_Old Wives' Tale, The_, by George Peele, edited with critical essay
and notes by Professor Gummere, 333–382; also Appendix on Sources of
Characters, and the Harvesters' Song, by the same, 382–384; Other
mention, 409, 427.
_Orlando Furioso_, The, by Ariosto, 346; used by Peele in _O. W. T._,
383; by Greene, 409.
_Orlando Furioso, The Historie of_, by Greene, 342, 383, 389, 408–411,
414, 415, 417, 418.
Osborn, in _Teufelslitteratur_, names of the Devil, 190.
Ovid, Lyly's indebtedness to, 272, 281, 298, etc.
'Owleglasse,' mentioned in _Two Angry Women_, 613.
PALAMON AND ARCITE, by Richard Edwardes, lxxxiv.
_Palladis Tamia_, 528, and see under _Meres_.
Palsgrave, John, his edition of the _Acolastus_, lxx, lxxii, lxxxii;
_Lesclarcissement de la Langue Francoyse_, 109, 194, and frequently in
notes to _Roister_.
_Pammachius_, by Naogeorgos, translated by Bale, lxx, lxxv.
_Pamphilus_, the comedy of, xvii.
'Pancaste,' the real name of 'Campaspe,' 329.
Parasite, the domestic, xvii, lxxxii; in ancient and modern comedy,
100, 101.
_Pardoner, The, and the Frere_, interlude assigned to Heywood, lxvii,
lxix, lxxxi, 10, 15.
_Pardonneur_, etc., _Farce nouvelle d'un_, 15.
Paris, Matthew of, his _Lives of the Abbots of St. Albans_, xiv.
Parker, Archbishop, on Still, 201.
_Parker Society Publications_, on exorcism, 193.
Parodies, religious, xiv–xx; of church services, 191, 192.
Parsones, Thomas, and Porter, 516.
_Passion_, mystery play by A. Greban, xxxvi.
Pastoral scenes and masques, 272, 391.
_Paternoster Play, The_, xxxiv, l.
'Pathelin,' lxvi.
_Patient Grissel_, 191.
_Paul, St., The Conversion of_, in the Digby collection, xxx, xxxvii.
Peele, George, and Lyly, lxxxvii, xc, 275; Critical Essay on, with
edition of his _Old Wives' Tale_, by Professor Gummere, 333–384;
Peele's life, 335; plays assigned to him, 335; his place in the
development of English drama, 336; the _O. W. T._ an innovation, 341;
the background of folk lore in _O. W. T._, 345; literary estimate of,
346; sources, title, text of, 347, 382; the Harvesters' song in, 383;
his _Hunting of Cupid_, 423.
Peile, Dr., and _Gammer Gurtons Nedle_, 198.
Pembroke, the Earl of, his players, and Porter, 520.
Penner, E., his _Metrische Untersuchungen zu Peele_, 348.
Percy, Dr., on _Hyckescorner_, lx.
_Pericles_, probably Shakespeare's, 191, 659, 660.
_Pernet qui va au vin, tresbonne et fort ioyeuse, Farse nouuelle de_,
lxv, lxvi, 12, 15.
_Perymedes_, by Greene, 403, 406, 409.
Petit de Julleville, _La Comédie en France au moven âge_, xxi, lxvi.
Petrarch, his _Philologia_, lxvii.
Pettie, George, his _Petite Pallace of Pettie His Pleasure_, 267.
Philip II, and _Mydas_, 268.
Phillips, Edward, his _Theatrum Poetarum_ on _Faire Emm_, 418.
_Philogenia_, an Italian play, lxix.
Piccolomini, his _Crisis_, lxvii.
'Pickelhering,' xlv.
_Piers Plowman_, xl, 108, 109, 191, etc.
Pikerynge, John, his _Interlude of Vice concerning Horestes_, lxxv,
lxxxiii, lxxxvii.
Pilkington, _Exposition upon Aggeus_, 191.
_Pinner of Wakefield, The_, see _George-a-Greene_.
_Planetomachia_, by Greene, 397, 398.
