Representative E
章节目录
共 206 题- UNDER THE GENERAL EDITORSHIP OF
- PREFACE
- CHARLES MILLS GAYLEY.
- CONTENTS
- Page
- INDEX. 663
- OF THE
- BEGINNINGS OF ENGLISH COMEDY
- AN HISTORICAL VIEW OF THE BEGINNINGS OF
- In connection with the misconception con
- FOOTNOTES:
- THE PLAY OF THE WETHER
- CRITICAL ESSAY
- ALFRED W. POLLARD.
- FOOTNOTES:
- The play of the wether
- The Play of the Wether
- FINIS.
- FOOTNOTES:
- JOHAN JOHAN
- ALFRED W. POLLARD.
- FOOTNOTES:
- A mery play
- FINIS
- FOOTNOTES:
- ROISTER DOISTER
- CRITICAL ESSAY
- In favour of this theory speak further--according to Professor Hales--
- EWALD FLÜGEL.
- FOOTNOTES:
- ROISTER DOISTER
- BY
- NICHOLAS UDALL
- LONDON[327]]
- FOOTNOTES:
- Roister Doister
- FINIS.
- MATHEWE MERYGREEKE. _He entreth singing._ A ii _b_
- RAFE ROISTER DOISTER. MATHEW MERYGREEKE.
- CHRISTIAN CUSTANCE. MARGERIE MUMBLECRUST.
- Actus. ii. Scæna i.[445] C [iii]
- DOBINET DOUGHTIE.
- MAGE MUMBLECRUST. DOBINET DOUGHTIE.
- TRUEPENIE. D. DOUGH. TIBET T. ANOT AL.
- Actus. ii. Scæna. iiii. D i _b_
- C. CUSTANCE. TIBET. ANNOT ALYFACE. TRUPENY.
- MATHEWE MERYGREEKE.
- Actus. iii. Scæna. ii. D ii _b_
- TIBET. M. MERYGREEKE. CHRISTIAN CUSTANCE.
- MATHEW MERYGREEKE. ROISTER DOISTER.
- CUSTANCE. MERYGREEKE. ROISTER DOISTER.
- ROISTER DOISTER. MATHEWE MERYGREEKE. SCRIVENER.
- SYM SURESBY.
- CHRISTIAN CUSTANCE. SIM. SURESBY.
- CHRISTIAN CUSTANCE. ANOT ALYFACE. TIBET T. M. MUMBLECRUST.
- CHRISTIAN CUSTANCE. TRUPENIE. TRISTRAM TRUSTY. C. CUSTANCE.
- Actus. iiii. Scæna. vi. G ii _b_
- MERYGREKE. CHRISTIAN CUSTANCE. TRIST. TRUSTY.
- Actus. iiii. Scæna. viii.[576]
- GAWYN GOODLUCKE. SYM SURESBY.
- C. CUSTANCE. GAWYN GOODLUCKE. SYM SURESBY.
- CHRISTIAN CUSTANCE.
- GAWYN GOODLUCKE. TRISTRAM TRUSTIE. C. CUSTANCE. SYM SURESBY.
- Actus. v. Scæna. v.[603]
- AMEN.
- THE SECONDE SONG[619]
- THE FOURTH SONG.[621]
- The Psalmodie.[623]
- THE FIRST BELL A TRIPLE.[629]
- THE SECONDE
- THE THIRDE
- THE FOURTH BELL
- THE GREATE BELL
- FINIS.
- FOOTNOTES:
- APPENDIX
- The references are, for--
- 1. The _Placebo Dilexi_ (Ps. 114), Man. Ebor. 60; Sarum 57*.
- ARBER. The editions of Roister Doister in Arber's _English Reprints_--
- FOOTNOTES:
- Gower, too, knows Titivillus; _Vox Clamantis_, 232:--
- GAMMER GURTONS NEDLE
- CRITICAL ESSAY
- HENRY BRADLEY.
- FOOTNOTES:
- The Names of the Speakers in this Comedie
- FOOTNOTES:
- Gammer Gurtons Nedle
- The Prologue. A ii
- DICCON.
- HODGE. DICCON.
- HODGE. TYB.
- GAMMER. HODGE. TYB. COCKE.
- GAMMER. TYB. COCKE. HODGE.
- DICCON. HODGE.
- DICCON. CHAT.
- The ii Acte. The iii Sceane. C
- HODGE. DICCON.
- DICCON. GAMMER.
- DICCON.
