OPPORTUNITIES FOR THE YOUNG SINGER IN AMERICA

"The chances for the American singer to make a career in concert and

recital are abundant. In no other country in the world do such

opportunities exist. If she can meet the requirements, she can win both

fame and fortune on the concert stage.

"In opera, on the other hand, opportunities are few and the outlook

anything but hopeful. Every young singer casts longing eyes at the

Metropolitan, or Chicago Opera, as the goal of all ambition. But that is

the most hopeless notion of all. No matter how beautiful the voice, it

is drill, routine, experience one needs. Without these, plus musical

reputation, how is one to succeed in one of the two opera houses of the

land? And even if one is accepted 'for small parts,' what hope is there

of rising, when some of the greatest artists of the world hold the

leading rôles? What the American singer needs is opportunity to gain

experience and reputation in smaller places. Several years' drill and

routine would fit the aspirant for a much broader field. This would give

her command over her resources and herself, and perfect her voice and

impersonations, if she has the gifts and constantly studies to improve

them. Even England, so small compared to America, has seven opera

companies that travel up and down the land, giving opera; they have done

this during all the years of the war.

"This question of providing opportunity for operatic experience in

America, is one which has long been discussed and many experiments have

been tried, without arriving at satisfactory results. What is needed is

to awaken interest in opera in small places--just little out-of-the-way

towns. My idea would be to have a regular stock local opera company, and

have the standard operas studied. Have a little orchestra of about

twenty and a small chorus. The small parts to be learned by the most

competent singers in the place. Then have the few principal rôles taken

by 'guest artists,' who might make these engagements in regular route

and succession. It seems to me such a plan could be carried out, and

what a joy it would be to any small community! But people must gradually

awake to this need: it will take time."

Vocal Mastery Talks with Master Singers and Teachers, Comprising Interviews with Caruso, Farrar, Maurel, Lehmann, and Others · 第 171 / 287 题