Great Singers
Great Singers on the Art of Singing Educational Conferences with Foremost Artists
作者:Cooke, James Francis, 1875-1960
体例:题 章数:289
字数:336,435 来源:Project Gutenberg
版本与结构
- 来源版本
- 本站收录 1 个来源:Project Gutenberg(336,435 字)。
- 分章依据
- 按「题」标记切分为 289 题(Gutenberg 卷册标记)。
- 篇幅分布
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- 原文溯源
cache/epub/33358/pg33358.txt(Project Gutenberg)
章节目录
共 289 题- COPYRIGHT, 1921, BY THEO. PRESSER CO.
- INTERNATIONAL COPYRIGHT SECURED
- CONTENTS
- PAGE
- INTRODUCTION 5
- THE TECHNIC OF OPERATIC PRODUCTION 21
- MODERN VOCAL METHODS IN ITALY _Pasquale Amato_ 38
- SUCCESS IN CONCERT SINGING _Dame Clara Butt_ 58
- ITALY, THE HOME OF SONG _Enrico Caruso_ 79
- MODERN ROADS TO VOCAL SUCCESS _Julia Claussen_ 90
- SELF-HELP IN VOICE STUDY _Charles Dalmores_ 100
- THE OPEN DOOR TO OPERA _Florence Easton_ 133
- TEACHING YOURSELF TO SING _Amelita Galli-Curci_ 166
- BUILDING A VOCAL REPERTOIRE _Alma Gluck_ 185
- SECRETS OF BEL CANTO _Bernice de Pasquali_ 217
- KEEPING THE VOICE IN PRIME CONDITION _Ernestine Schumann-Heink_ 235
- ITALIAN OPERA IN AMERICA _Antonio Scotti_ 251
- THE SINGER'S LARGER MUSICAL PUBLIC _Henri Scott_ 260
- SINGING IN CONCERT AND WHAT IT MEANS _Emma Thursby_ 269
- HOW I REGAINED A LOST VOICE _Evan Williams_ 292
- INTRODUCTION
- VOCAL GOLD MINES AND HOW THEY ARE DEVELOPED
- WHAT MUST THE SINGER HAVE?
- THE PERFECT VOICE
- THE LURE OF INDIVIDUALITY
- YOUR PHILOSOPHY OF SINGING
- THE HISTORY OF SINGING
- JAMES FRANCIS COOKE.
- THE TECHNIC OF OPERATIC PRODUCTION
- A WORLD OF DETAIL
- THE TECHNIC OF THE PRODUCTION
- IMPORTANT REHEARSALS
- THE BALLET
- FRANCES ALDA
- BIOGRAPHICAL
- WHAT THE AMERICAN GIRL SHOULD KNOW ABOUT AN OPERATIC CAREER
- MME. FRANCES ALDA (MME. GATTI-CASAZZA)
- REGULARITY AND SUCCESS
- MODERATION AND GOOD SENSE
- THE PRECIOUS HEAD VOICE
- THE AMERICAN GIRL'S CHANCES IN OPERA
- THE NEED FOR SUPERIOR INTELLIGENCE
- PHYSICAL STRENGTH AND SINGING
- PASQUALE AMATO
- BIOGRAPHICAL
- MODERN VOCAL METHODS IN ITALY
- PASQUALE AMATO
- ITALIAN VOCAL TEACHING
- DAVID BISPHAM
- BIOGRAPHICAL
- THE MAIN ELEMENTS OF INTERPRETATION
- DAVID BISPHAM
- DAME CLARA BUTT
- BIOGRAPHICAL
- SUCCESS IN CONCERT SINGING
- DAME CLARA BUTT
- HEALTH AND SINGING
- MISDIRECTED EFFORT
- WHEN TO BEGIN
- LETTING THE VOICE GROW
- PREPARING A REPERTOIRE
- GIUSEPPE CAMPANARI
- BIOGRAPHICAL
- THE VALUE OF SELF-STUDY IN VOICE TRAINING
- GIUSEPPE CAMPANARI
- THE VALUE OF OPERA
- SINGERS NOT BORN, BUT MADE
- NOT GIVEN TO ALL TO STUDY SUCCESSFULLY WITHOUT A TEACHER
- SINGERS MAKE THEIR OWN METHODS
- GREAT VOICES ARE RARE
- ENRICO CARUSO
- BIOGRAPHICAL
- ITALY, THE HOME OF SONG
- ENRICO CARUSO
- OPERA AND THE PUBLIC IN ITALY
- ITALIAN, THE LANGUAGE OF MUSIC
- AUDIENCES THE SAME THE WORLD AROUND
- OPERATIC PREPARATION IN ITALY
- OPERA WILL ALWAYS BE EXPENSIVE
