path of aesthetic development. Those who sympathise with the new without
understanding it do more harm than good. There are those who always
accept the latest men irrespective of their individual merit. But
modernity in itself is not a merit, and the modern enthusiasts, in
defending the newest painters, very often expend their energies on the
undeserving. Thus the mediocrities are given prominence over the truly
great; and the lesser artists are looked upon as representative of the
epoch. Again, those who admire without comprehending are given to
emphasising the less important points of departure in the new men, and
of ignoring the deeper qualities which represent the primary importance
of modern art. The true meaning of the late movements is thereby
obscured. Of this class of critic Arthur Jerome Eddy may be mentioned as
representative. By crediting the distinctly second-rate moderns with
qualities they have only absorbed from greater men, and by
misunderstanding the animating ideals of today's painting, he presents
so disproportionate and biased a history that the entire significance of
modern art is lost. England, France and Germany possess critics who feel
the grandeur but miss the meaning of the new ideals, and their books and
articles, while crediting the modern painters with vitality, go little
beneath the surface.
However, there are a few men to whom the modernist owes much for
intelligent assistance. One may name Meier-Graefe as one of these,
despite his being in reality a pioneer. He has shown an eager attitude
to do justice, and has succeeded in bringing the modern men to the
attention of the world. Guillaume Apollinaire, editor of _Les Soirees de
Paris_, has done more intelligent service for the younger heretics in
France than any other man. Clive Bell and Roger Fry represent the ablest
and most discerning defenders of the modern spirit in England; although
Mr. A. R. Orage, by opening up the columns of the _New Age_, has
permitted a healthy discussion and exposition of the radical art
theories. In America much credit is due Mr. Alfred Stieglitz for his
insistent demands that the later men be given a respectful hearing. By
his sympathetic attitude and his ceaseless labours he has brought before
the American public the work of many prominent modern artists; and his
sincerity and understanding have done much toward ameliorating the
conventional scoffs of American critics.
But were there no far-seeing defenders of modern painting, the signs of
the awakening are too numerous and too conspicuous to be ignored. On
every hand we are conscious of the struggle for new methods and forms.
Not all the inertia of the critics and the public has succeeded in
suppressing the vital spirit. Nor will it succeed. The modern tendency
in painting cannot be dismissed as charlatanism or extremism. The
ignorant and reactionary may laugh and hurl philippics. Such opposition,
if it has any effect, will only prove a stimulus to those who have
experienced the ecstasy of the new work. The old dies hard. Even when
the corpse is buried (as it has been) the ghost lingers. But the light
will soon grow too strong. The ghost in time will be dissolved. For
centuries painting has been reared on a false foundation, and the
criteria of aesthetic appreciation have been irrelevant. Painting has
been a bastard art--an agglomeration of literature, religion, photography
and decoration. The efforts of painters for the last century have been
devoted to the elimination of all extraneous considerations, to making
painting as pure an art as music. But so widespread is the general
ignorance regarding art's fundamentals that the modern men have been
opposed at every step. Public and critical illiteracy in the arts,
however, matters little. The painter's joy lies in the rapture of
creation, in the knowledge that he is carrying forward the banner of a
high ideal.
INDEX
_Adoration of the Wise Men_, 40.
Alexander, John W., 98.
Altichiero, 191.
_Ambassadors, The_, 24.
Andreiev, 52.
_Angelina_, 68.
_Angelus, The_, 57.
_Anges au Tombeau, Les_, 79.
_Annunciation_, 81.
Anquetin, 197.
Antwerp Museum, 40.
Apollinaire, Guillaume, 341.
_Apres le Bain_, 212.
Archipenko, 163.
_Arm Organisation in Blue-Green_, 301.
_Art of Spiritual Harmony, The_, 310.
_Arts et Les Artistes, Les_, 338.
Ashe, E. M., 221.
_Assommoir, L'_, 73.
Assyrian art, 78.
Augier, 216.
Augrand, 175.
_Au Piano_, 123.
Aurier, 193.
Avignon painters, 108.
_Baignade, La_, 203.
_Baigneuse_, 1884, (Renoir), 120.
_Baigneuse_, 1888, (Renoir), 122, 123.
_Baigneuse au Griffon, La_, 112.
_Baigneuse Brune, La_, 123.