Plautus, xvi, lxv, lxvii, lxviii, lxxii, lxxix, lxxxii, lxxxvi; Udall
and, 99; Lyly and, 268; Shakespeare and, 650; also frequent references
in notes to _Roister Doister_.
_Play of Love, The_, see _John Heywood_.
_Play of the Sacrament, The_, xxxix.
_Play of the Wether_, see _John Heywood_.
Play within the play, the, in Peele, etc., 343; in Greene, 426.
Players, see under _Acting_.
Pliny, Lyly's indebtedness to, 267, 269; his _History of World_, 279;
also frequently in notes to _Campaspe_.
Plutarch on _Education_, and on _Exile_ used by Lyly, 267; also his
_Life of Alexander_, 269, 283; and elsewhere in the notes to Lyly's
_Alexander and Campaspe_.
_Poliscene_, an Italian play, lxix.
Politics, in Lyly's allegories, 275.
Pollard, Mr. A. W., his edition of the _Towneley Plays_, xxiii, xxvi;
on the Towneley (Wakefield) master, xxviii; his _English Miracle
Plays_, xlix, li, lxvi; _A Critical Essay on John Heywood_, with
editions of his _Play of the Wether_ and _Johan_, 1–86.
_Polyhymnia_, by Peele, 336.
Polytypic plays, lvii, lxxii, lxxvii–lxxxv.
Popular festival plays, xxxix–xlvi.
Porter, Henry, the dramatist, lxxxviii; Critical Essay on his life and
dramatic work, with an edition of his _Two Angry Women_, by Professor
Gayley, 513–633; facts of Porter's life, 515; early notices, 517;
conjectural identity, 518; dramatic career, 520; his associates,
522–524; date of his extant play, 525; its dramatic qualities and
construction, 528; portrayal of character, 530; place in the history of
comedy, 533; previous editions and the present text, 535.
Porter, Henry, the musical composer, 518.
Porter, Walter, 518.
Prayer, the, at the end of early plays, 184; and see close of other
comedies in this volume.
Preston, Thomas, his _Cambises, King of Percia_, lxxxvi.
_Pride of Life, The_, a moral, liii, lvi, lviii.
'Priest of the Sun, The,' in Greene and Lodge's _Looking-Glasse_, 406.
_Processus Crucis_, story about a, by Bebel, xxxvi.
Prodigal Son Plays, lxxii–lxxiv, lxxx, lxxxii, lxxxiii.
Prose, in Medwall's _Nature_, lx; in the _Supposes_, lxxxv; in plays of
Lyly, 271, 274; of Greene, 417.
_Prouerbes in the Englishe Tonge, Dialogue Conteyneng the Number of the
Effectuall_, 3.
Publishers: of Heywood's plays, 5, 8, 10, 13, 16, 17, 63; of _Roister
Doister_, 97, 104; of _Gammer Gurton_, 197; of Lyly's plays, 276; of
Peele's _Old Wives' Tale_, 348; of Greene's plays, 403, 404, 405, 408,
411, 415, 418, 420, 430; of Porter's _2 A. W. A._, 534, 535.
Puttenham, George, his _Arte of English Poesie_, lxxxiii.
'Pyrgopolinices' in Plautus, 102.
QUADRIO, F. S., _Della Storia e della Ragione d'ogni Poesia_, xviii,
lxvii.
Queen's players (Elizabeth's, 1583–1592), Greene's relations with the,
408, 409, 411, 413, 417, 418.
_Querolus_, a Latin play, xvii.
_Quintus Fabius_, a play, 268.
_Quip for an Upstart Courtier, A_, by Greene, 371, 398, 423.
RADCLIFFE, Ralph, his _Griselde_ and other plays, lxxi.
_Ram Alley_, by Barry, 352.
Rankins, William, a writer for Henslowe in Porter's time; author of
_Mulmutius Dunwallow_; joint author of plays with Hathaway, 524.
_Rare Triumphs of Love and Fortune, The_, an early romantic comedy,
lxxxviii; the induction in, 343; 'Lentulo' in, 430.
Rastell, John, reputed author of _A New Interlude and Mery of the
Nature of the Four Elements_, lxi, lxxi; publisher and perhaps author
of _Calisto and Melibœa_, lxviii; relations with John Heywood, 5, 8.
