Holland's _Translation of Pliny_, 279 _et seq._

_Homme Obstiné, l'_, xlix.

_Homme Pécheur, l'_, xlix, lxxii.

Hone, William, his _Ancient Mysteries_, xxi, xxxviii.

_Horestes_, by John Pikerynge, xlix, lii, lxxxvii, 204.

Host, the miracle of the, xxxix.

_Hot Anger Soon Cold_, by Porter (with Chettle and Ben Jonson), 522,

523.

Hox Tuesday play, the, mentioned, xxxvii, xli.

Hrosvitha, mentioned, xvii.

'Huanebango' in _O. W. T._, and Gabriel Harvey, 343, 345, 359, 383.

Humanists, their drama, etc., lxxiii, lxxvi, lxxxii, 98.

Humours, the comedy of, anticipations of, lii, liv, lxiii, lxxxvi, 532,

_et passim_.

Hunt, Joseph, published Porter's _2 A. W. A._, 534.

Hunter, Joseph, his _Chorus Vatum Anglicanorum_ (in the British

Museum), 518.

_Hunting of Cupid, The_, by Peele, 415.

_Hyckescorner_, a moral interlude, lx, lxxi, lxxiv; referred to, 133.

IDEAL, the, in comedy, xv, xxi, xxx, xxxi, xxxviii, lviii, lxi, lxii,

lxix, lxxviii, lxxxii, lxxxv, lxxxvii, xcii; in Udall's, 99; in

Greene's, 390, 392, 394, 419, 428, 429; in Shakespeare's, 637–643, 647,

648, 651, 654–661.

Induction, the use of, in _Old Wives' Tale_, 343; in plays by Greene,

Shakespeare, Nashe, Jonson, Beaumont and Fletcher; Schwab's thesis on,

343–344.

Ingeland, Thomas, his interlude of _The Disobedient Child_, lxxv.

Innocent III, against acting, xix.

Interludes: _Interludium de Clerico et Puella_, xvii, xxxvii, lxvi;

interludes in churches, xx; moral, xl; relation of miracle, moral, and

interlude, lv; various kinds of interlude, lvi; causes of improvement

in, lvii; farce and romantic interlude, lxiv; school and controversial,

lxxii; Italian models, lxxxviii; See also under _John Heywood_.

Intrigue and passion, plot of, xcii.

_Iphigenia_, a children's play, 268.

JACKE JUGELER, play of, xlix, li, lxxii, lxxviii, lxxix, 103, 107.

_Jack the Giant-Killer_, the story of, in connection with _Old Wives'

Tale_, 345.

_Jack Wilton_, by Nashe, 266.

_Jacob and Esau, The Historie of_, a play, lxxiv, lxxvii, lxxx, lxxxii.

Jacobs, J., _English Fairy Tales_, 345, 359, 362.

_James IV, The Scottish Historie of_, by Greene, lxxxiii, 389, 392,

404, 415, 418, 420, 427.

Jeffes, Anthony, and Humphrey, actors in the Admiral's company in

Porter's time, 524.

Jew, the, in early comedy, xc (_Jew of Malta_, etc.).

_Jobe, A History of_, attributed to Greene, 418.

_Johan Johan, Tyb, etc., A mery play betwene_, assigned to John

Heywood, an edition with critical essay and notes, by Mr. A. W.

Pollard, 1–19, 59–87; Other mention, xvii, lxix, lxxxi, 533.

_Johan, Kyng_, by Bishop Bale, xlix, lxxii, lxxv–lxxvii.

_John, King of England, The Troublesome Raigne of_, attributed to

Greene, 418.

Jonson, Ben, liii, lxxiii, lxxv, lxxxviii; his _New Inn_ referred to,

109; and Lyly, 274, 275; his use of the induction, 343; and Henry

Porter, 515, 522, 533; on the purpose of comedy, 637, 645; in _Troilus

and Cressida_, 638, 657, 658.

