EXAMINING A PUPIL

Mme. Lehmann seated herself at the piano and asked for scales and

vocalizes. The young girl, either from fright or poor training, did not

make a very fortunate impression. She could not seem to bring out a

single pure steady tone, much less sing scales acceptably.

Madame with a resigned look finally asked for a song, which was given.

It was a little song of Franz, I remember. Then Lehmann wheeled around

on the stool and said to us, in German:

"The girl cannot sing--she has little or no voice to begin with, and has

not been rightly trained." Then to the young girl she said, kindly, in

English:

"My dear young lady, you have almost everything to learn about singing,

for as yet you cannot even sing one tone correctly; you cannot even

speak correctly. First of all you need physical development; you must

broaden your chest through breathing exercises; you are too thin

chested. You must become physically stronger if you ever hope to sing

acceptably. Then you must study diction and languages. This is

absolutely necessary for the singer. Above all you must know how to

pronounce and sing in your own language. So many do not think it

necessary to study their own language; they think they know that

already; but one's mother tongue requires study as well as any other

language.

"The trouble with American girls is they are always in a hurry. They are

not content to sit down quietly and study till they have developed

themselves into something before they ever think of coming to Europe.

They think if they can just come over here and sing for an artist, that

fact alone will give them prestige in America. But that gives them quite

the opposite reputation over here. American girls are too often looked

upon as superficial, because they come over here quite unprepared. I say

to all of them, as I say to you: Go home and study; there are plenty of

good teachers of voice and piano in your own land. Then, when you can

_sing_, come over here, if you wish; but do not come until you are

prepared."

After this little episode, we continued our talk for a while longer.

Then, fearing to trespass on her time, we rose to leave. She came to the

door with us, followed us down the steps into the front garden, and held

the gate open for us, when we finally left. We had already expressed the

hope that she might be able to return to America, at no very distant

day, and repeat her former triumphs there. Her fine face lighted at the

thought, and her last words to us were, as she held open the little iron

wicket. "I have a great desire to go to your country again; perhaps, in

a year or two--who knows--I may be able to do it."

She stood there, a noble, commanding figure, framed in the green of her

garden, and waved her handkerchief, till our cab turned a corner, and

she was lost to our view.

Vocal Mastery Talks with Master Singers and Teachers, Comprising Interviews with Caruso, Farrar, Maurel, Lehmann, and Others · 第 89 / 287 题