- HODGE.
- GAMMER. HODGE.
- GAMMER. CHAT. HODGE.
- TYB. HODGE. GAMMER. COCKE.
- The iiii Acte. The i Sceane.[716] D
- DOCTOR RAT. GAMMER GURTON.
- The iiii. Acte. The ii Sceane.[718]
- HODGE. DOCTOR RAT. GAMMER. DICCON. CHAT.
- MASTER BAYLY. DOCTOR RAT.
- M. BAYLY. CHAT. D. RAT. GAMMER. HODGE. DICCON.
- FINIS. GURTON. PERUSED AND ALOWED, &C.
- FOOTNOTES:
- APPENDIX
- ALEXANDER AND CAMPASPE
- CRITICAL ESSAY
- GEORGE P. BAKER.
- FOOTNOTES:
- CAMPASPE
- Mollia cum duris_
- LONDON,
- The Persons of the Play[752]
- FOOTNOTES:
- THE PROLOGUE AT _the blacke Friers_[753]
- FOOTNOTES:
- FOOTNOTES:
- Actus primus. Scæna prima[767]
- Actus primus. Scæna secunda[785]
- SONG[807]
- Actus primus. Scæna tertia[810]
- Actus secundus.[841] Scæna prima.[842]
- ALEXANDER, HEPHESTION, [_and_] PAGE.[843]
- Actus tertius. Scæna prima.[856]
- Actus tertius. Scæna secunda.[869]
- Actus tertius. Scæna tertia.[875]
- Actus tertius. Scæna quarta.[900]
- SONG BY APELLES.
- Actus quartus. Scæna prima.[908]
- Actus quartus. Scæna secunda.[922]
- Actus quartus. Scæna tertia.[926]
- Actus quartus. Scæna quarta.[934]
- Actus quintus. Scæna prima.[939]
- SONG.[945]
- Actus quintus. Scæna secunda.[951]
- Actus quintus. Scæna tertia.[955]
- Actus quintus. Scæna quarta.[964]
- FINIS
- FOOTNOTES:
- THE EPILOGUE AT THE BLACKE FRIERS
- FOOTNOTES:
- The Epilogue at the Court
- FOOTNOTES:
- THE OLD WIVES' TALE
- CRITICAL ESSAY
- F. B. GUMMERE.
- FOOTNOTES:
- THE
- Written by _G. P._
- VIGNETTE
- FOOTNOTES:
- ANTICKE.
- SONG.
- FINIS.
- FOOTNOTES:
- APPENDIX
- HIS PLACE IN COMEDY
- GREENE'S PLACE IN COMEDY
- G. E. WOODBERRY.
- CRITICAL ESSAY
- CHARLES MILLS GAYLEY.
- FOOTNOTES:
- THE
- HONORABLE HISTORIE
- LONDON,
- The Persons of the Play[1261]
- FOOTNOTES:
- THE HONOURABLE
- Historie of Frier Bacon
- BACON, _and_ EDWARD, _goes into the study_.[1336]
- BUNGAY _is mute, crying,_ 'Hud, hud.'
- FOOTNOTES:
- APPENDIX
- SOME ALLEGED IRREGULARITIES IN THE VERSIFICATION OF FRIAR BACON
- 4. The _hovering accent_ is evident in such lines as
- 1. Readers should allow for _feminine endings_, as
- CRITICAL ESSAY
- 1. P. 77. Dd unto Mʳ Porter, the 16 of desembr 1596 vˡⁱ
- 2. P. 77. Lent unto Mʳ Porter, the 7 of march 1597 iiijˡⁱ
- 23. P. 94. Lent Harey Porter, the 5 of may 1599 the some of ijˢ 6ᵈ
- CHARLES MILLS GAYLEY.
- FOOTNOTES:
- The Names of the Speakers[1615]
- FOOTNOTES:
- The Prologue
- FOOTNOTES:
- The pleasant Comedy of the _two angry Women of_ Abington
- Dicke Coomes?[1744]
- FOOTNOTES:
- AS A COMIC DRAMATIST
- SHAKESPEARE AS A COMIC DRAMATIST
- EDWARD DOWDEN.
- FOOTNOTES:
- INDEX OF HISTORICAL AND CRITICAL MATERIALS
- Holland's _Translation of Pliny_, 279 _et seq._
- OFFICIUM LUSORUM, 191.
- VALENTINE AND ORSON, 418, 426.
- End of Project Gutenberg's Representative English Comedies, by Various