” perform their pleasing

evolutions, undisturbed by the uneasy ghost of the late Jabberwock.

Philip Hale's Boston Symphony Programme Notes · 第 121 / 143 题