A PRIMA DONNA AT HOME

If one has pictured to one's self that because the Russian prima donna

can show herself a whirlwind of dynamic passion on the stage, therefore

she must show some of these qualities in private life, one would quickly

become disabused of such an impression when face to face with the

artist. One would then meet a slender, graceful young woman, of gentle

presence and with the simplest manners in the world. The dark, liquid

eyes look at one with frankness and sincerity; the wide, low brow, from

which the dark hair is softly drawn away, is the brow of a madonna. In

repose the features might easily belong to one of Raphael's saints.

However, they light up genially when their owner speaks.

Mme. Raisa stood in the doorway of her New York apartment, ready to

greet us as we were shown the way to her. Her figure, clad in

close-fitting black velvet, looked especially slender; her manner was

kind and gracious, and we were soon seated in her large, comfortable

salon, deep in conference. Before we had really begun, the singer's pet

dog came bounding to greet us from another room. The tiny creature, a

Mexican terrier, was most affectionate, yet very gentle withal, and

content to quietly cuddle down and listen to the conversation.

"I will speak somewhat softly," began Mme. Raisa, "since speaking seems

to tire me much more than singing, for what reason I do not know. We

singers must think a little of our physical well being, you see. This

means keeping regular hours, living very simply and taking a moderate

amount of exercise.

"Yes, I always loved to sing; even as a little child I was constantly

singing. And so I began to have singing lessons when I was eight years

old. Later on I went to Italy and lived there for a number of years,

until I began to travel. I now make my home in Naples. My teacher there

was Madame Marchesio, who was a remarkable singer, musician and

teacher--all three. Even when she reached the advanced age of eighty,

she could still sing wonderfully well. She had the real _bel canto_,

understood the voice, how to use it and the best way to preserve it. I

owe so much to her careful, artistic training; almost everything, I may

say.

Vocal Mastery Talks with Master Singers and Teachers, Comprising Interviews with Caruso, Farrar, Maurel, Lehmann, and Others · 第 130 / 287 题