23. Catches, of 16th century, prob. long anterior to Shakespeare.

I. 'Hold thy peace,' see p. 77, _Tw. Nt._ II, iii. For _three_ voices,

Sir Toby, Sir Andrew, and Feste the clown, who begins the catch. The

second man follows when the first has arrived at [segno symbol]. For

the explanation see p. 90.

[Music:

Hold thy peace, and I prithee hold thy peace,

[segno symbol] Thou knave,

Hold thy peace thou knave,

Thou knave.]

'Thou knave' will be heard _nine_ times for every once the whole tune

is sung by one of the voices.

II. 'Jack boy, ho boy, news,' see p. 92, and _Shrew_ IV, i, 42. This

is very old, prob. quite early 16th century (see Introduction).

For _four_ voices. The second man comes in at [segno symbol], as

before.

[Music:

Jack, boy, ho! boy, news;

[segno symbol] The cat is in the well,

Let us ring now for her knell,

Ding, dong, ding, dong, bell.]

24. Threeman songs (corrupted into 'Freeman,' see p. 83). These were

entirely different from Catches. A Threeman song is merely (as a rule)

a song with _three parts_,--_e.g._, two trebles and a tenor, etc.

_Winter's Tale_ IV, ii, 41, and IV, iii, 285-327.

Here is a Threeman song, published in 1609, but probably much older

than that.

[Music:

V.1. Wee be souldiers three,

Pardonez moy je vous en prie:

Late-ly come forth of the low coun-try,

With nev-er a penny of mony.

V.2. Here good fellow, I drinke to thee,

Pardonez moy je vous en prie:

To all good fel-lowes wher-ever they be,

With nev-er a penny of mony.]

There are two more verses of the same sort.

25. 'Canst thou not hit it,' _L.L.L._ IV, i, 125. No more words known,

except this one verse.

The tune is mentioned as a dance in an Elizabethan play, and is

alluded to in an old ballad 'Arthur a Bradley.'

[Music:

Thou can'st not hit it, hit it, hit it,

Thou can'st not hit it, my good man,

An' I cannot, cannot, cannot,

An' I cannot, an-o-ther can.]

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