Mace, Thomas, 45, 46, 55, 56, 187

Mad Songs, 36.

Madness and Music, 32, 35, 64, 107.

March, military and national, 172-175, 208, 209.

Marlowe, 188.

Mary, Queen, 10.

Mascaradoes, music in, 115, 145.

Masque, 115, 145, 159-161, 171.

_Masque and Triumph_, Bacon's Essay on, 31.

May day customs, 132, 133, 161.

Mean, 27, 67, 84.

Measure, stately dance, 121, 123, 125-127, 203.

_Measure for Measure_, 157.

Méhul, 'Le Jeune Henri,' 183, 211.

Melvil's _Memoirs_, 11.

Melancholy of musicians, 156, 157.

Memoria Technica for step dance, 141.

_Merchant of Venice_, 81, 102, 155, 157, 160, 168, 180.

_Merry Devill of Edmonton_, The, 17.

_Merry Wives of Windsor_, 43, 71, 74, 76, 119, 120, 188, 194, 195.

Mersennus, 52, 80, 161, 174, 177, 179.

Metaphors, musical, in Shakespeare, see Quibbles.

_Mi Contra Fa_, 186.

_Mi_, to place the, 38, 69.

_Micrologus_, Guido's, 37.

_Micrologus_, Ornithoparcus's, 34.

_Midsummer Night's Dream_, 52, 114, 119, 160, 162, 167.

Military music, 162, 208, 209.

Milton, 105, 155, 171.

Minim rest, 43.

Miracle Play, 1512, music in, 169.

Monochord, 66, 68.

Monteverde, 47, 133, 206.

Moresca, Morisque, see Morris.

Morley, Thomas, 'Introduction,' 4-8, 18, 23, 33, 34, 41,

song, 93,

dances, 113-116, 122, 124, 136,

descant, 185.

'Morning Music,' 100, 101, 102.

Morris, dance, 132, 133, 151 (tune and steps), 205, 206, 208.

Mouton, middle 16th cent., 10.

_Much Ado_, 24, 70, 71, 81, 121, 125, 161, 162, 187.

Music at home, 107-109.

and disease, 106, 107.

and Manners, 5-8, 49, 67, 68.

Music and madness, 32, 35, 64, 107.

Music-masters, 5, 6, 14, 40, 58-60, 62-64, 66-68.

'Music of men's lives,' 32.

'Music,' stage direction, 169-171, 175, 208.

Music, in time of Charles I, 2, 47.

Music, two views of in Shakespeare, 2.

Music, Lessons in the fields, 6.

Music at University, 7-9, 12-14.

Music in barber's shop, 18, 19.

Music in taverns, decay of, 19, 20.

Music, lesson, of an hour, 59.

Musica Ficta, 69, 98.

Musical England, 20, 25, 47, 53, 54, 55.

Musical 'at home,' 16th cent., 5.

Musicians, Royal, 9-12.

_Musick's Monument_, 45, 46, 56, 187.

'My heart is full of woe,' 73, 130.

'My Mistress,' for Lute, 187.

'My Robin is to the greenwood gone,' 198.

NATIVITY HYMN, Milton's, 155.

Nebel, see Psaltery.

Nevell's, Lady, Virginal Book, 54.

Nightingale, descants, 22, 23.

kept awake with thorn, 22, 26.

Nimble notes, 22, 23.

Noise, _i.e._ concerted music, 105, 106.

'Note-splitting,' 28.

Note, to give a, 26, 27.

'O DEATH, rock me to sleep,' 111, 112.

'O heart, heavy heart,' 72.

'O mistress mine,' 87.

'O sweete Olyver,' 73, 193.

'O! the twelfth day of December,' 72, 89.

_Old Wives' Tale_, Peele's, 16, 189.

Oldcastle, Sir John, 86.

Ominous music, 159.

Ophelia's songs, 76, 77, 196-198.

'Orchésographie,' Arbeau's, 113, 119, 120, 122, 124, 137-151, 205, 206.

_Orchestra_, poem by Sir John Davies, 123.

Organ, in chamber music, 13, 30, 31, 48, 170 (on stage), 185.

Ornithoparcus, 34.

'Orpheus with his lute,' 73.

_Othello_, 102, 161, 166, 182.

Oxford, music at, 12-15.

PAGEANT of the Nine Worthies, 131.

