Arch-Lute, 56, and frontispiece.
Arena, Anthoine, 139.
_As you like it_, 72, 73, 77, 93, 94, 126, 155, 157, 193, 203.
Autolycus's songs, 72, 191, 192.
'Ayres' for lute, 55, 187.
BACON, _Masque and Triumph_, 31.
Bacon, _Sylva Sylvarum_, 31.
on the Recorder, 31, 50.
Bagpipe, 78, 81, 96, 98, 102.
Ballads, 20, 70 ff, 86, 97, 98, 200.
Ballad of Constant Susanna, 189.
Ballete, combined dance and song, 113.
Ball-room etiquette (1588), 138, 139, 140, 144.
Bannister, Mr, 191.
Bandore, sort of lute, 170.
'Banket,' 16th cent., 5.
Barber's shop, music in, 7, 18, 19.
Bars, invention of, 34.
Base (bass), quibbles on, 27, 60.
Bass descant, 185.
Basse dance, 137-141.
Beaumont, Gray's Inn Masque, 36, 171.
Beaumont and Fletcher, _Coxcomb_, 16.
Beaumont and Fletcher, _Valentinian_, 171.
Beak-flute, 50, 52.
'Bear his part', 16, 22, 79, 80.
Play his part, 12.
Sing his part, 14.
'Bene's,' the three, 8.
Bergamasca, 114.
Blacke Saunctus, 10.
Boleyn, Anne, 10.
_Bonduca_, catch in, 17.
'Bonny sweet Robin,' 77, 196, 197, 198.
'Boute-selle', 210.
Bow, viol, 48, and frontispiece.
Branle, Le, dance step, 139.
Bransle, dance (brawl), 115, 147-148 (tune and steps), 149.
Brant, 'Ship of Fools,' 96.
Brawl, dance, 115, 118, 119, (derivation), 123, 208.
Breast, _i.e._ voice, 88.
Bridge, Dr J.F., Shakespeare Songs, 87, 93, 171.
Broken music, 30-32, 103, 104, 125, 187.
Broken time, 32, 33.
Bull, Dr John, 54, 114, 117, 124, 125, 136, 201, 205.
Burden, 22, 23, 24, 26, 69, 78, 82.
Burden, 'Light o' love' without a, 24, 26, 71.
Burney, 36, 195, 196.
Bussing base, 16, 24.
'But shall I go mourn,' 72.
Byrd, William, 54, 76, 124, 171, 195.
'By a bank,' 26.
CANARY, dance, 118, 119, 120, 146 (tune and steps), 208.
Canaries, see Canary.
Cannon, on stage, 165, 168.
Canon, 10, 20.
'Canst thou not hit it,' 200.
Caper, to, in a galliard, 121, 124, 138, 143.
Carey's Dump, My Lady, 128, 207.
'Carman's whistle,' 76, 195.
Catch, 16, 17, 18, 20, 65, 69, 77, 87, 88, 89, 90, 91, 92, 198, 199.
Caulfield, Collection of Shakespeare music, 77.
Censorinus, on music of Spheres, 153, 154.
Cerreto, Scipione, see Lute, 55.
Chamber music, 12-14, 15, 47.
Chappell, 9, 31, 36, 74, 111, 192.
Charles I., 11, 12.
music in time of, 2.
Chaucer, 65, 129.
_Chelys Minuritionum_, 29, 30.
'Chest' of viols, 45-49.
Chorus, or dance, of heavenly bodies, 154-6.
Christopher Sympson, see Sympson.
Cinquepace, 121, 122, 142 (tune and steps), 202, 208.
Cittern, in barber's shop, 18, 19, 170.
Cittern, carved head of, 19.
Clavichord, 67, 68.
Clergy and Music, 8, 9, 13, 15.
'Cliff' (clef), 40.
Cobbler's Jig, The, 118, 125, 205.
Comedies, Music in the, 4, 169.
'Come live with me,' 188.
Compendium, Sympson's, 116, 117.
Compositions by Henry VIII., 9.
_Comus_, Milton's, 171.
'Conceits,' 101.
Concolinel, 70.
Concord, 27, 32.
Congee, or Congedium, 139.
Consorts, 'broken' and 'whole,' 31, 48, 55, 125.
Consort, of viols, 31, 98, 117.
Coperario (J. Cooper), 12, 36, 47, 171.
Coranto, dance, 115, 116, 118, 121, 122 (derivation), 123, 124, 126,
136, 149-150 (tune and steps).
_Coriolanus_, 166, 167, 176.
Cornet, 170, 179, 180, and x.
Cornet playing, 17th cent., 179.
Cornyshe, W., 66.
Corydon's Farewell to Phillis, 190.
Cotgrave, on 'freeman's songs,' 83.
'Counter,' to, 66, 68, 97, 98.
Country Dance, 115, 116, 122, 123, 126.
Courante, 208.
Curranta (courante, coranto), 7.
Cushion dance, 118, 126.
Cymbals, 176.
_Cymbeline_, 73, 100, 109, 110.
_Damon and Pithias_, 16.
