Introduction

_Mässiges Zeitmass_ (_moderato_), D major, 4-4. Don Quixote plunged

himself deeply in his reading of books of knighthood, “and in the end,

through his little sleep and much reading, he dried up his brains in

such sort, as he lost wholly his judgment. His fantasy was filled with

those things that he read, of enchantments, quarrels, battles,

challenges, wounds, wooings, loves, tempests, and other impossible

follies.”[49] The first theme (wind instruments) foreshadows the typical

Don Quixote motive, and is here typical of knight-errantry in general.

The next section (strings) represents the idea of knightly gallantry,

and the whole theme ends with the passages that include the strange

harmonies and portray his madness. These strange progressions recur

frequently throughout the work. “He does not dream,” says Mr. H. W.

Harris, “that his reasoning is at fault or that he is the victim of

self-delusion; on the contrary, he ascribes all such discrepancies to

magic, by which he believes himself to be persecuted, which is clearly

being employed to make things appear otherwise than his judgment assures

him they really should be.”

The first section of the first theme is ornamented (violas). Don Quixote

grows more and more romantic and chivalric. He sees the Ideal Woman, his

lady-love (oboe). The trumpets tell of a giant attacking her and her

rescue by a knight. “In this part of the Introduction, the use of mutes

on all the instruments—including the tuba, here so treated for the first

time—creates an indescribable effect of vagueness and confusion,

indicating that they are mere phantasms with which the Knight is

concerned, which cloud his brain.” A Penitent enters (muted violas

_fortissimo_). Don Quixote’s brain grows more and more confused. The

orchestral themes grow wilder. An augmented version of the first section

of the theme (brass), followed by a harp _glissando_, leads to shrill

discord—the Knight is mad. “The repeated use of the various sections of

the first theme shows that his madness has something to do with

chivalry.” Don Quixote has decided to be a knight-errant.

Philip Hale's Boston Symphony Programme Notes · 第 96 / 143 题