Vocal Mastery
Vocal Mastery Talks with Master Singers and Teachers, Comprising Interviews with Caruso, Farrar, Maurel, Lehmann, and Others
作者：Brower, Harriette, 1869-1928
体例：题 章数：287
字数：259,406 来源：Project Gutenberg
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cache/epub/15446/pg15446.txt（Project Gutenberg）
章节目录
共 287 题- VOCAL MASTERY
- TALKS WITH MASTER SINGERS AND TEACHERS
- COMPRISING INTERVIEWS WITH CARUSO, FARRAR, MAUREL, LEHMANN, AND OTHERS
- BY
- HARRIETTE BROWER
- WITH TWENTY PORTRAITS
- NEW YORK
- FREDERICK A. STOKES COMPANY PUBLISHERS
- FOREWORD
- HARRIETTE BROWER.
- 150 West 80 Street, New York City.
- CONTENTS
- FOREWORD
- ENRICO CARUSO ... The Value of Work
- GERALDINE FARRAR ... The Will to Succeed a Compelling Force
- VICTOR MAUREL ... Mind Is Everything
- A VISIT TO MME. LILLI LEHMANN
- AMELITA GALLI-CURCI ... Self-teaching the Great Essential
- GIUSEPPE DE LUCA ... Ceaseless Effort Necessary for Artistic Perfection
- LUISA TETRAZZINI ... The Coloratura Voice
- ANTONIO SCOTTI ... Training American Singers for Opera
- ROSA RAISA ... Patience and Perseverance Win Results
- LOUISE HOMER ... The Requirements of a Musical Career
- GIOVANNI MARTINELLI ... "Let Us Have Plenty of Opera in America"
- ANNA CASE ... Inspired Interpretation
- FLORENCE EASTON ... Problems Confronting the Young Singer
- MARGUERITE D'ALVAREZ ... The Message of the Singer
- MARIA BARRIENTOS ... Be Your Own Critic
- CLAUDIA MUZIO ... A Child of the Opera
- EDWARD JOHNSON (EDOUARDO DI GIOVANNI) ... The Evolution of an Opera Star
- REINALD WERRENRATH ... Achieving Success on the Concert Stage
- SOPHIE BRASLAU ... Making a Career in America
- MORGAN KINGSTON ... The Spiritual Side of the Singer's Art
- FRIEDA HEMPEL ... A Lesson with a Prima Donna
- WITH THE MASTER TEACHERS
- DAVID BISPHAM ... The Making of Artist Singers
- OSCAR SAENGER ... Use of Records in Vocal Study
- HERBERT WITHERSPOON ... Memory, Imagination, Analysis
- YEATMAN GRIFFITH ... Causation
- J.H. DUVAL ... Some Secrets of Beautiful Singing
- THE CODA ... A Resumé
- ILLUSTRATIONS
- Enrico Caruso _Frontispiece_
- Geraldine Farrar
- Victor Maurel
- Amelita Galli-Curci
- Giuseppe de Luca
- Luisa Tetrazzini
- Antonio Scotti
- Rosa Raisa
- Louise Homer
- Giovanni Martinelli
- Anna Case
- Florence Easton
- Marguerite d'Alvarez
- Maria Barrientos
- Claudia Muzio
- Edward Johnson
- Reinald Werrenrath
- Sophie Braslau
- Morgan Kingston
- Frieda Hempel
- VOCAL MASTERY
- THE VALUE OF WORK
- IN EARLY DAYS
- RIGID DISCIPLINE
- THE FIRST REAL CHANCE
- A REVELATION
- RESULTS OF THE REVELATION
- THE VALUE OF WORK TO THE SINGER
- CEASELESS STUDY
- A LAST WORD
- II
- THE WILL TO SUCCEED A COMPELLING FORCE
- THE QUESTION OF HEALTH
- TECHNICAL STUDY
- WITH LEHMANN
- MEMORIZING
- CONTRASTING COLORATURA AND DRAMATIC SINGING
- TO THE YOUNG SINGER
- MODERN MUSIC
- VOICE LIMITATIONS
- VOCAL MASTERY
- III
- MIND IS EVERYTHING
- M. Maurel gazed before him thoughtfully.
