THE SUBJECT OF INTERPRETATION

"The interpretation of a rôle, or song, is everything--of course. What

are mere notes and signs compared to the thoughts expressed through

them? Yet it is evident there are people who don't agree to this, for

one hears many singers who never seem to look deeper than the printed

page. They stand up and go through their songs, but the audiences

remain cold; they are not touched. The audiences are blamed for their

apathy or indifference, but how can they be warmed when the singer does

not kindle them into life?

"To me there is a wonderful bond of sympathy between the audience and

myself. I feel the people, in a sense, belong to me--are part of my

family. To them I pour out all my feelings--my whole soul. All the

sorrow of the sad songs, all the joy of the gay ones, they share with

me. In this spirit I come before them; they feel this, I am sure. It

awakens a response at once, and this always inspires me. I put myself in

a receptive mood; it has the desired effect; my interpretation becomes

inspired through their sympathy and my desire to give out to them.

Vocal Mastery Talks with Master Singers and Teachers, Comprising Interviews with Caruso, Farrar, Maurel, Lehmann, and Others · 第 156 / 287 题