IN THE STUDIO

It is often affirmed that an artist finds experience the best teacher.

It must be equally true that the artist-teacher of wide experience in

both performance and instruction, should be a safe guide, just because

of this varied experience.

I was impressed with this fact when I recently had the privilege of

visiting Mr. Bispham's studio during lesson hours, and listening to his

instruction. A most interesting sanctum is this studio, filled as it is

with souvenirs and pictures of the artist's long career on the operatic

stage. Here hangs a drawing in color of Bispham as Telramund, in shining

chain armor; there a life-size portrait as "Beethoven," and again as

himself. In the midst of all is the master, seated at a table. In front

of him, at the piano, stands the student. It is an English song she is

at work on, for Mr. Bispham thoroughly believes in mastering English as

well as other languages.

How alert he is as he sits there; how keen of eye and ear. Not the

slightest fault escapes him. He often sings the phrase himself, then

calls for its repetition.

"Sing that passage again; there is a tone in it that is not

pleasant--not well-sounding; make it beautiful!" "Careful of your

consonants there, they are not distinct; let them be clearer, but don't

make them over distinct." "Don't scoop up the ends of the phrases; make

the tones this way"; and he illustrates repeatedly. "Sing this phrase in

one breath if you can, if not, breathe here--" indicating the place.

The student now takes up an Italian aria. Of course the master teacher

has no need of printed score; he knows the arias by heart. He merely

jots down a few remarks on a slip of paper, to be referred to later.

The aria goes quite well. At its close the singer goes to her seat and

another takes her place. A voice of rich, warm timbre. More English--and

it must be most exact, to suit Mr. Bispham's fastidious ear.

"Make the word _fire_ in _one_ syllable, not _two_. Do not open the

mouth quite so wide on the word _desire_, for, by doing so you lose the

balance and the tone is not so good."

Vocal Mastery Talks with Master Singers and Teachers, Comprising Interviews with Caruso, Farrar, Maurel, Lehmann, and Others · 第 232 / 287 题