Shakespeare and
Shakespeare and music
作者：Naylor, Edward W. (Edward Woodall), 1867-1934
体例：题 章数：131
字数：205,142 来源：Project Gutenberg
版本与结构
- 来源版本
- 本站收录 1 个来源：Project Gutenberg（205,142 字）。
- 分章依据
- 按「题」标记切分为 131 题（Gutenberg 卷册标记）。
- 篇幅分布
- 平均每题 1,565 字。
- 原文溯源
cache/epub/19676/pg19676.txt（Project Gutenberg）
章节目录
共 131 题- SHAKESPEARE AND MUSIC
- WITH ILLUSTRATIONS FROM THE MUSIC OF THE 16TH AND 17TH CENTURIES
- BY
- EDWARD W. NAYLOR, M.A., MUS. BAC.
- PREFACE
- CONTENTS
- PAGE
- DESCRIPTION OF FRONTISPIECE ix
- INTRODUCTORY 1
- TECHNICAL TERMS AND INSTRUMENTS 21
- MUSICAL EDUCATION 58
- SONGS AND SINGING 65
- SERENADES AND 'MUSIC' 96
- DANCES AND DANCING 113
- PYTHAGOREANISM, etc. 152
- USE OF MUSICAL STAGE DIRECTIONS 165
- APPENDIX 185
- DESCRIPTION OF FRONTISPIECE
- 8. VIOLONCELLO BOW. Modern shape, with screw.
- INTRODUCTORY
- MUSIC IN SOCIAL LIFE.
- Beaumont and Fletcher's _Coxcomb_ has
- Also in B. and F.'s _Faithful Friends_--
- SHAKESPEARE PASSAGES
- TECHNICAL TERMS AND INSTRUMENTS
- To give his own words--
- A rough translation of which is--
- In this connection see the following passage:--
- L. 41.
- By an easy transition we pass to the following:--
- L. 351.
- II
- MUSICAL EDUCATION
- Lucentio now goes on with his 'classics'; further on--
- Hortensio now takes his place, and addresses the classical Lucentio--
- L. 58.
- L. 63.
- III
- SONGS AND SINGING
- The 3rd verse begins--
- Further on we read--
- The last verse is charming--
- L. 212.
- L. 259.
- L. 273.
- L. 285.
- L. 328.
- L. 609.
- Falstaff knew well what a Ballad was too--as the following shews:--
- L. 30.
- L. 103-114, another song, "Farewell, dear heart" [Appendix].
- L. 136.
- L. 152.
- The words of this catch, which takes four voices, are--
- L. 20.
- L. 43.
- L. 67.
- IV
- SERENADES AND 'MUSIC'
- Finally--a Parthian shot--
- L. 24.
- L. 28.
- L. 54.
- L. 85.
- L. 52.
- L. 95.
- L. 58.
- L. 290.
- DANCES AND DANCING
- And next, Lafeu connects the canary with 'spritely fire and motion.'
- The budget of dances here named includes--
- L. 123.
- To take these five dances in order--
- L. 192.
- NOTE ON ARBEAU'S 'ORCHÉSOGRAPHIE,' 1588.
- 1. La révérence, marked with a big R.
- 2. Le branle (_not_ the dance of that name), marked with b.
- 3. Deux simples, marked ss.
- 4. Le double, marked d.
- 5. La reprise, marked with a little r.
- TORDION OR GALLIARD (CINQUEPACE).
- 1. Greve gaulche. ['Greve' is explained as a 'coup de pied.']
- 2. Greve droicte.
- 3. " gaulche.
- 4. " droicte.
- 5. Sault majeur.
- 6. Posture gaulche.
- The steps and tune are as follows--
- CANARIES.
- 1. Tappement du pied gauche, causant pied en l'air droit.
- 2. Marque talon droit (right heel).
- 3. Marque pied droit.
- 4. Tappement du pied droit, causant pied en l'air gauche.
- 5. Marque talon gauche (left heel).
- 6. Marque pied gauche.
- AIR D'UNE VOLTE. [LA VOLTA.]
- 2. Plus grand pas du droit.
- 3. Sault majeur.
- On p. 67 he gives the Courante--
- COURANTE.
- The movements are--
- Here is the tune and the formula of steps--
- THE HAYE.
- MORISQUE.
- VI
- L. 60.
- L. 97. Portia and Nerissa.
- The following is an interesting passage of a more serious kind--
- VII
- ON THE USE OF THE MUSICAL STAGE DIRECTIONS
- APPENDIX
- 8. Peg-a-Ramsey, p. 71. _Tw. Nt._ II, iii, 76.
- 11. 'Farewell, Dear Heart,' p. 72. _Tw. Nt._ II, iii, 102.
- Toby
- Clown
- Toby
- Clown
- Oh there, Sir Toby, there, oh there you lie.]
- 22. Ophelia's Songs, p. 76, _Hamlet_ IV, v.
- 23. Catches, of 16th century, prob. long anterior to Shakespeare.
- 26. Dances. [Also see Note on Arbeau's Orchésographie.]
- 27. Musical Stage Directions. See p. 165, and ff.
- INDEX.
- Arbeau, see 'Orchésographie.'
- Mace, Thomas, 45, 46, 55, 56, 187
- SACKBUT, 144, 176.
- VARIATIONS, 28, 29, 48, 195.
- PRINTED BY
- TURNBULL AND SPEARS
- EDINBURGH
- End of Project Gutenberg's Shakespeare and Music, by Edward W. Naylor