FOR THE DÉBUTANTE

To ask such a natural born singer how she studies and works, is like

asking the fish swimming about in the ocean, to tell you where is the

sea! She could not tell you how she does it. Singing is as the breath of

life to Tetrazzini--as natural as the air she breathes. Realizing this,

I began at the other end.

"What message have you, Madame, for the young singer, who desires to

make a career?"

"Ah, yes, the débutante. Tell her she must practice much--very much--"

and Madame spread out her hands to indicate it was a large subject; "she

must practice several hours every day. I had to practice very much when

I began my study--when I was sixteen; but now I do not have to spend

much time on scales and exercises; they pretty well go of themselves";

and she smiled sweetly.

"You say," she continued, "the débutante--the young singer--does not

know--in America--how much she needs the foreign languages. But she

should learn them. She should study French, Italian and Spanish, and

know how to speak them. Because, if she should travel to those

countries, she must make herself understood, and she must be able to

sing in those languages, too.

"Besides the languages, it is very good for her to study piano also;

she need not know it so well as if she would be a pianist, but she

should know it a little; yet it is better to know more of the piano--it

will make her a better musician."

Vocal Mastery Talks with Master Singers and Teachers, Comprising Interviews with Caruso, Farrar, Maurel, Lehmann, and Others · 第 119 / 287 题