Success in this new field depends upon personality as well as art. It
also develops personality. It is no place for a "stick." The singer must
at all times be in human touch with the audience. The lofty individuals
who are thinking far more about themselves than about the songs they are
singing have no place here. The task is infinitely more difficult than
grand opera. It is far more difficult than recital or oratorio singing.
There can be no sham, no pose. The songs must please or the audience
will let one know it in a second.
The wear and tear upon the voice is much less than in opera. During the
week I sing in all three and one-half hours (not counting rehearsals).
When I am singing Mephistopheles in _Faust_ I am in a theater at least
six hours--the make-up alone requires at least one and one-half hours.
Then time is demanded for rehearsals with the company and with various
coaches.