Evolution in
Evolution in Art: As Illustrated by the Life-histories of Designs
作者:Haddon, Alfred C. (Alfred Cort), 1855-1940
体例:题 章数:104
字数:525,417 来源:Project Gutenberg
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章节目录
共 104 题- EVOLUTION IN ART.
- THE WALTER SCOTT PRESS, NEWCASTLE-ON-TYNE.
- PREFACE.
- ALFRED C. HADDON.
- CONTENTS.
- THE MATERIAL OF WHICH PATTERNS ARE MADE 74
- THE REASONS FOR WHICH OBJECTS ARE DECORATED 200
- INDEX 357
- LIST OF ILLUSTRATIONS.
- FIGS.
- 7. Snake arrow from Torres Straits (cf. Fig. 6). (Original.)
- 53. Iroquois bark vessel; after Cushing.
- 59. Design of Fig. 60; after Holmes, from Mason.
- 61. “Unit of the Design” of Fig. 60; after Holmes, from Mason.
- 62. Modern Moki rain symbol; after Holmes.
- 65. Zuñi prayer-meal-bowl; after Cushing.
- 68. Pueblo water-jar; after Cushing.
- 74. Lotus border; from Goodyear, after Prisse d’Avennes.
- 81. Saracenic Algerian detail; from Goodyear, after Ravoisié.
- 82. Ionic capital of the eastern portico of the Erechtheium.
- 83. Early form of Ionic capital from Neandreia; after Clarke.
- 88. Anthemion from the Parthenon.
- 90. Horses etched on an antler from La Madelaine; from Taylor.
- 93. Alligator design, Chiriqui; after Holmes.
- 105. Bird design, Bakaïri, Central Brazil; after Von den Steinen.
- 107. Gourd; after Holmes.
- 113. Alaskan notice of a hunt; from Mallery, after Hoffman.
- 114. Pictograph of starving hunters, Alaska; after Mallery.
- 115. Lean-Wolf’s Map, Hidatsa; after Mallery.
- 116. Ivory carving with records, Alaska; after Mallery.
- 117. Blossom of an Ixora; from Stevens.
- 129. Hut-shaped ossuary; from I. Taylor, _Origin of the Aryans_.
- SOURCES OF THE ILLUSTRATIONS
- 82 is from Ryley’s _Antiquities of Athens_, 1837; after Stuart.
- 102 is copied by permission from Dr. P. Ehrenreich.
- EVOLUTION IN ART.
- INTRODUCTION.
- DECORATIVE ART OF BRITISH NEW GUINEA.
- I.—TORRES STRAITS AND DAUDAI.
- II.—THE FLY RIVER.
- III.—THE PAPUAN GULF.
- SERIES IV.—BISERIAL, HORIZONTAL.
- II. _Single row of faces disposed horizontally._
- III. _Double row of faces disposed vertically._
- IV. _Double row of faces disposed horizontally._
- V. _Treble row of faces._
- IV.—THE CENTRAL DISTRICT.
- V.—THE MASSIM DISTRICT.
- VII.—NOTE ON THE SCROLL DESIGNS OF BRITISH NEW GUINEA.
- THE MATERIAL OF WHICH PATTERNS ARE MADE.
- 1. _Transformation of a Solitary Object._
- 2. _Transference of Fastenings._
- 3. _Skeuomorphs of Textiles._
- 4. _Skeuomorphic Pottery._
- 5. _Stone Skeuomorphs of Wooden Buildings._
- 6. _Skeuomorphic Inappropriateness._
- II.—THE DECORATIVE TRANSFORMATION OF NATURAL OBJECTS.
- 1. _Physicomorphs._
- 2. _Biomorphs._
- A. _Representation of Abstract Ideas of Life._
- B. _Phyllomorphs._
- C. _Zoomorphs._
- D. _Anthropomorphs._
- E. _Biomorphic Pottery._
- 3. _Heteromorphs._
- A. _Heteromorphs of Skeuomorphs._
- B. _Heteromorphs of Biomorphs._
- C. _Complex Heteromorphs._
- THE REASONS FOR WHICH OBJECTS ARE DECORATED.
- I. ART.
- II. INFORMATION OR COMMUNICATION.
- Pictograph of a lasso, Dakota Winter Count, 1812-13; after Mallery.]
- The stages through which alphabetic writing has passed are as follow:—
- III. WEALTH.
- IV. MAGIC AND RELIGION.
- 1. _Sympathetic Magic._
- 2. _Totemism._
- 3. _Religion._
- 4. _Religious Symbolism._
- A pictorial symbol has the following life-history:—
- A. _The Meaning and Distribution of the Fylfot._
- B. _The Psychology of Symbolism._
- A. _Note on Mental Inertia._
- THE SCIENTIFIC METHOD OF STUDYING DECORATIVE ART.
- I. APPLICATION OF BIOLOGICAL DEDUCTIONS TO DESIGNS.
- II. THE GEOGRAPHICAL DISTRIBUTION OF ANIMALS AND OF DESIGNS.
- III. GENERAL REMARKS ON THE METHOD OF STUDY.
- EXPLANATION OF THE PLATES.
- PLATE I.—SKEUOMORPHS OF BINDING.
- PLATE II.—SKEUOMORPHS OF WATTLE-WORK.
- PLATE III.—SKEUOMORPHS OF BASKETRY.
- PLATE IV.—SKEUOMORPHS OF THE WITHY-BAND.
- FILIGREE.
- SKEUOMORPHS OF FASCINING.
- SKEUOMORPHS OF WEAVING.
- PLATE V.—SKEUOMORPHS OF TIMBERING.
- PLATE VI.—ZOOMORPHS.
- PLATE VII.—ZOOMORPHS.
- WITHY BAND.
- PLATE VIII.—PHYLLOMORPHS.
- INDEX.
- Quatrefages and Hamy, 63, 64
- Yule Island, 42
- Transcriber’s note