City of
The City of Domes : a walk with an architect about the courts and palaces of the Panama-Pacific International Exposition, with a discussion of its architecture, its sculpture, its mural decorations, its coloring and its lighting, preceded by a history of its growth
作者：Barry, John D. (John Daniel), 1866-1942
体例：题 章数：162
字数：225,347 来源：Project Gutenberg
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- 原文溯源
cache/epub/3151/pg3151.txt（Project Gutenberg）
章节目录
共 162 题- This etext was produced by David A. Schwan <davidsch@earthlink.net>
- The City of Domes
- Contents
- Chapter
- Illustrations
- Preface
- Introduction
- The First Steps
- Financing
- Recognition From Congress
- Choosing the Site
- The Director of Works
- The Architects
- The Block Plan
- The Architecture
- The General Arrangement
- Construction
- Clearing The Land
- Choice of Material
- The Color Scheme
- The Planting
- Preparing the Landscape
- The Hedge
- The Sculptors
- Developing the Sculpture
- The Decorative Figures
- The Column of Progress
- The Aim of the Sculptors
- Mural Painting
- Painting For Out-Doors
- The Lighting
- Watching the Growth
- The Walled City
- The War
- The Department of Fine Arts
- An Emissary to France and Italy
- Foreign Participation in General
- Looking for Art Treasures
- Notable Collections
- The Hungarian Collection
- The View From the Hill
- II
- The Approach
- III
- In the South Gardens
- IV
- Under the Tower of Jewels
- The Court of the Universe
- VI
- On the Marina
- VII
- Toward the Court of Four Seasons
- VIII
- The Court of the Four Seasons
- IX
- The Palace of Fine Arts From Across the Lagoon
- The Western Wall
- The Palace of Fine Arts at Close Range
- XI
- At the Palace of Horticulture
- Returning to the South Gardens
- XII
- The Half Courts
- XIII
- Near Festival Hall
- XIV
- The Palace of Machinery
- XV
- The Court of the Ages
- XVI
- The Brangwyns
- XVII
- Watching the Lights Change
- XVIII
- The Illuminating and the Reflections
- Seeing the Lights Fade
- Features that Ought to be Noted by Day
- The South Gardens
- Tower of Jewels
- Court of the Universe
- On the Marina
- Approaching the Court of Four Seasons From the Court of the Universe
- Court of Four Seasons
- Above doorway in southwest corner, Spring. "Spring" and "Seedtime."
- Northwest corner, Summer. "Summer" and "Fruition."
- Northeast corner, Autumn. "Autumn" and "Harvest."
- Southeast corner, Winter. "Festivity" and "Winter."
- Aisle of Sunset
- Administration Avenue
- Palace of Fine Arts
- North of Lagoon
- Roadway to Right Before Entering Circle
- Circle at North End of Peristyle
- Mother of the Dead, by C. S. Pietro. (Lagoon side of circle.)
- Chief Justice Marshall, by Herbert Adams. (In walk.)
- Bondage, by Carl Augustus Heber. (Only feminist note in the grounds.)
- Saki, Sundial, by Harriet W. Frishmuth. (In walk.)
- Apollo, by Haig Patigian. (To right.)
- The Scalp, by Edward Berge. (To left.)
- Youth, by Victor D. Salvatore. (To right.)
- Soldier of Marathon, by Paul Noquet. (To left.)
- Garden Figure, by Edith Woodman Burroughs. (To right.)
- L'Amour, by Evelyn Beatrice Longman. (To right.)
- Returning from the Hunt, by John J. Boyle. (To left.)
- Boy with Fish, by Bela L. Pratt. (To right.)
- Beyond, by Chester Beach. (By main doorway.)
- Aspiration, by Leo Lentelli. (Over main doorway.)
- Pioneer Mother Monument, by Charles Grafly. (Before main doorway.)
- Portrait of a Boy, by Albin Polasek. (Outside west archway.)
- The Awakening, by Lindsey Morris Sterling. (Outside west archway.)
- Rotunda, Entrance Through North Archway
- William Cullen Bryant, by Herbert Adams. (At northwest archway.)
- Lafayette, by Paul Weyland Bartlett. (Center of rotunda.)
- Thomas Jefferson, by Karl Bitter. (Outside southwest arch way.)
- Youth, by Charles Carey Rumsey. (To south of doorway.)
- An Outcast, by Attilio Piccirilli. (To right.)
- Boy and Frog, by Edward Berge. (To left.)
- Eurydice, by Furio Piccirilli. (To right.)
- Young Mother with Child, by Furio Piccirilli. (To right.)
- Young Pan, by Janet Scudder, (To left.)
- Michael Angelo, by Robert Aitken. (To right.)
- Muse Finding the Head of Orpheus, by Edward Berge. (To left.)
- Circle at South End of Peristyle
- Bust of William Howard Taft, by Robert Aitken. (To right.)
- Bust of Halsey C. Ives, by Victor S. Holm. (To left.)
- South of Lagoon
- American Bisons, by A. P. Proctor. (Sides of roadway.)
- Peace, by Sherry E. Fry. (To left.)
- Fountain: Wind and Spray, by Anna Coleman Ladd. (In lagoon, south end.)
- Court of Palms
- Palace of Horticulture
- Along the South Wall, West of the Tower of Jewels
- Festival Hall
- Court of Flowers
- Along the South Wall, East of Tower of Jewels
- Avenue of Progress
- Court of Mines, Leading to Court of Ages
- Court of the Ages
- Right of south panel, "Lust."
- North Entrance to Court of Ages
- Features that Ought to be in Noted by Night
- Illumination
- Fillmore Street Entrance
- Avenue of Progress
- Inner Court of Mines Leading From Palace of Machinery to Court of Ages
- Court of the Ages
- North Entrance to Court of the Ages
- Florentine Court
- Court of the Universe
- On the Way to the Marina
- On the Marina
- Venetian Court
- Court of the Four Seasons
- Along the Western Wall
- Palace of Fine Arts
- In the Colonnade, Entering From North
- Avenue of Palms
- Court of Palms
- Palace of Horticulture
- South Gardens
- Court of Flowers
- Festival Hall