Dances, 16th cent., 137-151.
Dance music, 139, 144, 145, 200, 201 ff.
Dances in Shakespeare, 113 ff.
Dances, sung, 113, 115, 118, 119, 145.
Dancing, time of Elizabeth, James I. and Charles I., 118.
Dances of 16th cent., origin of Sonata form, 113.
Dancing Schools, English, 136.
Dancing, to tabor and pipe, 78, 120, and frontispiece.
Davenant, _The Wits_, 17.
Davies, Sir John, on dances, 123, 124.
_Declaration of Egregious Impostures_, 17.
Dekker, _Satiromastix_, 164.
Delaborde, 119.
Descant, 6, 8, 22, 23, 25, 27, 29, 41, 42, 67, 68, 185.
Descanters, contention of, 6.
Descant on a "ground," 29, 30.
_Deuteromelia_, Ravencroft's, 83.
'Diabolus est,' 37, 186.
Diapason, 22, 23, 153, 154.
Diminution, see Division.
Dinner party, 16th cent., 5.
Dinner, music during, at taverns, 20,
after supper, 105.
Dirge, 109, 110, 111.
Discord, 'restless,' 22, 23,
'harsh,' 28.
Division, 28-30, 35, 36, 57, 185, 186.
Division, quibbles on, 28, 35, 36, 186.
Division viol, 29, 30.
Doquet, see Tucket.
Drayton, _Battle of Agincourt_, 16.
Drone, 23.
Drum, in dancing, 139, 145.
and fife, 160-162.
military, 162, 163, 172-175.
Drums, in theatre band, 176.
Drum March, 172-175, 208.
Dulcimer, 176, 177.
Dump, dance, 22, 23, 59, 61, 98, 127, 128 (derivation), 130, 170, 207.
quibble on, 22, 130.
Dupla, 33, 34.
EAR, musical, 32, 100.
Edward VI., 10.
Edwards, Richard, 73, 128, 169, 193.
Elizabeth, Queen, 10, 11, 15, 53.
Elizabethan public-house song, 17, 20.
Elizabethan times, music in, 2, 4-8, 16, 113, 114 (dances) ff.
Erasmus, 9.
'Evening music,' 99, 101.
'Excursions,' 165.
FALSTAFF and his crew, musicians, 41-43, 76, 85.
'Fancies,' for viols, 47, 76, 101, 117.
'Farewell, dear heart,' 72, 89, 190.
'Farewell, master,' Caliban's Song, 73.
_Faustus_, Marlowe's, 178.
'Fayned' music, 67, 69, 97, 98.
'Fear no more the heat of the sun,' 73, 110.
Fellowships at Cambridge, musical qualification for, 8, 9.
Ferrabosco, 171.
Fiddle, 49, 124.
Fidler, 'common,' 'rascal,' 13, 59.
Fidlers, 7.
Fidles, 170, 171.
Fife, 160-162, 176.
Fingering, on lute, 58, 60,
on viol, 44, 101.
'Fish,' ballad of a, 72, 79.
Fitzwilliam Virginal Book (known as Qu. Elizabeth's) 11, 54, 123, 192,
195, 196.
Flageolet, see Recorder.
Flats, 27, 69.
'Flemish Drunkards,' 66, 199.
Florio, on threemen's songs, 83.
Flourish, 165, 167-8, 178, 179 (of cornets), 208.
'Flout 'em and scout 'em,' 77, 78, 91.
Flute, 31, 96, 98, 145, 169, 170, 171, 176.
'Fools had ne'er less grace,' 72.
'Fortune my Foe,' 76, 195.
Freemen, see Threemen.
French dancing, 136-151.
'French fiddles,' 49.
French march, 209.
Frescobaldi, 123.
Fret, quibbles on, 51, 58.
Frets, 19, 25, 45, 46, 56, 58.
GALLIARD, 114 (follows Pavan), 115, 116 (derivation), 121, 122, 123,
124, 126, 134, 138 (par terre), 142 (tune and steps), 148, 170, 201, 202.
Gallimaufry, 80, 84.
_Gammer Gurton's Needle_, comedy, 170.
Gam-ut, 39, 40, 60.
Gaufurius, 34.
Gentlemen and music, 5-8, 10, 12, 13-15, 20, 29, 47, 49, 50, 97, 98, 101.
'Get you hence,' 72.
Gibbons, Orlando, 54, 108, 124.
Giraldus Cambrensis, 83.
Gnorimus, master, 5, 6.
'Good morrow, 'tis St Valentine's day,' 77, 196.
Goodnights (dirges), 76, 109, 110.
Gosson, _Schoole of Abuse_, 20.
Gout, morisque bad for the, 151.
Gower, 65.
Grand Bal, Le, 144.
'Green Sleeves,' 74, 75, 194.
'Gregory Walker,' 7.
Ground Bass, 29, 30, 185.
Grove's Dictionary of Music, 113, 145, 192.
Guido d'Arezzo, 37.
_Hamlet_, 50-52, 76, 77, 125, 167, 172, 196-198, 205.