Rastell, William, printer of four of Heywood's plays, 5, 6, 8, 10, 86.
Ray, J., _English Proverbs_, 108, etc., 194, 569, 595.
R. B. (Richard Bower?), Mr. Fleay's conjecture concerning, 336.
Realism in comedy: in Bodel's _St. Nicholas_, xvi; in late Latin
comedies, xviii; in religious parodies, xx; in the miracle cycles,
xxiv–xxx, xxxv–xxxvi; in the later 'marvels,' xxxix; in popular
festival plays, xli–xlvi; of the miracle Devil, xlvi _et seq._; of the
Vice, xlix _et seq._; in the older moral plays, lviii–lxii, lxiii;
in the French and English farce, etc., lxiv–lxvi; in school plays,
continental and English, lxix–lxxvii; in fusion plays, lxxvii _et
seq._; in survivals of the moral, lxxxvi; in the _Rare Triumphs_ and in
Wilson's 'Stately Morals,' lxxxviii–xc; comedy realistic or satirical,
xci; In Heywood, 4 _et seq._; in Udall, 99, 103; in Stevenson, 202–204;
in Lyly, 275; in Peele, 342–344; in Greene, 388, 391–394, 419, 428–430;
in Porter, 528–533; in Shakespeare, 644, 645, 648, 653 _et seq_.
_Rebelles_, by Macropedius, lxx, lxxiv.
_Red Ettin, The_, a fairy tale referred to in comment on _O. W. T._,
345, 362.
Redford's _Wit and Science_, lxix, lxxii.
Reed, Isaac, his edition of Baker's _Dictionary of the Stage_, on
_Gammer Gurton_, 201.
_Regularis Concordia Monachorum_, xiii.
Reinhardstoettner, Karl von, on Plautus, 117, 190.
_Reliquiæ Antiquæ_, by Halliwell and Wright, xxxvi, 191.
Renaissance, the, effect upon drama, lxiv; upon Greene, 390.
_Repentance of Robert Greene, The_, 398, 418.
_Respublica_, a controversial moral, xlix, lxxii, lxxiv, lxxvi, lxxvii.
_Resurrection, The_, miracle plays of, xiv, xix, xxii.
_Returne from Pernassus, The_, on rivalry of Jonson and Shakespeare,
638.
Reuter, Kilian, his Latin play of _St. Dorothea_, lxx.
_Revels at Court, Accounts of the_, 270; Udall and the Revels, 93.
Rhetorical pause, the, methods of representing it in dramatic blank
verse, 510–511.
Ribbeck, Otto, his _Alazon_, 189.
Richardes, Thomas, perhaps author of _Misogonus_, lxxxi.
Ritson's _Songs_, 191.
Ritter, O., on Greene's _Frier Bacon_, 413, 426.
_Rituale Romanum_, the, and Udall's parody of, 192.
Ritwyse, John, author of a satiric interlude, lxxi.
Robert of Gloucester, Robert of Brunne, their use of the _septenarius_,
189.
_Robin et Marion_, by Adam de la Halle, xli.
Robin Hood plays, xxxviii, xl; ref., 418; _The Lytell Geste_ of, 130.
_Roister Doister_, by Udall, lix, lxxii, lxxvii, lxxviii, lxxix, lxxx,
lxxxii, xcii. Edition with Critical Essay on the life of the author,
the text, date, plot, characters of the play, with notes and appendix
on various matters, by Professor Flügel, 87–194; other mention, 202,
203, 204, 338.
Rojas, Fernando de (and Cota), their _Calisto and Melibœa_, lxviii.
Rolls Series, xix.
