Life and
The Life and Writings of Henry Fuseli, Volume 3 (of 3)
作者：Fuseli, Henry, 1741-1825; Knowles, John, 1781-1841 [Editor]
体例：题 章数：93
字数：372,212 来源：Project Gutenberg
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cache/epub/40474/pg40474.txt（Project Gutenberg）
章节目录
共 93 题- THE LIFE
- AND
- WRITINGS
- OF
- HENRY FUSELI, ESQ. M.A. R.A.
- THE FORMER WRITTEN, AND THE LATTER EDITED BY
- JOHN KNOWLES, F.R.S.
- CORRESPONDING MEMBER OF THE PHILOSOPHICAL SOCIETY AT ROTTERDAM,
- HIS EXECUTOR.
- IN THREE VOLUMES.
- VOL. III.
- CONTENTS OF THE THIRD VOLUME.
- LECTURES.
- A HISTORY OF ART IN THE SCHOOLS OF ITALY.
- The Tuscan School 153
- The School of Florence 193
- The School of Siena 231
- The Roman School 242
- The School of Naples 279
- The School of Venice 334
- The School of Mantoua 361
- The School of Bologna 399
- ELEVENTH LECTURE.
- ELEVENTH LECTURE.
- TWELFTH LECTURE.
- ON THE PRESENT STATE OF THE ART, AND THE CAUSES WHICH CHECK ITS PROGRESS.
- TWELFTH LECTURE.
- FOOTNOTES:
- APHORISMS, CHIEFLY RELATIVE TO THE FINE ARTS.
- APHORISMS.
- 2. The price of excellence is labour, and time that of immortality.
- 3. Art, like love, excludes all competition, and absorbs the man.
- 6. Talent arranges, cultivates, polishes, the discoveries of genius.
- 42. Beauty alone, fades to insipidity; and like possession cloys.
- 47. Creation gives, invention finds existence.
- 50. Genius may adopt, but never steals.
- 56. The copious is seldom grand.
- 57. Glitter is the refuge of the mean.
- 62. All mediocrity pretends.
- 75. No excellence of execution can atone for meanness of conception.
- 86. The loathsome is abominable, and no engine of expression.
- 100. Imitation seems to cease, where the ideal part begins.
- 106. The east expands, the north concentrates images.
- 121. Harmony disposes, melody determines.
- 127. Execution has its classes.
- 146. Style pervades the object; manner floats on the surface.
- The forms of Martin Hemskerck are dislocated lankness.[34]
- 159. Pathognomy allots expression to character.
- 165. Pure history rejects allegory.
- 166. All ornament ought to be allegoric.
- 167. Dignity is the salt of art.
- 171. Tone is the moral part of colour.
- 179. The colours of pleasure and love are hues.
- 180. The colour of gravity, reverie, solemnity, approaches to twilight.
- 186. The harmony of Correggio is independent of colour.
- 187. Historic colour imitates, but copies not.
- 198. Some must be idle lest others should want work.[39]
- 199. He who submits to follow, is not made to precede.[40]
- 216. The women of Michael Angelo are the sex.
- 217. The women of Raffaelle are either his own mistress, or mothers.
- 218. The women of Correggio are seraglio beauties.
- 219. The women of Titiano are the plump, fair, marrowy Venetian race.
- 220. The women of Parmegiano are coquettes.
- 222. The women of Guido are actresses.
- 224. The veiled eyes of Guercino's females dart insidious fire.
- 237. Selection is the invention of the landscape painter.
- 238. He never can be great who honours what is little.
- FOOTNOTES:
- A HISTORY OF ART IN THE SCHOOLS OF ITALY.
- THE TUSCAN SCHOOL.
- FOOTNOTES:
- THE SCHOOL OF FLORENCE.
- MICHAEL ANGELO BUONARROTI.
- FOOTNOTES:
- SCHOOL OF SIENA.
- FOOTNOTES:
- THE ROMAN SCHOOL.
- I.
- II.
- FOOTNOTES:
- THE SCHOOL OF NAPLES.
- FOOTNOTES:
- THE SCHOOL OF VENICE.
- GIACOMO ROBUSTI, SURNAMED IL TINTORETTO.
- FOOTNOTES:
- THE SCHOOL OF MANTOUA.
- FOOTNOTES:
- THE SCHOOL OF BOLOGNA.
- FOOTNOTES:
- THE END.
- TRANSCRIBER'S NOTES
- 4) On p. 265, "seini" has been amended to "sein".
- 6) On p. 330, "Buoancorsi" has been amended to "Buonacorsi".