- IV
- A VISIT TO MME. LILLI LEHMANN
- EXAMINING A PUPIL
- THE MOZART FESTIVAL
- LEHMANN THE TEACHER
- BREATHING
- REGISTERS
- PHYSIOLOGY
- THE NASAL QUALITY
- USE OF THE LIPS
- POWER AND VELOCITY
- SELF-TEACHING THE GREAT ESSENTIAL
- SELF-STUDY
- NEVER STRAIN THE VOICE
- USE OF THE VOWELS
- MEMORIZING
- THE NECESSITY FOR LANGUAGES
- COLORATURA AND DRAMATIC
- BREATH CONTROL
- THE MATTER IN A NUTSHELL
- VI
- CEASELESS EFFORT NECESSARY FOR ARTISTIC PERFECTION
- THE MUSICAL GIFT
- A REMARKABLE TEACHER
- THE ARTIST LIFE
- CONSTANTLY ON THE WATCH
- LEARNING A NEW RÔLE
- ALWAYS BEING SURE OF THE WORDS
- NATURAL ANXIETY
- GROWTH OF MUSICAL APPRECIATION IN AMERICA
- VII
- THE COLORATURA VOICE
- FOR THE DÉBUTANTE
- THE COLORATURA VOICE
- VIII
- TRAINING AMERICAN SINGERS FOR OPERA
- CHARACTERIZATION
- OPPORTUNITY FOR THE AMERICAN SINGER
- ITALIAN OPERA IN AMERICA
- AMERICAN COMPOSERS
- OPERATIC TRAINING
- IX
- PATIENCE AND PERSEVERANCE WIN RESULTS
- A PRIMA DONNA AT HOME
- THE SINGER'S LIFE
- VOCAL TRAINING
- COLORATURA AND DRAMATIC
- DO NOT YIELD TO DISCOURAGEMENT
- MUSICIANSHIP
- HAVE PATIENCE
- VOCAL MASTERY
- THE REQUIREMENTS OF A MUSICAL CAREER
- FOR THE GIRL WHO WANTS TO MAKE A CAREER
- HOW AN ARTIST WORKS
- THE START IN OPERA
- WHAT ARE THE ASSETS FOR A CAREER?
- COLORATURA AND DRAMATIC
- MEMORIZING
- VOCAL MASTERY
- XI
- DAILY STUDY
- TREATMENT OF THE VOICE
- A NEW RÔLE
- OPERA IN EVERY CITY
- XII
- INSPIRED INTERPRETATION
- TONE PLACEMENT
- WHEN TO PRACTICE
- USING FULL VOICE
- THE SUBJECT OF INTERPRETATION
- THE WORDS OF A SONG PARAMOUNT
- GROWTH OF APPRECIATION
- XIII
- PROBLEMS CONFRONTING THE YOUNG SINGER
- THE YOUNG SINGER
- THE STUDIO VERSUS THE CONCERT ROOM
- VALUE OF HONEST CRITICISM
- BREATHING EXERCISES
- FULL OR HALF VOICE
- IN REGARD TO MEMORIZING
- FEELING DEEPLY DURING PERFORMANCE
- LANGUAGE
- THE IDEAL WAY
- AMOUNT OF DAILY PRACTICE
- OPPORTUNITIES FOR THE YOUNG SINGER IN AMERICA
- XIV
- THE MESSAGE OF THE SINGER
- SENTIMENT VERSUS TEMPERAMENT
- MASSAGE THE VOICE
- XV
- BE YOUR OWN CRITIC
- BEGINNING VOCAL STUDY WITH OPERA
- MEMORIZING
- SPANISH OPERA
- XVI
- A CHILD OF THE OPERA
- TECHNICAL PRACTICE
- BREATH CONTROL
