History of
章节目录
共 26 段- [In the late sixteenth century, counterpoint can scarcely be
- The _clavicymbal_ represents a second form of the clavier, w
- [3] The bagpipers play before Othello’s house, and the
- A Pavan called “La Bataille,” full of vigorous trumpet-signa
- His more general portraits are the most satisfying. They dep
- The Scarlatti style is a genuine product of the Italian musi
- Old engraving representing Scarlatti playing a Harpsichord w
- Two or more voices running alongside are treated in their re
- Among the suites which do not belong to these collections, w
- The solution of the problem was the modern hammer-clavier or
- The good man, with his fearful fluency, declares that he is
- Even in his harmonies his freedom is clearly noticeable. He
- When a great scheme was started in Berlin for a common monum
- A new and grand expression of pain is the last movement of t
- [111] Meaning the “leader” of the band, practically the
- Cramer (1771-1858) had two long stays in London, in the mids
- The piano follows the lines of the time, which pursues techn
- To imagine that with Weber we already pass over into the fai
- This next work bore the title of “Papillons”--a title not un
- In the Sonata (or concerto) “without orchestra” (Op. 14) whi
- Chopin gave recitals but rarely. In his youth--who was ever,
- We have, in these last phrases of Chopin been reminded of th
- The charming Spanish Rhapsody, the Chopin-like “Consolations
- In order to put a check on amateur teaching a movement has o
- An equally important group is that of the Russians, headed b
- Wallace, 299