Joseph and Mary Plays, the, of York, Wakefield, and Coventry,

chivalrous and romantic quality of, xxix.

Juby, Ed., the actor, and Greene, 401.

_Judicium_, the Wakefield play of _The_, xxvii, xxix, xlvi, xlviii,

lxxxi.

_Judith_, by Macropedius, lxx.

Jusserand, M. J. J., on Heywood's interludes, lxvi.

KILLING OF THE CHILDREN OF ISRAEL, the Digby play of the, xxiii, xxx.

_Kind Hart's Dreams_, by Chettle, 419, 422.

Kirchmayer (Naogeorgos), his _Pammachius_, lxv, lxx.

Kirkman, Francis, his catalogue of plays; Peele, 336; Greene, 419;

Porter, 518.

Kittredge, Professor G. L., on _Sir Clyomon_, 336; on a phrase in

_Alexander and Campaspe_, 303.

Klein, Professor G. L., his _Geschichte d. englischen Dramas_, xviii,

xxi, xxxvi, lii, lxviii, lxx.

_Knack to Know a Knave, A_, 'the comedie last writ' (?), compared with

_Friar Bacon_, and with the _Looking-Glasse_, 418, 424, 425 and note,

427, 429, 457, 499; mentioned, xlviii, xc.

_Knight of the Burning Pestle, The_, by Beaumont and Fletcher, 342, 343.

Koch, _Englische Studien_, note in, 190.

Kyd, Thomas, lxxxviii; and Lyly, 273; and Greene, 410.

LACUNA, the metrical use of in dramatic blank verse, 510.

Lämmerhirt, G. P., _Untersuchungen, u. s. w._, concerning Peele, 341,

348.

Langbaine, G., his _Account of the English Dramatick Poets_, 518.

Langland, xix; his _Piers Plowman_, xl, 108, 109, 191, etc.

Latimer, Bishop, his _Sermons_ (on exorcising the devil), 192, 193.

Latin,--tropes, xiii; saints' plays, xiv–xvi; cultivation of Plautus

and Terence in the Middle Ages and their impress on elegiac comedy,

xvii; history of the later comedy, lxv, lxvii.

Leach, A. F., _Some English Plays and Players_ (in the _Furnivall

Miscellany_), xix.

_Lear, King_, Shakespeare's, 418, 639, 660.

Lee, Mr. Sidney, his _Life of Shakespeare_, 406, 408.

Leicester, the Earl of, his relation to _Endimion_, 267; to _Alexander

and Campaspe_, 269; his players, 399.

_Legenda Aurea_, by Jacobus Voragine, xliv; see also under _Caxton_.

Legends, xviii, lxxxviii.

Leland, John, his relations with Udall, 89–92; his _Collectanea_, 89,

etc.

Leo X, and Heywood, 11.

Life-Index, the, instance of in _O. W. T._, 365.

_Like wil to Like, quod the Devel to the Colier_, by Ulpian Fulwel,

xlvii, xlviii, li, lii, lxxxiv, lxxxvi, 108, 110, 342, 499.

_Lillie's Light_, 266.

Liturgical drama, the, xiii, xx.

Locher's translation of the _Narrenschiff_, lx.

Lock, Henry, his _Ecclesiastes_, 266.

Lodge, Thomas, and Lyly, 266; and Peele, 337; and Greene; the

_Looking-Glasse_, and their respective contributions to it, 405–407;

Lodge's _Civil Wars_, 405, 407, 409, 415, 418, 420–422; and Porter,

517; and Shakespeare, 645.

_Longer thou Livest, etc._, by W. Wager, lxxxvi.

_Look About You_, published by Ferbrand, 534.

_Looking-Glasse for London and England, A_, by Greene and Lodge, 338,

352, 404; the parts written by Lodge, 405; characteristics of his

verse, 407, 414, 415, 422, 425.

Lorenz, A.O.F., on the _Miles Gloriosus and his Parasite_, 190.

_Loseley Mss., The_, edited by A. J. Kempe, 90, 93, 94.