_Baigneuses_, 1885, (Renoir), 121, 125.
_Baigneuses_, 1902, (Renoir), 125-126, 157.
_Baigneuses_, (Matisse), 226, 235.
_Baigneuses, Les_, (Courbet), 56.
_Baigneuses, Les_, (Gleizes), 257.
_Bain, Le_, (Daumier), 60.
_Bain, Le_, (Manet), see _Dejeuner sur l'Herbe, Le_.
_Bain Turc, Le_, 69.
_Balancoire, La_, 115.
Balla, Giacomo, 276;
_Dog and Person in Movement_, 272.
Ballu, Roger, 336.
Balzac, 25, 216;
_Le Chef-d'OEuvre Inconnu_, 162.
Barbizon school, 69, 70, 87, 284.
_Bar des Folies-Begere, Le_, 80.
_Bataille de Taillebourg_, 40.
_Battle of Prague, The_, 332.
Baudelaire, 43, 53.
_Baudelaire Chez les Mufles_, 219-220.
Bazille, 89, 103.
Beardsley, Aubrey, 181, 221.
Beaux-Arts, 153, 165, 223, 323.
Beerbohm, Max, 62, 221.
Beethoven, 25, 42, 82, 155, 281;
_Ninth Symphony_, 8.
Bechteiev, 324.
Bell, Clive, 341.
Bellini, Gentile, 188.
Bellows, 221.
Bernard, Emile, 130, 143, 152, 156, 175, 182, 195, 197.
Bernhardt, portrait of Sarah, 216.
Bernheim-Jeune galleries, 290, 297.
Besnard, 319.
Blanc, 165.
_Blast_, 325.
Bloch, 324.
Blumenschein, 221.
Boccioni, Umberto, 275, 276.
Boecklin, 21, 203.
Bolz, 324.
Bonington, 37, 49.
Bonnard, 315, 316-318, 318, 319;
_Le Jardin_, 317.
Bonnat, 215.
Bononi, 23.
Borassa school, 191.
Botticelli, 21, 22, 28, 93, 203.
Boucher, 34, 97, 121.
Bouguereau, 161, 222, 223, 239.
Bourdelle, 320.
Bourgeois, 31.
Boussingault, 325.
Bracquemond, 165.
Brangwyn, 21.
Braque, Georges, 257, 258.
Bronzino, 187.
Bruce, 262.
Bruyas, 53.
_Buen Viaje_, 219.
_Bulles de Savon, Les_, 80.
Bussy, Simon, 321-322.
_Buveur d'Absinthe, Le_, 66, 68.
Byron, 43.
Byzantine art, 9, 35, 40, 51, 93, 204.
Cabanel, 222.
_Cabaret de la Mere Anthony, Le_, 109.
_Cafe-Concert_, 215.
Caffin, Charles H., 338.
Caillebotte Collection, 98-99, 104.
_Calvary_ (Memlinc), 217.
Canaletto, 188.
_Caprichos_, 225.
_Captivite de Babylone, La_, 42.
Caravaggio, 44, 56.
Carlopez, 221.
Carra, Carlo D., 275, 276;
_Funeral of the Anarchist Galli_, 314.
Carreno, 67.
Carriere, 60, 73, 194, 198, 223.
Cassatt, 165.
_Casseurs de Pierres, Les_, 57.
Castagnary, 79.
Castello, Valerio, 21.
_Cathedral, La_, 102.
Cazin, 209.
Celesti, 23.
Cellini, 52.
Cesare, 221.
Cezanne, 21, 26, 27, 31, 32, 36, 45, 56, 61, 75, 96, 97, 104, 115,
126, 128, 129-163, 175, 176, 180, 189, 197, 200, 203, 206, 208,
222, 223, 225, 234, 240, 241, 242, 244, 247, 249, 250, 251, 253,
254, 260, 262, 272, 274, 277, 280, 281, 282, 283, 284, 286, 287,
289, 291, 295, 296, 298, 300, 303, 307, 308, 310, 320, 321, 331,
332, 337, 338.
Chagall, 324.
_Chahut, Le_, 180.
Chamaillard, 197, 324.
Champfleury, 56.
_Chanteuse des Rues, La_, 79.
Chardin, 34, 225.
_Charivari_, 48.
Chase, William M., 337.