Romantic, the, in saints' plays, xiv–xvi; in Latin interludes and
elegiac comedy, xvii, xviii; in miracle cycles, xxiv, xxix–xxx; in
various later 'marvels,' xxxvii, xxxviii; in the older moral plays,
lviii–lix; foreign influence and native romance, lxv, lxvii–lxix; in
the wit plays, lxxiii; in the plays of prodigals, lxxiv–lxxv; in fusion
plays, lxxvii _et seq._; especially in _Damon_ and _The Supposes_,
lxxxiv–lxxxv; the movement toward romantic comedy, lxxxvii; nature,
subjects, and kinds of romantic comedy, lxxxvii, lxxxviii, xci; in
Heywood, lxix, 6; in Lyly, 271–275; in Peele, 338, 341–347; in Greene,
390, 427; in Greene and Shakespeare, 643, 645, 647 _et seq._
_Romeo and Juliet_, Shakespeare's, 533, 590, 603, 652.
_Rosalynde, Euphues' Golden Legacie_, by Thomas Lodge, 645.
Rose Theatre, the, and Greene, 408, 411; and Porter, 519, 520, 521.
Ross, Mr. C. H., on the authorship of _Gammer Gurton_, 202.
Rowley, Samuel, intimacy of Henry Porter with, 524.
Royal entries, their dramatic significance, xl.
_Royal Exchange_, by Greene, 398.
Rutebeuf, his play of _Theophilus_, xvi.
R. W., his _Martine Marsixtus_, 424.
Rye's _East Anglian Glossary_, 211.
SACRAMENT plays, xxxvii, xxxix.
Saints' plays, the early, their nature and relation to comedy,
xiv–xxi; the later, their contribution to drama, xxvii; a list of,
and their connection with romantic plays, xxxviii; secularized as
in _St. George_, xli–xlv; mentioned, lxii, lxxxiv, lxxxviii; The
Play or Pageant of _St. Anne_, xv; _St. Botulf,_ xv, xxxviii; _St.
Christian_, _St. Christina_, _Sts. Crispin and Crispinian_, xxxviii;
_St. Dorothea_, lxviii; _St. Edward_ and _St. Fabyan_, xxxviii; _St.
George_, xv, xxxviii, xli; _St. Katharine_, xiv, xv, xxxviii; _St.
Laurence_, xxxviii; _St. Mary Magdalene_, xxx, xxxvii, lxxxvi; _St.
Nicholas_, xv, xvi; _St. Olave_, xxxviii; _St. Paul_, xxx, xxxvii, l;
_St. Sebastian_, xxxviii; _St. Susanna,_ xv, xxxviii.
St. Andrew's Day, note to mention in _O. W. T._, 358.
St. Augustine, against the _mimi_, etc., xix.
St. Dyryk, perhaps Theodoric, 69.
_St. James the More, Life of_, xliv.
St. Jerome, his attitude toward Plautus and Terence, xvii; and
legendary miracles, xxxviii.
St. John's, Beverley, Resurrection play at, xiii, xx.
St. Luke's Day, mentioned in _O. W. T._, 358.
St. Modwena, mentioned in _Johan_, 82.
St. Sithe (?), 213.
Satire, mediæval in drama, xvii; in religious parodies, xx; in the
miracles, xxiv, xxviii–xxix, xxxvi; the Devil not primarily satirical,
xlvi, xlviii; the Vice in satirical literature, li–liv; in the
interlude, lvi, lxv, lxx, lxxvi, lxxvii, lxxxiii, lxxxvi, xci; in
Heywood, 4 _et seq._; See also articles on Udall, Lyly (265, 267),
Peele, Greene, Shakespeare.
Scene, the, beside a scene, 424.
Schelling, Professor F. E., his _English Chronicle Plays_, lxxvi; his
edition of _Tom Tyler_, lxxxi.
Schick, Professor, his edition of Kyd's _Spanish Tragedy_, 410; on
_Faire Emm_, 411.
Schipper, Professor, his _Neuenglische Metrik,_ applied to Greene's
verses, 508–509.
School plays, xiv, lxv, lxix–lxxv; English for Latin, 90, 98, 197–198,
267, 270.
Schwab, _Das Schauspiel im Schauspiel_, 343.
_Scillaes Metamorphosis_, by Lodge, 406.
_Scipio Africanus_, the play of, 268.
Scott, Sir Walter, account of Shetland Sword Dance in _The Pirate_,
xliii, xlv; on "Brotherhood in Arms," 366.