_Love, The Play of_, by John Heywood, xlix, liii, lxvii, lxix, 8–12.

_Love's Labour's Lost_, Shakespeare's, xli, 275, 427, 644, 648, 649,

650, 654.

_Love's Metamorphosis_, by Lyly, 266, 268.

_Love Prevented_, by Porter, 521, 527.

Löwen, his _Prinz Pickelhering_, xlv.

_Ludi Sanctiores_, mentioned by Fitzstephen, xv.

_Ludi Beatæ Christinæ_, xxxviii.

_Ludus Coventriæ (seu Ludus Corporis Christi)_, the N-Town plays,

commonly assigned to Coventry, which see.

_Ludus de S. Katharina_, by Geoffrey, xiv, xvi.

_Ludus ludentem Luderum ludens_, lxxi.

_Ludus super Iconia S. Nicolai_, by Hilarius, xiv, xvi.

_Lusty Juventus_, by R. Wever, xlvii, li, lxxii, lxxvi.

Lydgate, John, lii.

Lyly, John, Critical Essay on his life and place in English comedy,

by Professor Baker, 263–276; life of Lyly, 265; place of _Euphues_ in

English literature, 266; Lyly's plays, subdivision of them, 267; date

and sources of _Alexander and Campaspe_, 268; literary estimate of _A.

and C._, 269; Lyly's development as a dramatist, 272; place in English

Comedy, 273; previous editions of _A. and C._, and the present text,

275; Professor Baker's edition of _A. and C._, 277–333; Other mention,

lxxxvii, xc, 348, 517, 646.

Lyndsay, Sir David, his _Thrie Estatis_, lxxv.

Lyric, the, in the plays of Lyly, 274; of Greene, 391.

MACBETH, Shakespeare's, 658.

Machiavelli, N., his _Discourses_, 200.

Macropedius, his _Asotus_ and other plays, lxx; his _Rebelles_, lxxiv.

_Mactacio Abel_, the Wakefield play of, xxviii.

_Magdalene, The Life of the_, in Caxton's _Golden Legend_, xxx.

_Magnyfycence_, a moral play by Skelton, lviii, 168.

_Maid's Metamorphosis, The_, not by Lyly, 266.

Malone, Edmund, li, 430, 516, 518, 534.

_Mamillia_, by Greene, 397.

_Mankynd_, a moral play, xlvii, l, li, lvi, lviii, lix, lx, lxxi,

lxxiv, lxxvi, lxxvii.

Manly, Professor J. M., his _Specimens of the Pre-Shakespearean Drama_,

xiii, xliii, 104, 204, 239, 276, 283; and in notes to _Roister_,

_Gammer Gurton_, and _Campaspe_.

Manners, of contemporary life as an element in drama, xvi, xvii, xx,

xxi, xxviii, xxix, xxxv, xxxvi, xxxix, xli, xlvi, xlix–liv, lviii–lxii,

lxiii, lxv, lxvii–lxix, lxxii, lxxviii _et seq._, xci; in Heywood,

4, 11; in Udall, 99, 103; in Stevenson, 202–204; in Lyly, 271, 275;

in Peele, 341–344, 347; in Greene, 391–394, 428–430; in Porter, 528,

530–533; in Shakespeare, 639, 641–644, 648–661, _passim_.

_Manuale ... ad usum insignis Ecclesiæ Eboracensis_, 192.

_Marie Magdalene, The Life and Repentaunce of_, by Lewis Wager, xxxi,

lxxxvi. Edited by Professor F. I. Carpenter (Univ. Chicago Press).

Marlowe, Christopher, lviii, xc; and Peele, 337, 339; and Greene, 388,

389, 403–405, 414, 423; and Porter, 523; and Shakespeare, 652.

Marprelate Controversy, the, Lyly's part in, 265.

_Marriage of Witte and Science, The_, see under _Wit Plays_.

Marston, John, and Henry Porter, 520.