Chavannes, Puvis de, 74, 202, 316, 319.
_Chef-d'OEuvre Inconnu, Le_, 162.
_Chemin de Fer, Le_, 80.
Cheret, 216.
Chesneau, Ernest, 44.
_Chevelure, La_, 114.
Chevreul, 31, 84, 165, 166, 168, 180, 285;
_De la Loi du Contraste Simultane des Couleurs_, 164.
_Chien et Lievres_, 51.
Chinese art, 64, 125, 128, 190, 215, 315.
Christophe, Jules, 177.
Chromo-luminarists, _see_ Neo-Impressionism.
Cimabue, 29.
_Cirque, Le_, 180.
_Claire de Lune, Le_, 80.
Claretie, 335.
Claude, 50.
_Coco_, heads of, 126.
_Coco et les Deux Servantes_, 126.
_Coins de Riviere_, 100.
_Combat de Cerfs, Le_, 51.
_Combat du Kerseage et de l'Alabama_, 80.
_Concert Champetre_, see _Rural Concert_.
Conegliano, 79.
Conrad, Joseph, 52, 161.
Constable, 17, 37, 43, 46, 49, 50, 97, 175, 329.
Constant, Benjamin, 336.
Cormon, 215.
Corot, 21, 48, 68, 87, 89, 91, 108, 189.
Correggio; _La Vierge a l'Ecuelle_, 62.
Courbet, 17, 45, 48, 50-58, 59, 63, 66, 67, 69, 70, 71, 72, 73, 74,
75, 76, 77, 81, 83, 87, 89, 97, 106, 107, 108, 109, 111, 112, 113,
115, 127, 128, 131, 134, 158, 207, 208, 212, 239, 253, 282, 284,
319, 330, 335;
_Les Baigneuses_, 56;
_Les Casseurs de Pierres_, 57;
_Chien et Lievres_, 51;
_Le Combat de Cerfs_, 51;
_Femme de Munich_, 53;
_Les Grands Chataigniers_, 57;
_La Grotte_, 56;
_Le Hamac_, 76;
_L'Enterrement a Ornans_, 51, 54, 55, 63, 77, 239;
_Les Lutteurs_, 59-60;
_Le Retour de la Conference_, 51;
_La Vague_, 101.
_Course de Taureaux_, 80.
_Courtesan, The_, 217.
Courtois, 108.
Couture, Thomas, 66, 161;
_Methodes et Entretiens d'Atelier_, 44.
Crayer, Gaspar de, 306.
_Creation of the Sun and Moon_, 24.
_Cromwell au Chateau de Windsor_, 40.
_Croquet, Le_, 123.
Cross, 174, 224.
Cubism (Cubists), 97, 187, 222, 227, 237-262, 274, 275, 277, 282, 283,
285, 291, 303, 307, 315, 323, 331, 332, 336, 338.
da Bologna, Giovanni, 41.
da Bosozzo, Michelino, 191.
_Danseuse, La_, 114.
_Dante et Virgile aux Enfers_, 36, 55.
da Sesto, Cesare, 306.
Daubigny, 67.
Daudet, 216.
Daumier, 17, 25, 58-63, 66, 68, 72, 97, 106, 126, 137, 144, 182, 200,
207, 208, 213, 220, 226, 243, 278, 279, 280, 330;
_Le Bain_, 60,
_Don Quichotte_, 62;
_Le Drame_, 63;
_Les Emigrants_, 62;
_Les Lutteurs_, 59-60;
_Ratapoil_, 62;
_Le Repos des Saltimbanques_, 60;
_La Republique_, 61;
_Silene_, 63.
David, 17, 34, 35, 43, 56, 239, 282.
Davies, Arthur B., 323.
da Vinci, Leonardo, 44, 60, 306;
_Trattato della Pittura_, 148.
_Dead Christ, The_, 24.
Debucourt, 34.
Debussy, 52.
Decamps; _Sonneurs de Cloches_, 62.
de Chennevieres, 335.
de Chirico, 325.
Defoe, 191.
Degas, 19, 62, 63, 165, 191, 203, 207-221, 222, 226, 242, 253, 266,
307, 313, 318;
_Apres le Bain_, 212;
_Cafe-Concert_, 215;
_Femme au Tub_, 212;
_Musiciens a l'Orchestre_, 213;
_La Sortie du Bain_, 212;
_La Toilette_, 212;
_Torse de Femme S'Essuyant_, 212;
_Trois Danseuses_, 212.