- THE STUDENT'S PREPARATION
- DIFFERENT ROLES
- MME. JULIA CLAUSSEN
- BIOGRAPHICAL
- MODERN ROADS TO VOCAL SUCCESS
- MME. JULIA CLAUSSEN
- WHY SWEDEN PRODUCES SO MANY SINGERS
- SELF-CRITICISM
- AMERICA'S FATAL AMBITION
- CHARLES DALMORES
- BIOGRAPHICAL
- SELF-HELP IN VOICE STUDY
- CHARLES DALMORES
- AT THE PARIS CONSERVATORY
- A DISCOURAGING PROSPECT
- A TEST THAT FAILED
- A FAMOUS OPPORTUNITY
- DISCOURAGING ADVICE
- A CRITICAL MOMENT
- THE NEED FOR GREAT CARE
- FIGHTING YOUR OWN WAY
- ANDREAS DIPPEL
- BIOGRAPHICAL
- IF MY DAUGHTER SHOULD STUDY FOR GRAND OPERA
- ANDREAS DIPPEL
- HER VERY EARLY TRAINING
- HER FIRST MUSICAL TRAINING
- LANGUAGES
- THE STUDY OF THE VOICE ITSELF
- HER TRAINING IN ACTING
- MME. EMMA EAMES
- BIOGRAPHICAL
- HOW A GREAT MASTER COACHED OPERA SINGERS
- MME. EMMA EAMES
- GOUNOD AN IDEALIST
- FIRST MEETING WITH GOUNOD
- A HEARING AT THE OPERA
- GOUNOD AS A MODERNIST
- ONE REASON FOR GOUNOD'S EMINENCE
- MME. FLORENCE EASTON
- BIOGRAPHICAL
- THE OPEN DOOR TO OPERA
- MME. FLORENCE EASTON
- THE SCHOOL OF PRIME DONNE
- THE BEST BEGINNING
- NECESSITY OF ROUTINE
- WATCHING FOR OPPORTUNITIES
- TALES OF STRAUSS
- THE SINGER'S GREATEST NEED
- GERALDINE FARRAR
- BIOGRAPHICAL
- WHAT MUST I GO THROUGH TO BECOME A PRIMA DONNA?
- MME. GERALDINE FARRAR
- LUCIA OR ZAZA
- KEEP THE VOICE STRONG AND FLEXIBLE
- LESSONS MUST BE ADEQUATE
- THE ONLY CURE
- MME. JOHANNA GADSKI
- BIOGRAPHICAL
- THE MASTER SONGS OF ROBERT SCHUMANN
- MME. JOHANNA GADSKI
- ROBERT SCHUMANN'S LYRIC GIFT
- THE INTIMATE AND DELICATE CHARACTER OF SCHUMANN SONGS
- THE LOVE INTEREST IN THE SCHUMANN SONGS
- Cycle Songs
- SCHUMANN'S LOVE FOR THE ROMANTIC
- PECULIAR DIFFICULTIES IN INTERPRETING SCHUMANN SONGS
- SCHUMANN'S POPULARITY IN AMERICA
- MME. AMELITA GALLI-CURCI
- BIOGRAPHICAL
- TEACHING YOURSELF TO SING
- MME. AMELITA GALLI-CURCI
- GENERAL EDUCATION
- FOUR YEARS OF HARD TRAINING
- MARY GARDEN
- BIOGRAPHICAL
- THE KNOW HOW IN THE ART OF SINGING
- MARY GARDEN
- Unless the "career" comes first there is not likely to be any "career."
- MME. ALMA GLUCK
- BIOGRAPHICAL
- BUILDING A VOCAL REPERTOIRE
- ALMA GLUCK
- GO TO THE CLASSICS
- THE LYRIC SONG REPERTOIRE
- AMERICAN SONGS
- ART FOR ART'S SAKE, A FARCE
- EMILIO DE GOGORZA
- BIOGRAPHICAL
- OPPORTUNITIES FOR YOUNG CONCERT SINGERS
- EMILIO DE GOGORZA
- SPECIAL STUDY REQUIRED FOR CONCERT SINGING
- STUDY IN YOUR HOME COUNTRY
- NEVER SING WHEN TIRED
- FRIEDA HEMPEL
- BIOGRAPHICAL
- THOROUGHNESS IN VOCAL PREPARATION
- MME. FRIEDA HEMPEL
- WHY SOME SUCCEED AND SOME FAIL
- A GOOD LEGATO
- GOOD FOUNDATIONS
- A LARGE REPERTOIRE
- MORE OPERA FOR AMERICA
- STRONG EDUCATIONAL VALUE OF OPERA
- DAME NELLIE MELBA
- BIOGRAPHICAL
- COMMON SENSE IN TRAINING AND PRESERVING THE VOICE
- DAME NELLIE MELBA
- HOW CAN A GOOD VOICE BE DETECTED?
- WHAT WORK SHOULD THE GIRL UNDER EIGHTEEN DO?