_Martin Marprelate_, the _Epistle_ and _Epitome_ assign _G. G. N._ to

Bridges, 200.

_Martine Marsixtus_, by R. W., and Greene, 401, 404.

_Martin's Month's Minde_ (Nashe ?), cited, 353.

Marvels, or miracles of the saints, xiv, xv, xvi, xviii, xx, xxx,

xxxvii–xlvi, lxii, lxix, lxxxvi.

_Mary Magdalene_, the Digby play of, and the importance of the

character in romantic comedy, xxx, xxxi, xxxvii, xlviii, l, li, lviii.

Mary, the Virgin, her importance as a romantic character, xxix, xxx.

Maskell, _Monumenta Ritualia_, 144, 192.

Masques, xl, lxxxix; by Udall, 93, 94; by Lyly, 267, 272; by

Shakespeare, 650, 651, 660, 661.

_Measure for Measure_, Shakespeare's, 657.

Medwall, H., his _Goodly Interlude of Nature_, lx.

_Menaphon_, by Greene; his letter prefixed; and Nashe's _Preface_, 337,

389, 411, 412, 423, 424.

_Merchant of Venice, The_, Shakespeare's, xc, 305, 534, 583, 651, 652.

Meredith, Mr. George, on woman in comedy, lxi; on the comic spirit, 637.

Meres, Francis, his _Palladis Tamia_, on Peele, 337; on Greene and

Nashe, 422; on Porter, 517, 528.

Merlin, similarities to the character of, in _Old Wives' Tale_, 345,

356.

_Merrie conceited Jests of George Peele_, 337.

_Merry Wives of Windsor, The_, Shakespeare's, 533, 645, 652, 654.

Meyer, E., _Geschichte d. hamburgischen Schul-und-Unterrichtswesens im

Mittelalter_, xxi.

Middleton, Thomas, his _Game of Chess_, 275; his _Trick to Catch the

Old One_, cited, 359.

_Midsummer Night's Dream, A_, Shakespeare's, 275, 389, 415, 427, 533,

534, 648, 651.

'Miles Gloriosus,' the, of Plautus, in English literature, lxxiv, 98,

189, 190.

Milton, John, his _Comus_ compared with the _Old Wives' Tale_, 347.

Miracle plays, Biblical and legendary, xiv–xvi, xviii–xx; the cycles

in their relation to English comedy, xxi–xxxi; historical order of

comic passages in the cycles, sequence of æsthetic values, xxiv _et

seq._; dramatic value of, xxxi–xxxvii; relation to the stage, and the

theory of the English miracles, xxxii, xxxiv; national note in, xxxvi;

how they fall short of artistic comedy, xxxvii; nature of legendary,

xxxviii; relation to moral and interlude, lv.

Mirth plays, lxxi, lxxii.

_Misogonus_, by Thomas Richardes(?), lxxviii, lxxxi–lxxxiii, 191.

_Missa Gulæ_, in Halliwell and Wright's _Reliquiæ Antiquiæ_, 191.

_Mock Requiem_, the, in _Roister Doister_, sources, etc., 191–192.

_Monachopornomachia_, lxxi.

Mone, F. J., _Shauspiele des Mittelalters_, 190.

Monox, Will, and Greene, 423.

Montemayor, Jorge de, his pastoral of _Diana Enamorada_ and _Two

Gentlemen of Verona_, 650.

Moral, the, or moral play, not properly called morality, lv, note 61;

collective, of the fourteenth century, xxxiv; nature of the moral,

xlix; the vice in, xlvi, xlviii–liv; relation of moral, miracle, and

interlude, liv–lvii; the older morals in their relation to comedy,

lvii–lxii; their dramatic contribution, lxii–lxiv; school interlude

and controversial moral, lxix–lxxvii; French moralities, lxxii; fusion

plays, lxxvii, lxxviii; moral interlude, lxxx; survival of rudimentary,

decadent, functionless, lxxxv, lxxxvi; variations of, and moral

tragedies, lxxxvi; pleasant and stately, lxxxviii; other mention, 4, 5,

99, 103, 267, 407.

