Actus tertius. Scæna quarta.[900]

[_Enter_] PSYLLUS [_and_] MANES.

_Psyllus._ I shall be hanged for tarrying so long.

_Manes._ I pray God my master be not flowne before I come!

[_Enter Apelles._]

_Psyllus._ Away, Manes, my master doth come. [_Exit Manes._]

_Apel._ Where have you beene all this while?

_Psyllus._ Nowhere but here. 5

_Apel._ Who was here sithens my comming?

_Psyllus._ Nobodie.

_Apel._ Ungracious wag, I perceive you have beene a loytering! Was

Alexander nobodie?

_Psyllus._ He was a king, I meant no mean bodie. 10

_Apel._ I will cudgell your bodie for it, and then will I say it

was no bodie, because it was no honest bodie. Away, in! _Exit

Psyllus._ Unfortunate Apelles, and therefore unfortunate because

Apelles! Hast thou by drawing her beautie brought to passe that

thou canst scarce draw thine owne breath? And by so much the

more hast thou increased thy care by how much the more hast 15

thou[901] shewed thy cunning? Was it not sufficient to behold the

fire and warme thee, but with Satyrus thou must kisse the fire

and burne thee? O Campaspe, Campaspe! Art must yeeld to nature,

reason to appetite, wisdome to affection! Could Pigmalion entreate

by prayer to have his ivory turned into flesh, and cannot 20

Apelles obtaine by plaints to have the picture of his love changed

to life? Is painting so farre inferiour to carving? Or dost thou,

Venus, more delight to bee hewed with chizels then shadowed with

colours? What Pigmalion, or what Pyrgoteles, or what Lysippus is

hee,[902] that ever made thy face so faire or spread thy fame 25

so farre as I? Unlesse, Venus, in this thou enviest mine art, that

in colouring my sweet Campaspe I have left no place by cunning to

make thee so amiable.[903] But, alas, shee is the paramour to a

prince! Alexander, the monarch of the earth, hath both her body and

affection. For what is it that kings cannot obtaine by prayers, 30

threats, and promises? Will not shee thinke it better to sit under

a cloth of estate[904] like a queene than in a poore shop like a

huswife, and esteeme it sweeter to be the concubine of the lord of

the world than spouse to a painter in Athens? Yes, yes, Apelles,

thou maist swimme against the streame with the crab, and feede 35

against the winde with the deere, and peck against the steele with

the cockatrice:[905] starres are to be looked at, not reached at;

princes to be yeelded unto, not contended with; Campaspe to be

honoured, not obtained; to be painted, not possessed of thee. O

faire face! O unhappy hand! And why didst thou drawe it--so 40

faire a face? O beautifull countenance, the expres image of Venus,

but somwhat fresher, the only patterne of that eternitie which

Jupiter dreaming, asleepe, could not conceive againe waking! Blush,

Venus, for I am ashamed to ende thee! Now must I paint things

unpossible for mine art but agreeable with my affections,--deepe 45

and hollow sighes, sad and melancholie thoughtes, woundes and

slaughters of conceits, a life posting to death, a death galloping

from life, a wavering constancie, an unsetled resolution, and

what not, Apelles? And what but Apelles?[906] But as they that

are shaken with a feaver are to be warmed with cloathes, not 50

groanes, and as he that melteth in a consumption is to be recured

by colices,[907] not conceits, so the feeding canker of my care,

the never-dying worme of my heart, is to be killed by counsell,

not cries, by applying of remedies, not by replying of reasons.

And sith in cases desperate there must be used medicines that

are extreame, I will hazard that little life that is left, to 55

restore the greater part that is lost; and this shall be my first

practise,--for wit must worke where authoritie is not,--as soone as

Alexander hath viewed this portraiture, I will by devise give it a

blemish, that by that meanes she may come againe to my shop; and

then as good it were to utter my love and die with deniall as 60

conceale it and live in dispaire.

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