Modern Painting,
章节目录
共 23 段- However, in the brief period of modern art two decided epoch
- Delacroix's work fell between flat decoration and deep paint
- Champfleury was the only friend of Courbet who dared defend
- In this lay the impetus he gave to painting. Even with Ruben
- By decomposing the parts of a surface, in order to represent
- Monet was artistic in that he felt deeply what was before hi
- It is during this period that critics are prone to see Gains
- Cezanne's youth, if one may call forty years a youth, was, a
- The individual solidity of Cezanne's colour planes is due to
- Cezanne, however, is not always able to "realise," as he put
- There has been too much credit taken by the Neo-Impressionis
- Gauguin is purely an image-maker. So abstract a painter is h
- Gauguin said many times that when a painter was before his e
- Forain perfected what he set out to do, and for this praise
- Although Matisse's greatest impetus to modern art, after his
- In constructing formal planes with definite tones whose valu
- In arriving at their conclusions many necessities of aesthet
- With the Impressionists colour was an end in itself. They lo
- The ambitions of the Synchromists went deeper. They desired
- Kandinsky's early "impressions" are heavy and insensitive "F
- One of the healthiest movements of the day, though without n
- Nor are the animadversions of academic critics the only obst
- Puy, Jean, 321.