_Morando,_ Greene's, 397.

More, Sir Thomas, lxi, lxxvii; and Heywood, 5, 89.

Morley, Professor Henry, his _English Writers_, lii.

Morris-dance, xl.

_Mortificacio, The_, York play of, xxv.

Morton, Cardinal, 5.

_Mother Bombie_, by Lyly, 266, 268, 272, 273, 338.

_Mourning Garment, The_, by Greene, 398, 406, 412, 416.

Movement, the, in comedy, compared with that of tragedy, lxiii.

_Mucedorus_, by Lodge (?), 420, 499.

_Much Ado about Nothing_, Shakespeare's, 646, 654.

Mummings, xl.

Munday, Anthony, his _Two Italian Gentlemen_, lxxxviii; and Lyly, 266;

and Porter, 518, 524.

_Mundus et Infans_, lviii.

_Mydas_, by Lyly, 265, 267, 268, 272.

_Myroure of oure Ladye_, definition of 'Tytyvyllus,' 190.

Mysteries, Dodsley's imported name for miracles, xxii; _Corpus_ of

French, xxxiv.

Myth, classical, as material for plays, lxxxiv, lxxxvii, lxxxviii,

lxxxix, xcvi, 268, 657, 658, 660.

NAOGEORGOS (Kirchmayer), his _Pammachius_, lxx.

_Narcissus_, a play, 268.

_Narrenschiff_, Locher's translation, lx.

Nash's History of Worcestershire, 65.

Nashe, Thomas, on Gascoigne, lxxxv; his _Jack Wilton_, 266; his _Four

Letters Confuted_, 351; on Peele in his letter prefixed to Greene's

_Menaphon_, 337; on Kyd, 410; on Greene in _Have with You to Saffron

Walden_, 337, 419; on the Harveys in _Strange Newes_, 423; also, 373;

that he was "young Juvenal," 422; his relations with Greene proved by

reference to Meres, Chettle, Dekker, his own _Strange Newes, Anatomie

of Absurditie, Astrological Prognostication, Summer's Last Will_,

217, 422–424; his _Christe's Teares_, 424; his relations with the

'Groatsworth' group of poets, 403, 424; with Porter (?), 515, 517.

Nativity, plays of the, xxii, xxxiv.

_Nature, The Goodly Interlude of_, by Medwall, xlviii, l, lvi, lix–lx,

lxxi, lxxvi.

_Never too Late_, by Greene, 397, 398, 410.

_New English Dictionary, The_, by Dr. Murray, Mr. Bradley _et al._,

frequent references in notes to plays here presented.

_Newcastle Plays_, the sensational in _The_, xxiii, xxix.

_Newe Custome_, a controversial moral, lxxxvi.

_Nice Wanton_, the interlude of, lxxii, lxxiv.

Nicholas, his _Proceedings and Ordinances of the Privy Council_, 91.

Nichols, John, _The Progresses and Public Processions of Queen

Elizabeth_, 93.

Nicholson, Dr. Brinsley, on _Old Wives' Tale_, 360, 370.

Nietzsche, F., his _Geburt d. Tragödie_, and _Fröhliche Wissenschaft_,

338.

_Nigromansir, The_, by Skelton, xlvii, xlix, li, lviii, lix.

_Noah_, the York Play of, xxv, lxxxi; the Wakefield play of, xxvii,

xxviii.

North, Sir Thomas, his translation of Plutarch's _Lives_, 285, 290,

291, 292 _et seq._

_Notes and Queries_, xliii.

_Novelle_, adaptation of them to drama, ix, lvii.

_N-town, The_, or so-called Coventry or Hegge Plays, xxiii, xxiv, xxix,

xxxiv, xxxvii, xlviii, l, lviii.

Representative English Comedies, v. 1. From the beginnings to Shakespeare · 第 203 / 206 题