Right of south panel, "Lust."

East side of southern group: Greed, looking back on earth. Faith

offering Immortality, symbolized by scarab, to Woman. Figures of man and

woman sinking back into oblivion, "Sorrow" and "Sleep." Hand of Destiny

drawing mortality to itself.

Hermae, pillars with head of Hermes, god of boundaries, separating

panels around earth.

Reptilian and fishy forms above panels of central mass of fountain.

Corridors, walls red, blue vault above, arches of smoked ivory, lines of

blue on wall. Illumination by half-globes in cups on inner side of

columns.

Murals, by Frank Brangwyn, of London, representing Elements. Best placed

of all murals. At corners of court in corridors.

Northeast corner, "Fire." "Primitive Fire," figures around fire nursing

it, or feeding it. "Industrial Fire," use of fire in service of man.

Southeast corner, "Water": Fishermen dragging in net, carriers with

baskets on backs, "The Net." Women and men filling jars at a spring,

flamingoes in water, luxuriant growth, clouds, "The Fountain."

Southwest corner, "Air": Men shooting arrows through trees, birds in

flight, "The Hunters." Huge mill, children flying kites, clouds, grain

blown by wind, "The Windmill."

Northwest corner, "Earth": Men high in trees and on ground, "The Fruit

Pickers." Figures crushing juice out with feet, group in front with

wine, "The Dancing of the Grapes."

Planting in Court: Tall Italian cypress before arches; orange trees;

balled acacia; denseness of growth along colonnades; heavy and rank,

suggesting tropical flora.

Large cauldrons, at side of steps leading down to sunken gardens,

designed by Mullgardt.

The City of Domes : a walk with an architect about the courts and palaces of the Panama-Pacific International Exposition, with a discussion of its architecture, its sculpture, its mural decorations, its coloring and its lighting, preceded by a history of its growth · 第 139 / 162 题