De Hahn, 197.
dei Barbari, Jacopo, 223.
_Dejeuner, Le_, 79.
_Dejeuner sur l'Herbe, Le_, 69-70, 77-78, 79.
Delacroix, 17, 25, 27, 30, 34, 35-46, 48, 50, 53, 56, 57, 58, 59, 62,
63, 66, 67, 72, 75, 80, 81, 87, 88, 106, 107, 108, 111, 112, 113,
114, 128, 133, 135, 137, 165, 175, 176, 177, 180, 181, 182, 201,
205, 207, 264, 277, 278, 281, 282, 303, 310, 329, 330, 334, 335,
339;
_Bataille de Taillebourg_, 40;
_La Captivite de Babylone_, 42;
_Cromwell au Chateau de Windsor_, 40;
_Dante et Virgile aux Enfers_, 36, 45;
_Enlevement de Rebecca_, 40;
_Entree des Croises a Jerusalem_, 40;
_Les Femmes d' Alger dans Leur Appartement_, 39, 111, 112;
_La Grece Expirant sur les Ruines de Missolonghi_, 41;
_Janissaires a l'Attaque_, 40;
_La Justice de Trajan_, 40, 42;
_Justinien Composant les Institutes_, 43;
_La Liberte Guidant le Peuple sur les Barricades_, 38, 40;
_Lion Dechirant un Cadavre_, 41;
_La Lutte de Jacob avec l'Ange_, 40, 45;
_Massacre de Scio_, 36, 39;
_Pieta_, 41;
_Renaude et Angelique_, 62;
_Repos_, 42.
de la Fresnay, 323.
_De la Loi du Contraste Simultane des Couleurs_, 164.
Delaunay, 259-162, 323;
_L'Equipe de Cardiff_, 260;
_Route de Laon_, 261;
_Les Tours_, 261;
_Ville de Paris_, 259-260, 260.
Delaunay-Terk, Madame, 262.
Delecluze, 335.
Delibes, 281.
Denis, Maurice, 197, 216, 319-320.
Derain, Andre, 163, 320.
de Ris, Clement, 335.
_Descent from the Cross_, 24.
De Segonzac, 321.
d'Espagnat, 322.
Desvallieres, 320.
Dethomas, Maxime, 221.
_D'Eugene Delacroix au Neo-Impressionnisme_, 169.
_Deux Soeurs, Les_, 123.
_Deux Tahitiens_, 226.
_Devil's Bridge, The_, 50.
_Diane Chasseresse_, 109.
Diaz, 68, 89, 108, 182.
_Dimanche a la Grande-Jatte, Un_, 180, 203.
di Nicolo, Pietro, 41.
Divisionists, _see_ Neo-Impressionism.
_Dog and Person in Movement_, 272.
Donatello, 203.
_Donde Va Mama_, 219.
_Don Quichotte_, 62.
Dostoievsky, 52.
Dove, 84, 324.
_Drame, Le_, 63.
Dreiser, Theodore, 52.
Dubois-Pillet, 175.
Duchamp, Marcel, 257, 258.
Dumas, 43.
Duerer, 187, 251, 338;
_Four Naked Women_, 24.
Duret, 102.
Dutch landscapists, 96.
_Dynamisme d'une Auto_, 269.
_Earl and Countess of Arundel, The_, 24.
East Indian art, 237.
Eddy, Arthur Jerome, 340.
_Eglise a Varengeville, L'_, 99.
Egyptian art, 64, 78, 205.
Eichler, R. M., 202.
El Greco, 20, 21, 22, 51, 95, 125, 135, 158, 163, 203, 246, 254, 255,
259, 297, 308, 329;
_Annunciation_, 81;
_Obsequies of the Count of Orgaz_, 55;
_The Resurrection of Christ_, 24.
_Emigrants, Les_, 62.
_Emile Zola_, 79.
_Emperor Charles V_, 24.
_En Bateau_, 79.
_Enfant a l'Epee, L'_, 67.
_Enfants en Rose et Bleu, Les_, 120.
English painters, 99, 116.
Engstroem, Albert, 221.