_Second and Third Blast of Retrait from Plaies and Theaters_, Henry
Denham's, on 'strange' comedies, 342.
_Second Trial, The_, the York play of, xxv.
Secular plays, the early, and their contribution to comedy, xx–xxi,
xxxvii–xlvi; see also _Morals_, _Farce_, _Interludes_, and _Romantic
Comedy_.
_Secunda Pastorum_, the Second Shepherds' Pageant of the Wakefield
cycle, xxvii, xxviii, xxxii, lxix, 3, 202, 533.
_Selimus, The First Part of the Tragical Raigne of_, not by Greene,
418, 420, 482, 483.
_Senarius, The_, in Greene, 509; and the _Septenarius_ in Udall, 189.
Seneca, lxxxv, 275.
_Sequentia falsi Evangelii Secundum Marcam_, in Du Méril, 191.
Seven Deadly Sins, the, xxx, xxxi, xlix, l, lii, liv.
Shakespeare, William, the Fool in his plays, lii, lxxxiii; incidental
mention, lxxxv, 191 _et passim_; relation to Lyly's work, 271, 275,
287, 322; to Peele's, 336, 343, 345; to Greene's, 387–389, 393–394,
401–402, 415; resemblances to, in Porter, 517; _Shakepeare as a Comic
Dramatist_, a monograph by Professor Dowden, 635–661; the essentials
of Shakespearian comedy, 637; tragedy compared with comedy, 639;
comedy, the characters in, and their relation to incident, etc.,
640–660; punishment and rewards in Shakespeare's comedy, 641–642;
compared with Jonson's comedy, 641; complication and resolution, love,
laughter, satire, 642–643; intrigue and treatment of materials, 644;
euphuism, 646; his development as a comic dramatist, 648 _et seq._;
transformation plays, 648; _Love's Labour's Lost_, 649; _The Comedy of
Errors_, 650; _The Two Gentlemen of Verona_, 650; _A Midsummer Night's
Dream_, 651; _The Merchant of Venice_, 652; _The Taming of the Shrew_,
653; the Falstaff plays, _The Merry Wives of Windsor_, _King Henry V_,
653–654; _Much Ado about Nothing_, 654; _Twelfth Night_, 655; _All's
Well that Ends Well_, 656; _Measure for Measure_, 657; _Troilus and
Cressida_, 657; his relation to Chapman, Dekker, Marston, Jonson,
Southampton, 656–657; the period of tragedy, 657–658; _Pericles_,
_Cymbeline_, _The Winter's Tale_, _The Tempest_, _The Two Noble
Kinsmen_, 659–661.
Shaw, Robert, a player acquaintance of Henry Porter, 516, 524.
_Shearmen and Taylors' Pageant_, the Coventry Guild play of the, xxiii.
_Shepherd's Plays, The_, of York, xxv; of Wakefield, xxvii, xxviii,
lxxxi; and see _Secunda Pastorum_.
Sherwood, Thomas, his _Anglais et François Dictionaire_, added to
Cotgrave, 118, 194, etc.
_Shipwrights' Play, The_, of Newcastle, xlviii, lix.
_Short Discourse of my Life, A_, by Greene, 397.
Shows, dumb, lxxxix.
'Shrew' plays, lxxxi.
Shrewsbury, religious play at, xiii.
Sidney, Sir Philip, 337; his _Arcadia_, 389.
Simpson, R., his _School of Shakespeare_, 404, 422.
Singer, John, one of the Admiral's men in Porter's time.
_Sir Armadace_, the "Thankful Dead" in, and _O. W. T._, 345
_Sir Clyomon and Sir Clamydes_, lxxxviii, 335, 341, 342.
_Sir John Oldcastell_, by A. Munday and others, 523.
_Six Hundred Epigrams_, by John Heywood, 3.
Skeat, Professor W. W., xiii, 110, 190, 374.
Skelton, John, contribution to Fool-literature, lii; his
_Magnyfycence_, lviii, 189; his _Nigromansir_, xlviii, l, lviii; his
_Phyllyp Sparowe_, 192.
Slater, Martin, an associate of Henry Porter, 521.
Smeken, his _Sacrament Play_, xxxix.
