HOW AN ARTIST WORKS

"I am always studying, always striving to improve what I have already

learned and trying to acquire the things I find difficult, or that I

have not yet attained to. I do vocal technic every day; this is

absolutely essential, while one is in the harness. It is during the

winter that I work so industriously, both on technic and repertoire,

between tours. This is when I study. I believe in resting the voice part

of the year, and I take this rest in the summer. Then, for a time, I do

not sing at all. I try to forget there is such a thing as music in the

world, so far as studying it is concerned. Of course I try over Mr.

Homer's new songs, when they are finished, for summer is his time for

composition.

"Since the voice is such an intangible instrument, the singer needs

regular guidance and criticism, no matter how advanced she may be. As

you say, it is difficult for the singer to determine the full effect of

her work; she often thinks it much better than it really is. That is

human nature, isn't it?" she added with one of her charming smiles.

Vocal Mastery Talks with Master Singers and Teachers, Comprising Interviews with Caruso, Farrar, Maurel, Lehmann, and Others · 第 140 / 287 题