SELF-STUDY

"How did I learn to know these things? By constant study, by constant

listening--for I have very keen ears--by learning the sensations

produced in throat and larynx when I made tones that were correctly

placed, were pleasing and at the same time made the effects I was

seeking.

"Milan is my home city--beautiful Milano under the blue Italian skies,

the bluest in the world. As a young girl, the daughter of well-to-do

parents, I studied piano at the Royal Conservatory there, and also

musical theory and counterpoint. I shall ever be grateful I started in

this way, with a thorough musical foundation, for it has always been of

great advantage to me in further study. When my father met with

reverses, I made good use of my pianistic training by giving piano

lessons and making a very fair income for a young girl.

"But I longed to sing! Is it not the birthright of every Italian to have

a voice? I began to realize I had a voice which might be cultivated. I

had always sung a little--every one does; song is the natural,

spontaneous expression of our people. But I wished to do more--to

express myself in song. So I began to teach myself by singing scales and

vocalizes between my piano lessons. Meanwhile I studied all the books on

singing I could lay hands on, and then tried to put the principles I

learned in this way in practice. In trying to do this I had to find out

everything for myself. And that is why I know them! I know exactly what

I am about when I sing, I know what muscles are being used, and in what

condition they ought to be; what parts of the anatomy are called into

action and why. Nature has given me two great gifts, a voice and good

health; for both these gifts I am deeply grateful. The first I have

developed through arduous toil; the second I endeavor to preserve

through careful living, regular hours and plenty of exercise in the

fresh air. I have developed the voice and trained it in the way that

seemed to me best for it. There are as many kinds of voices as there are

persons; it seems to me each voice should be treated in the way best

suited to its possessor. How can any other person tell you how that

should be done?" And the singer gave me a bright look, and made a pretty

deprecating gesture. "You yourself must have the intelligence to

understand your own case and learn how to treat it.

Vocal Mastery Talks with Master Singers and Teachers, Comprising Interviews with Caruso, Farrar, Maurel, Lehmann, and Others · 第 99 / 287 题