Smith, Miss Lucy Toulmin, her edition of the _York Plays_, xxiii, xxvi.
Smith, Toulmin, his _English Gilds_, xxxviii.
_Solyman and Perseda_, perhaps by Kyd, the source of Peel's 'Erestus'
in _O. W. T._, 383.
_Sonnets_, the, of Shakespeare, 656, 658.
_Sotties_, the French, lxv–lxvi.
Southampton, the Earl of, 646.
_South English Legendary, The_, xliv.
_Spanish Masquerado, The_, by Greene, 398, 409.
_Spanish Tragedy, The_, by Thomas Kyd, 410, 427.
_Spencers, The_, or _Despencers_, a tragedy by Porter and Chettle,
516, 523.
Spenser, Edmund, Lyly compared with, 274; Harvey's characterization of,
340; his _Tears of the Muses_, 405; other mention, 421, 426.
Spenser, Gabriel, the actor, 524.
_Spider and the Flie, The_, by Heywood, 3.
Stansby, William, printer of Lyly's plays for Blount, 269, 276.
Stanyhurst, Richard, his hexameters and Harvey's ridiculed in _O.W.T._,
373.
_Staple of News, The_, by Ben Jonson, xlv.
Steevens, George, his letter on _Comus_, 348.
Stevenson, William, the author, according to Mr. Henry Bradley, of
_Gammer Gurtons Nedle_; Critical Essay on his life and the play
assigned to him, with an edition of _G.G.N._, notes and an appendix, by
Mr. Bradley, 205–259. Other mention, lix, lxxx, lxxxii.
Still, Dr. John, not the author of _Gammer Gurtons Nedle_, 199–202.
Storojenko, Professor, his _Life of Greene_ (in Dr. Grosart's edition
of Greene), 397, 406, 415.
Stow, John, his _Survey_, xxxviii; on mummings, xl.
Strange, Lord, his players (1589-1593), and Greene's _Orlando_, 408;
and _Frier Bacon_, 411.
_Studentes_, see Stymmelius.
Stymmelius, the author of the play of _Studentes_, lxx, lxxiv, lxxxii.
_Summer's Last Will and Testament_, by Thomas Nashe, 384, 424.
_Supposes, The_, by George Gascoigne, lxxviii, lxxxii, lxxxv, lxxxvii,
lxxxviii.
_Suppositi, I_, by Ariosto, adapted by Gascoigne, lxviii.
_Susanna_, a play by Macropedius, lxx; see also _St. Susanna_.
Sussex, the Earl of, his players (1591-1594), and _Friar Bacon_, 411;
and _George-a-Greene_, 413.
Swoboda, Dr., his _John Heywood als Dramatiker_, 12.
_Sword Plays_, xliii, xlv.
Symonds, J.A., his _Predecessors of Shakespeare_, lxviii, 339, 346, 422.
TALENTS, THE, the Wakefield play of, called _Processus Talentorum_,
xxviii.
_Tamburlaine the Great_, by Marlowe, and Greene's _Alphonsus_, 403; and
the _Looking-Glass_, 406; and _Orlando_, 410; and _George-a-Greene_,
418.
_Taming of a Shrew, The_, example of a play within a play, 343.
_Taming of the Shrew, The_, Shakespeare's, lxxxv, 415, 652.
_Tempest, The_, Shakespeare's, lxxxix, 644, 659, 660.
Ten Brink, Professor B., on the priority of legend to Scripture in
English comedy, xiii–xiv; on the dramatic value of the miracle plays,
xxxii; on the characteristics of tragedy and comedy, lxii.
Terence, indebtedness of modern comedy to, xvi, xvii, lxvii, lxviii;
the 'Christian Terence,' lxxii, lxxxii; Udall's _Flowers from Terence_,
89, 98, 101, 102; notes to _Roister Doister_, 288.
Tertullian, against acting, xix.
Thankful Dead, the, a popular _motif_, 345, 365.
_That Will Be Shall Be_, a play, 521, 526.
_Theophilus_, by Rutebeuf, xvi.
