165. Pure history rejects allegory.

_Coroll._--The armed figure of Rome, with Fortune behind her frowning at

Coriolanus, surrounded by the Roman matrons in the Volscian camp (by

Poussin), is a vision seen by that warrior, and not an allegory; it is a

sublime image, which, without diminishing the credibility of the fact,

adds to its importance, and raises the hero, by making him submit, not

to the impulse of private ties, but to the destiny of his country.

The Life and Writings of Henry Fuseli, Volume 3 (of 3) · 第 49 / 93 题