"It is of advantage to the singer to be trained in both these arts. In
the smaller opera houses of Italy, a soprano, if thus trained, can sing
_Lucia_ one night and _Norma_ the next; _Traviata_ one night and
_Trovatore_ the next.
"Modern Italian opera calls for the dramatic soprano. She must be an
actress just as well as a singer. She must be able to express in both
voice and gesture intense passion and emotion. It is the period of storm
and stress. Coloratura voices have not so much opportunity at the
present time, unless they are quite out of the ordinary. And yet, for
me, a singer who has mastery of the beautiful art of _bel canto,_ is a
great joy. Galli-Curci's art is the highest I know of. For me she is the
greatest singer. Melba also is wonderful. I have heard her often--she
has been very kind to me. When I hear her sing an old Italian air, with
those pure, bell-like tones of hers, I am lifted far up; I feel myself
above the sky.