Hanskin, 192.
'Harmonious Blacksmith,' 28.
Harp, 65, 96, 98.
Harp, Irish, 31.
Harpsichord, 29, 30, 176, 185.
Harpsicon, 13.
Harsnet, on catches, 17.
Harrington, Sir John, 8, 10.
Hautboys, stage direction, 169, 175, 176, 209.
Hautboys, 144, 145, 159, 171, 176, 177, 209.
Hautboy, case of a treble, 76, 177.
Hay, dance, 131, 150 (tune and steps), 204, 205, 208.
'Heart's Ease,' 73, 129, 193.
'He is dead and gone,' 196.
Henry, Prince, brother of Charles I., 8, 173.
_Henry IV., Part I_, 81, 172, 182.
_Henry IV., Part II_, 70, 76, 105, 107, 109, 117, 177, 195.
_Henry V._, 31, 32, 41, 63, 114, 123, 129, 133, 136, 165, 166, 167,
172, 178, 180, 181, 182, 202, 210.
_Henry VI., Part I_, 56, 165, 166, 172, 182, 183, 208, 209.
_Henry VI., Part II_, 166, 172, 182.
_Henry VI., Part III_, 175, 182, 183.
Henry VII., Singing in time of, 65-69.
Henry VIII., a musician, 9, 10, 14, 26.
_Henry VIII._, 49, 73, 109, 110, 126, 139.
Herbert, George, 12.
Hexachord, 37, 187.
'Hey, Robin, jolly Robin,' 190.
Hilton, John, 77.
History of music in Shakespeare, 2, 3.
'Hold thy peace,' 77, 198.
Holofernes' head, 19.
Horn, 169.
Horns, stage direction, 182, 183, 211.
'How should I your true love know,' 77, 196.
Hugh, Parson, 187.
Hum, to, a burden, 22, 23, 24.
'Hundredth Psalm,' 75.
Hunsdean, Lord, 11.
'Hunt is up, The,' 73, 192.
Hunts-up, 73.
'I SHALL no more to sea,' 73, 191.
'I'm gone, Sir, and anon, Sir,' 190.
_Inglesant, John_, Mr Shorthouse's, 2, 29.
Instrumental Music, amongst lower classes, 18-20,
amongst higher classes, 9-15,
in barber's shop, 18, 19,
in taverns, 19, 20.
Instrumental music, descended from Vocal Dances, 113, 116, 117.
Instrumental music, England supreme in, 117.
_Introduction_, Morley's, 4-7, 8, 18, 23, 185.
Irish Harp, 31.
'It was a lover and his lass,' 93.
Ives, Simon, 171.
'JACK boy, ho boy,' 77, 92, 199.
Jacks, 54, 68.
James I., music in time of, 11.
Jaques, a hater of music, 93, 94.
Jenkins, John, 47, 72.
Jig, dance, 116-118, 121, 123, 124, 125.
Jig, The Cobbler's, 205.
Jigg, The King's Hunting, 205.
_Jocasta_, by Gascoyne, 170.
'Jog on,' 72, 192.
Johnson, Robt., 112, 171.
_John, King_, 95, 163, 182.
Jonson, _Alchemist_, _Silent Woman_, 18,
Masques by, 171.
_Julius Cæsar_, 108, 166.
Jusquin (Josquin des Prés, died 1521), 10.
KEN, Bishop, 13.
'King and the Beggar,' Ballad of the, 70.
King's Coll., Camb., Master of, in 1463, 9.
King's Hunting Jig, The, 117, 125, 205.
Kircher, 176.
'Knell,' Qu. Katherine's, 110-112.
'L'HOMME armé,' 85.
Lacy, Henry, _Jane Shore_, 171.
Lark, out of tune, 28.
Lavolt, 208.
Lavolta, dance, 115, 124, 136, 148, 149 (tune and steps).
Lawes, Henry, 171.
Lawes, William, 47, 171.
'Lawn, as white as,' 72.
_Lear_, 35, 36, 72, 181, 183, 186.
Le Roy, Adrian, see Lute, 55.
'Lesson,' _i.e._ a piece of music, 54, 60, 62, 76.
'Lesson' for the Lute, 187.
Lessons in music, 5, 6, 58-60, 62-64.
'Light o' love,' 24, 26, 70, 71, 187.
Locke, Matt., 31, 125.
Lollards, 86.
Love song, 55, 78, 81, 82, 88, 96.
'Love, love, nothing but love,' 72.
_Love's Labour's Lost_, 19, 70, 115, 118, 119, 131, 200, 204.
Lower classes, music amongst, 15-20.
_Lucrece_, 22-26, 127, 166, 185.
Lully, 119, 209.
Lute, 9, 10, 12, 30, 31, 55-61, 67, 68, 69, 73, 96, 98, 108, 109, 171.
Lute, objections to, in 17th cent., 56, 61.
Pavan for, 204.
tuning of, 55, 60, 61.
Lute-case, 41, 42, 129.
Lutenist, 13.
Lyly, on music at feasts, 20.
_Macbeth_, 166.