TECHNICAL STUDY

"There are gifted people who may be called natural born singers. Melba

is one of these. Such singers do not require much technical practice, or

if they need a little of it, half an hour a day is sufficient. I am not

one of those who do not need to practice. I give between one and two

hours daily to vocalizes, scales and tone study. But I love it! A scale

is beautiful to me, if it is rightly sung. In fact it is not merely a

succession of notes; it represents color. I always translate sound into

color. It is a fascinating study to make different qualities of tonal

color in the voice. Certain rôles require an entirely different range of

colors from others. One night I must sing a part with thick, heavy,

rich tones; the next night my tones must be thinned out in quite another

timbre of the voice, to fit an opposite character."

Asked if she can hear herself, Miss Farrar answered:

"No, I do not actually hear my voice, except in a general way; but we

learn to know the sensations produced in muscles of throat, head, face,

lips and other parts of the anatomy, which vibrate in a certain manner

to correct tone production. We learn the _feeling_ of the tone.

Therefore every one, no matter how advanced, requires expert advice as

to the results.

Vocal Mastery Talks with Master Singers and Teachers, Comprising Interviews with Caruso, Farrar, Maurel, Lehmann, and Others · 第 76 / 287 题