- A GENERAL MUSICAL TRAINING
- THE FIRST VOCAL PRACTICE
- PRESERVING THE VOICE
- IS THE ART OF SINGING DYING OUT?
- MME. BERNICE DE PASQUALI
- BIOGRAPHICAL
- SECRETS OF BEL CANTO
- MME. BERNICE DE PASQUALI
- CENTURIES OF EXPERIMENTAL EXPERIENCE
- THE SECRET OF CONSERVING THE VOICE
- COURAGE IN SINGING
- THE REASON FOR THE LACK OF WELL-TRAINED VOICES
- THE DELICATE NATURE OF THE HUMAN VOICE
- SOME PRACTICE SUGGESTIONS
- MME. MARCELLA SEMBRICH
- BIOGRAPHICAL
- HOW FORTUNES ARE WASTED IN VOCAL EDUCATION
- MME. MARCELLA SEMBRICH
- EVERY ONE WHO CAN SHOULD LEARN TO SING
- WRONG TO ENCOURAGE VOICELESS ASPIRANTS
- PIANO OR VIOLIN STUDY ADVISABLE FOR ALL SINGERS
- A GOOD GENERAL EDUCATION OF VAST IMPORTANCE
- MUSICAL ADVANCE IN AMERICA
- MME. ERNESTINE SCHUMANN-HEINK
- BIOGRAPHICAL
- KEEPING THE VOICE IN PRIME CONDITION
- MME. ERNESTINE SCHUMANN-HEINK
- THE ARTIST'S RESPONSIBILITY
- THE ADVANTAGE OF AN EARLY TRAINING
- THE AGE FOR STARTING
- LET EVERYBODY SING!
- THE SINGER'S DAILY ROUTINE
- PREPARATION FOR HEAVY ROLES
- DAILY EXERCISES OF A PRIMA DONNA
- THE SINGER MUST RELAX
- Ah!--ver-se-moi--ver-se-moi.. l-i-vres-se!]
- ANTONIO SCOTTI
- BIOGRAPHICAL
- ITALIAN OPERA IN AMERICA
- ANTONIO SCOTTI
- OPERATIC TENDENCIES
- OPERA THE NATURAL GENIUS OF ITALY'S COMPOSERS
- THE COMPOSERS OF TO-DAY
- THE INFLUENCE OF THE STAR SYSTEM
- THE POSSIBLE INFLUENCE OF STRAUSS AND DEBUSSY
- OPERATIC CENTERS IN ITALY
- MORE NEW OPERAS SHOULD BE PRODUCED
- AMERICA'S MUSICAL FUTURE
- HENRI SCOTT
- BIOGRAPHICAL
- THE SINGER'S LARGER MUSICAL PUBLIC
- HENRI SCOTT
- WHY GRAND OPERA IS EXPENSIVE
- A REVOLUTION IN TASTE
- SINGING FOR MILLIONS
- THE ART OF "PUTTING IT OVER"
- HOW TO GET AN ENGAGEMENT
- EXCELLENT CONDITIONS
- EMMA THURSBY
- BIOGRAPHICAL
- SINGING IN CONCERT AND WHAT IT MEANS
- EMMA THURSBY
- HEALTH
- THE SINGER'S EARLY TRAINING
- WHEN TO BEGIN TRAINING
- HABITS OF SPEECH, POISE AND THINKING
- MAURICE STRAKOSCH'S TEN VOCAL COMMANDMENTS
- REINALD WERRENRATH
- BIOGRAPHICAL
- NEW ASPECTS OF THE ART OF SINGING IN AMERICA
- REINALD WERRENRATH
- CLIMATIC CONDITIONS A SERIOUS HANDICAP
- OPERATIC STUDY
- NATURAL METHODS OF SINGING
- EVAN WILLIAMS
- BIOGRAPHICAL
- HOW I REGAINED A LOST VOICE
- EVAN WILLIAMS
- AN INDISPUTABLE RECORD
- I. Tone creates its own support.
- TONE CREATES ITS OWN SUPPORT
- A GOOD POSITION
- II. Hold your arms at your side in a relaxed condition.
- SENSATIONS
- CONTRASTING TIMBRES THAT LEAD TO A BEAUTIFUL TONE WHEN COMBINED
- THE TONGUE POSITION
- A PRACTICAL STEP
- I. Stand erect as directed.
- II. Open the mouth _without inhaling_.
- III. Produce the dark tone ("u" as in hum).
- V. Open the mouth without inhaling.
- VI. Make the strident sound ("e" as in when).
- VIII. Open the mouth without inhaling.
- A COMFORTABLE PITCH
- LET YOUR OWN EARS CONVINCE YOU
- Talmadge=>Talmage
- Artious=>Artibus
- Wohltemperites=>Wohltemperiertes
- Delibes=>Delibes
- Words not changed: unforgetable, skilful, Beyreuth, marvelous