_Pammelia_, Ravenscroft's, 17, 18.

Pandarus's songs, 72.

Pandarus, a musician and singer, 103, 104.

_Paradise Lost_, 155.

_Paradyse of daynty Devises_, 73, 74.

Parley, 182.

_Parthenia_, 54, 108, 114, 123, 201.

Part-songs by Henry VIII., 9.

Parts, vocal, 5, 7, 24, 25, 65, 72, 79, 80;

instrumental, 103.

Passamezzo, _see_ Pavan.

Passamezzo Pavan (Passy-measures), 114, 126, 134, 145, 201, 203.

Pasqualigo, letter of, 9.

_Passionate Pilgrim_, 71, 188.

Pavan, dance, 108, 113 (for voices), 114, 116 (with Galliard), 134-136,

144-146, 201-204.

Pavan, mode of dancing, 134, 144.

Pavan, 'quadrant,' 7.

Pavan, 'strains' of a, 23, 114, 135, 136, 144.

Pavane d'Espagne, _see_ Canaries, 146.

Peal of horns, to wind a; _see_ Horns, 211.

Peele, _Old Wives' Tale_, 16, 189.

'Peg-a-Ramsey,' 71, 89, 188.

Percy's Reliques, 83, 190, 196.

_Pericles_, 44, 64, 101, 107, 152.

Pes, or burden, 24.

Philomel, 22.

Pipe, with tabor, _see_ frontispiece, 78, 80, 81, 97, 98, 161, 162, 169.

Pipes, 129;

of cornstalk, 162.

Pipers and fiddlers, unprofitable, 20.

Pizzicato, 30.

_Plain and Easy Introduction to Practical Music_, 4-8, 23, 113-116.

Plain song, 6, 8, 41, 42, 50, 67, 69, 185.

Plain song book, 6.

'Play his part,' _see_ 'Bear,' 12.

Playford, John, 12, 45, 189.

Plays of Shakespeare with references to music, 4, _et passim_.

Plays, introduced by trumpets, 164.

Plays with music, 1586 to 1642, 171.

Popular Music, Old English, Chappell's, 9.

Praetorius, 122, 134.

Price, John, 80.

Prick-song, 15, 25, 41, 67, 69, 185.

Professional musicians, 17th cent., 13, 14, 130.

Proportion, 6, 7, 32, 33, 34;

153, Pythagoras on musical.

Psalmody, metrical, 85, 86.

Psaltery, 176.

Psychology of music in Shakespeare, 2, 152-158.

Public-house song, Elizabethan, 17, 20.

Punctus, _see_ Prick-song.

Puns, _see_ Quibbles.

Pupil and master, 5, 6, 7, 58-60, 62-64.

Purcell, _Bonduca_, 17, 36, 171.

operas, 176, 182, 183, 211.

Purcell, catch, 77.

canaries, 120.

Puritan, sings psalms to hornpipes, 84.

_Pyramus and Thisbe_, a masque, 160, 167.

Pythagoras, on music of spheres, 152-156.

QUADRANT Pavan, 7.

Quadrupla, 33, 34.

Quibbles, verbal, on musical terms, 4, 22, 23, 24, 26, 27, 28, 32, 36,

39, 40, 43, 44, 51, 53, 60, 76, 87, 88, 89, 93, 99, 103, 104, 120, 121,

122, 126, 127, 128, 129, 130, 135, 163, 183.

Quiddle, to, 16.

RAYE, _see_ Hay.

Rebeck, 129.

'Record,' use of the word, 50.

Recorder, 31, 50-53, 170, and frontispiece.

Regals, a small organ, on stage, 170.

_Rehearsal, The_, (comedy), 131.

Rests, 22, 23.

Retreat, stage direction, 171, 172.

Ribible, 129.

_Richard II._, 32, 48, 127, 182.

_Richard III._, 166, 167, 168.

Rimbault; Mus. Antiq. Soc., 36, 171.

Rimbault's '_Rounds, Canons, and Catches_', 17, 72, 83, 94.

_Romeo and Juliet_, 43, 73, 110, 129, 185, 192, 193.

Rotybulle Joyse, 67, 68, 69.

Round, dance, 123, 125, _see_ Hay.

Round (catch), 16, 17, 18, 23, 24, 69, 72, 91, 94.

Royal musicians, 9-12.

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