(_a._) Pavan and Galliard, 'St Thomas Wake,' by Dr Bull, from
Parthenia, printed 1611. (Bull was born 1563.) See p. 114.
Pavan [if played quick became Passamezzo. _Tw._ V, i, 200].
[Music]
Galliard St Thomas Wake, the _same music_ but in triple time. _Tw._ I,
viii, 127, _H. 5._ I, ii, 252.
[Music: Galliard, or Cinquepace.]
(_b._) 1. Part of a 'Passamezzo,' date 1581. (See Note on Arbeau's
Orchésographie.) _Tw._ V, i, 200. See p. 135.
[Music: Passe mezzo, or Measure (_As You_ V, iv, 178, etc.)]
(_b._) 2. The first 'strain' of a German Pavan for the Lute, dating
1562.
[Music]
(_c._) An English 'Haye,' or 'Raye,' or 'Round,' date 1678. See p.
131, _L.L.L._ V, i, 148.
For a French 'Haye,' see Note on Arbeau's Orchésographie. Tune only
given [see Stainer and Barrett's Dict. of Musical Terms].
[Music]
It will be noticed that the steps of the Haye, as given in
'Orchésographie,' can be adapted to this tune. The dotted minim value
of this corresponds with the semibreve value of the other.
(_d._) 1. The King's Hunting Jigg, by Dr Bull (1563-1628). See p. 117.
_Hamlet_ II, ii, 504, etc.
[Music]
(_d._) 2. The Cobbler's Jig. 1622. See p. 125.
[Music]
(_e._) 1. An English Morris, 1650, see p. 132. _All's Well_ II, ii,
20, etc.
[Music]
(_e._) 2. Italian Moresca, by Claudio Monteverde, from his opera
'Orfeo,' 1608. This at all events must have had a different step to
the Morisque of Arbeau. (See Note on the 'Orchésographie.')
This dance is certainly in triple rhythm, so the common-time sign
probably indicates it should be played fast enough to give the effect
of two beats to the bar.
[Music]
(_f._) Part of 'My Ladye Carey's Dumpe,' _circa_ 1600. See p. 127.
_Two Gent._ III, ii, 83, etc.
[Music]
Then return to [repeat symbol]. This is about _one third_ of it. The
last strain of all is the first here printed, but in _four_ parts, and
with extraordinary harmony, the E's being carefully marked [natural
symbol].
_N.B._--For Cinquepace, Canaries, Brawl, Lavolt, Courante, Haye,
Morisque, _see the Note on_ 'Orchésographie.'