XI

=GIOVANNI MARTINELLI=

"LET US HAVE PLENTY OF OPERA IN AMERICA"

Said the Professor: "How well I remember the first time I heard

Martinelli. We were traveling in Italy that summer, and had arrived in

Verona rather late in the afternoon. The city seemed full of people,

with many strangers, and we could not at first secure accommodations at

the hotel. Inquiring the cause, the answer was: 'Does not the signer

know that to-day is one holiday, and to-night, in the Amphitheater,

_Aïda_ will be sung, under the stars.' We finally secured rooms, and of

course heard the opera that night. Young Martinelli was the Rhadames,

and I shall never forget how splendidly his voice rang out over those

vast spaces of the Arena. It was a most unusual experience to hear that

music sung in the open--'under the stars,' and it was unforgettable."

[Illustration: GIOVANNI MARTINELLI]

Giovanni Martinelli, who has been for several years one of the leading

tenors at the Metropolitan Opera House, New York, has warmly entrenched

himself in the hearts of music lovers in America. To be a great singer,

as some one has said, requires, first, voice; second, voice; third,

voice. However, at the present hour a great singer must have more than

voice; we demand histrionic ability also. We want singing actors as well

as great singers.

Mr. Martinelli is the possessor of a beautiful voice and, moreover, is a

fine actor and an excellent musician. He was, first of all, a

clarinetist before he became a singer, and so well did he play his

chosen instrument that his services were in great demand in his home

town in Italy. Then it was discovered he had a voice and he was told he

could make a far greater success with that voice than he ever could

playing the clarinet. He set to work at once to cultivate the voice in

serious earnest and under good instruction. After a considerable time

devoted to study, he made his début in Milan, in Verdi's _Ernani_. His

success won an engagement at Covent Garden and for Monte Carlo.

A visit to the singer's New York home is a most interesting experience.

He has chosen apartments perched high above the great artery of the

city's life--Broadway. From the many sun-flooded windows magnificent

views of avenue, river and sky are visible, while at night the

electrical glamour that meets the eye is fairy-like. It is a sightly

spot and must remind the singer of his own sun lighted atmosphere at

home.

The visitor was welcomed with simple courtesy by a kindly, unaffected

gentleman, who insists he cannot speak "your English," but who, in spite

of this assertion, succeeds in making himself excellently well

understood. One feels his is a mentality that will labor for an object

and will attain it through force of effort. There is determination in

the firm mouth, which smiles so pleasantly when speaking; the thoughtful

brow and serious eyes add their share to the forceful personality. The

Titian-tinted hair indicates, it is said, a birthplace in northern

Italy. This is quite true in the case of Mr. Martinelli, as he comes

from a village not far from Padua and but fifty miles from Venice--the

little town of Montagnana.

Vocal Mastery Talks with Master Singers and Teachers, Comprising Interviews with Caruso, Farrar, Maurel, Lehmann, and Others · 第 146 / 287 题