- MEMORIZING
- KEEPING UP REPERTOIRE
- XVII
- THE EVOLUTON OF AN OPERA STAR
- A MUSICAL CAREER
- NOT MANY RULES
- THE EAR
- BEL CANTO
- LEARNING A RÔLE
- INTERPRETATION
- LEARNING BY DOING
- XVIII
- ACHIEVING SUCCESS ON THE CONCERT STAGE
- VOCAL CONTROL
- EARLY EXPERIENCES
- DAILY PRACTICE
- WITH MAUREL
- THE SINGER BEFORE AN AUDIENCE
- THE SINGER IN HIS STUDIO
- VOCAL MASTERY
- XIX
- MAKING A CAREER IN AMERICA
- XX
- THE SPIRITUAL SIDE OF THE SINGER'S ART
- RULES OF TECHNIC
- EARLY STRUGGLES
- WHAT THE TEACHER SHOULD DO FOR THE STUDENT
- THE TECHNICAL SIDE
- THE MORAL SIDE
- XXI
- A LESSON WITH A PRIMA DONNA
- BREATHING
- VOCAL TECHNIC
- VOCAL PRACTICE
- WHAT IT MEANS TO BE A SINGER
- AMERICAN VOICES
- THE YOUNG SINGER BEFORE AN AUDIENCE
- OPERA OR CONCERT
- COLORATURA OR DRAMATIC
- WITH THE MASTER TEACHERS
- XXII
- THE MAKING OF ARTIST SINGERS
- THE PROBLEM OF BREATH CONTROL
- TECHNICAL MATERIAL
- THE STUDY OF REPERTOIRE
- CHARACTERIZATION
- KNOWLEDGE OF ANATOMY
- IN THE STUDIO
- VOCALIZES
- XXIII
- OSCAR SAENGER
- USE OF RECORDS IN VOCAL STUDY
- TEACHER, ARTIST AND ACCOMPANIST IN ONE
- SIMPLICITY
- IMITATION A FUNDAMENTAL PRINCIPLE
- FOR BEGINNERS
- THE ACCOMPANIST
- THE SPEAKING VOICE
- BREATHING EXERCISES
- PHRASING
- TONE PRODUCTION
- SUSTAINED TONES
- UNITING SEVERAL TONES
- ARPEGGIOS
- THE TRILL
- VOCALIZES
- XXIV
- MEMORY, IMAGINATION, ANALYSIS
- BEL CANTO
- MEMORY
- IMAGINATION
- ANALYSIS
- CONSCIOUS OR UNCONSCIOUS CONTROL
- DOES THE SINGER HEAR HIMSELF?
- XXV
- CAUSATION
- TONE PLACEMENT
- IN THE BEGINNING
- BREATH CONTROL
- CAUSATION
- REGISTERS
- VOCAL MASTERY
- XXVI
- SOME SECRETS OF BEAUTIFUL SINGING
- WORDS IN THE VOICE
- VOCAL MASTERY
- XXVII
- A RESUMÉ
- 1. Each and every voice and mentality is individual.
- AMERICAN VOICES
- AMERICAN VOICE TEACHERS
- ARE AMERICAN VOCAL STUDENTS SUPERFICIAL?
- THE VOCAL STUDENT MUST NOT BE AFRAID TO WORK
- THE REQUIREMENTS FOR A VOCAL CAREER
- WHAT BRANCHES OF STUDY MUST BE TAKEN UP?
- BREATH CONTROL
- SPECIFIC EXERCISES
- LENGTH OF TIME FOR DAILY PRACTICE
- WHAT VOWELS TO USE
- HALF OR FULL VOICE?
- HEARING YOURSELF
- VOCAL MASTERY, FROM THE ARTISTS' VIEWPOINT
- THE END