94. Alligator delineation, greatly modified, Chiriqui; after
Holmes.
95. Highly conventionalised alligator derivative, Chiriqui;
after Holmes.
96. Series of derivatives of the alligator, showing stages of
simplification, Chiriqui; after Holmes.
97. Series of alligator derivatives showing modification
through use in narrow zones, Chiriqui; after Holmes.
98. Scroll derived from the body-line of the alligator,
Chiriqui; after Holmes.
99. Fret derived from the body-line of the alligator, Chiriqui;
after Holmes.
100. Series of alligator derivatives showing modification
through use within a circular area, Chiriqui; after Holmes.
101. Pattern composed of alligator derivatives from a clay drum
painted in the style of the “lost colour group,” Chiriqui;
after Holmes.
102. Patterns of the Karaya, Central Brazil; after Ehrenreich,
A. Lizards; B. Flying bats; C. A rattlesnake; D. A snake,
A. Incised on a grave-post; B, C, D. Plaited on the handles
of combs.
103. Patterns from Central Brazil; after Von den Steinen.
A. Bakaïri paddle; B-E. _Mereschu_ (fish) patterns of
the Auetö; F. Locust design, Bakaïri; G. Fish-shaped
bull-roarer, Nahuquá; H. _Sukuri_ (snake) and ray patterns;
I. _Jiboya_ (snake); K. _Agau_ (snake); H-I. Bakaïri tribe.
104. Patterns derived from bats; after Von den Steinen, A.
Bakaïri; B, C. Auetö.