SPANISH OPERA

"Yes, we have native opera in Spain, but the works of our operatic

composers are little known in other lands. The Spanish people are

clannish, you see, and seem to lack the ambition to travel abroad to

make their art known to others; they are satisfied to make it known to

their own people. Casals and I--we are perhaps the ones who regularly

visit you, though you have several Spanish singers in the opera who

reside here permanently.

"As for Spanish composers of instrumental music, you are here somewhat

familiar with the names of Grovelez and Albeniz; Granados you know also,

both his opera, _Goyescas_, which was performed at the Metropolitan, and

his personality. He came to America to witness the premier of his opera,

and while here proved he was a most excellent pianist as well as a

composer of high merit, which fact was revealed in his piano and vocal

compositions. The American people were most kind and appreciative to

him. When the disaster came and he was lost at sea, the testimonial they

sent his orphaned children was a goodly sum, though I hardly think the

children appreciated your goodness.

"Among the composers in Spain who have turned their gifts toward

operatic channels I can mention Pedrell, Morea, Falla, Vives and Breton.

Vives is now writing an opera for me, entitled _Abanico_. Gradually, no

doubt, the music of our country, especially its opera, will find its

way to other lands. Even in England, I am told, Spanish music is very

little known; our many distinguished modern musicians are hardly even

names. Of course the world knows our Toreador songs, our castanet

dances, and the like; perhaps they think we have little or no serious

music, because it is still unknown. Spanish music is peculiar to the

country; it is permeated with the national spirit and feeling."

Asked if she would sing in South America during the vacation, the singer

answered:

"I have sung there with great success. But I shall not be able to go

there this summer. My little boy has been placed in a school in France;

it is the first time we have been separated, and it has been very hard

for me to have the ocean between us. I shall sing at Atlanta, the first

week of May, and then sail the middle of the month for France. Yes,

indeed, I hope to return to America next season.

"I trust you have been able to understand my poor English," she said

smiling, as she parted with her visitor; "we speak several languages

here in my home--Spanish with my mother and friends, French and Italian

with others in the household. But there seems little necessity for using

English, even though I am living in the heart of the metropolis.

Perhaps next year, I shall master your language better."

And the picture of her, as she stood in her artistic, home-like salon,

with its lights, its pictures and flowers, is even more lasting than any

to be remembered on the operatic stage.

Vocal Mastery Talks with Master Singers and Teachers, Comprising Interviews with Caruso, Farrar, Maurel, Lehmann, and Others · 第 180 / 287 题