_Thersytes, A Newe Interlude called_, lix, lxxi, lxxii, lxxviii; the
authorship of, and date, 12–14, 108, 112, 191 _et passim_.
_Three Heads of the Well, The_, a fairy tale referred to in _O.W.T._,
345, 359, 372.
_Three Ladies of London, The_, by R.W., probably Robert Wilson,
lxxxviii, xc, xci.
_Three Lordes and Three Ladies of London, The_, by the R.W. of the
_Three Ladies_, lxxxviii, xc, xci.
_Thrie Estatis, A Satire of the_, by Lyndsay, xlix.
Thümmel, Julius, on the _Miles Gloriosus_ in Shakespeare, 190.
_Tyde Taryeth no Man, The_, by George Wapull, lxxxvi.
_Timon of Athens_, Shakespeare's, 659.
Tindale, on the use of the holy candle, 192; also cited, 142, 154.
'Titiville,' in _Roister Doister_, 190; 'Titivillus' in _Mankynd_,
xlvii, xlviii.
_Titus Andronicus_, 418.
_Tityrus and Gallathea_, by Lyly, 265.
_Tobias_, the Play of, mentioned, xxxiv.
_Tom Tyler and his Wife_, the play of, (edited by Professor Schelling),
lxxxi; Kirkman's edition, 336; mentioned, 530, 533.
Topsell's _History of Four-footed Beastes_, 280, 281.
Towne, Thomas, an actor in the Admiral's company in Porter's time, 524.
_Towneley Plays, The_, edited by A.W. Pollard and George England,
xxiii, xxiv, etc. See _Wakefield_.
Tragedy, compared with comedy, xxi, xxii, lxii, 639.
Train's _Geschichte d. Juden in Regensburg_, xxxi.
Transition, of plays from miracle and moral to comedy, lvii, lxii,
lxiv, lxix.
Travesties of religious services, xx, xxi.
_Trial before Herod, The_, in the York plays, xxv.
_Triall of Treasure, The_, lxxxvi, 121, 123.
Trimeter, in Roman comedy, 189.
_Troilus and Cressida_, Shakespeare's, a satire on Ben Jonson, 638,
657, 658.
_Tullie's Love_, by Greene, 410; similarity to _Friar Bacon_, 414.
Turberville, on Richard Edwardes, lxxxiv; Turberville's _Venerie_,
reference to 440.
'Tutivillus' in the Wakefield _Judicium_, xxix, xlvi, xlviii.
Tusser, Thomas, his _500 Pointes_, and Udall, 90.
_Twelfth Night_, Shakespeare's, 352, 646, 655, 656.
_Two Angry Women of Abington, The Pleasant Historie of the_, by Henry
Porter, edited with critical essay and notes by C.M. Gayley, 513–633;
_The Second Parte of the Two Angrey Women_, 516, 522, 524, 525.
_Two Gentlemen of Verona, The_, Shakespeare's, 648, 650.
_Two Italian Gentlemen_, or _Fidele and Fortunio_, by Anthony Munday,
lxxxviii.
_Two Mery Wemen of Abenton, The_, by Porter, 516, 523, 535.
_Two Noble Kinsmen, The_, by Shakespeare and Fletcher, 660.
UDALL, Nicholas, mention of his _Roister Doister_, lix _et passim_; his
_Flowers from Terence_, lxxi, 89; text of his _Roisier Doister_, edited
with critical essay, notes, and appendix, by Professor Flügel, 87–194;
life of Udall, 89; date of the play, 95; date of the early edition, 97;
place of _R.D._ in English literature, 98; the plot and characters,
100; the present text and earlier reprints, 104; his _Apophthegms_,
142, etc.; Appendix, 188–194; the metre of _R.D._, 189; the figure of
the _Miles Gloriosus_ in English literature, 189; 'Titiville,' 190;
'Mumblecrust' and the maids, 191; the mock requiem and other parodies,
191; Roister as 'Vagrant,' 192; the prayer and 'song' at the end, 193;
works quoted in the notes, 194.
Ugolino, his _Philogenia_, lxvii.
Ulrici, H., on Greene, 408.
Usury statutes of Henry VIII and Edward VI, 96.