_Enlevement de Rebecca_, 40.
_Enterrement a Ornans, L'_, 51, 54, 55, 63, 77, 239.
_Entree des Croises a Jerusalem_, 40.
_Equipe de Cardiff, L'_, 260.
Erler, Fritz, 202.
Etchells, Frederick, 323.
_Eva Gonzales_, 79.
_Execution de Maximilien_, 80.
_Falaise a Etretat_, 100, 101.
Fantin-Latour, 53, 175.
Fauche, 197.
_Faust_, 8.
_Fauves, Chef des_, 233.
Fauvism, 234.
_Fecondite_, 73.
_Femme a la Mandoline_, 251.
_Femme a la Perruche, La_, 112.
_Femme au Cheval, La_, 258.
_Femme au Miroir, La_, 127.
_Femme au Perroquet, La_, 79.
_Femme au Tub_, 212.
_Femme aux Mangos, La_, 75.
_Femme de Munich_, 53.
_Femmes Assises a l'Ombre des Palmiers_, 196.
_Femmes d'Alger dans Leur Appartement, Les_, 39, 111, 112.
Ferguson, J. D., 324.
Fielding, 37.
_Fighting Temeraire, The_, 47.
Filiger, 197.
_Filles de Catulle Mendes, Les_, 123.
_Fillette a la Gerbe, La_, 123.
_Fillette a l'Orange, La_, 26.
_Fillette Attentive, La_, 114.
_fin de siecle_ movement, 219.
Flandrin, 321, 322.
Flemish masters, 137.
_Flight Turning a Corner_, 274.
_Folle, La_, 55.
Forain, J.-L., 62, 165, 213, 219-221, 221;
_Baudelaire Chez les Mufles_, 219-220.
Fornerod, Rodolphe, 202.
_Forum, The_, 9.
Fouquet, 34.
_Four Naked Women_, 24.
Fragonard, 34, 121, 244.
French art, 211.
Friesz, Othon, 22, 234, 320.
Frost, 262.
Fry, Roger, 324, 341.
Fuller, portrait of Loie, 216.
_Funeral of the Anarchist Galli_, 314.
Futurism (Futurists), 257, 259, 264-276, 282, 284, 285, 291, 295, 303,
316, 323, 336.
Gainsborough, 111, 181;
_Mrs. Siddons_, 115.
_Gare St. Lazare, La_, 50.
Gauguin, 22, 39, 93, 104, 150, 165, 183, 184, 186, 187-206, 208, 210,
222, 223, 225, 226, 227, 231, 243, 246, 247, 279, 281, 285, 306,
308, 315, 316, 318, 319, 323;
_Deux Tahitiens_, 226;
_Femmes Assises a l'Ombre des Palmiers_, 196;
_La Femme aux Mangos_, 75;
_Jeunes Bretonnes_, 195;
_Noa Noa_, 190;
_Paysage de la Martinique_, 194;
_Ruperupe_, 195;
_Tahitiennes_, 195;
_Vairaoumati Tei Oa_, 196.
Gautier, 43, 335.
Gerard, 17, 34, 35, 56.
Gericault, 34, 35, 51, 113, 211, 281;
_La Folle_, 55;
_Radeau de la Meduse_, 35, 55.
German art, 211.
Gerome, 222.
Ghil, Rene de, 266.
Giampietrino, 306.
Gibson, C. D., 221.
Giorgione, 21, 30, 95, 126, 329;
_Rural Concert_ (_Concert Champetre_), 69.
Giotto, 22, 29, 44, 56, 75, 125, 195, 203, 235, 280, 329;
_Death of Saint Francis_, 81;
_Descent from the Cross_, 24.
Girardon, 121, 121-122.
Girodet, 34.
_Glace sans Tain, La_, 231.
Glackens, W. S., 324.
Gleizes, Albert, 257, 258;
_Les Baigneuses_, 257;
_L'Homme au Balcon_, 257.
Goethe; _Faust_, 8.
Goya, 19, 25, 44, 67, 74, 75, 76, 110 187, 218, 225, 231, 255;
_Buen Viaje_, 219;
_Caprichos_, 225;
_Donde Va Mama_, 219;
_La Maya Desnuda_, 42.
_Grand Canal--Venice, The_, 24.
_Grands Chataigniers, Les_, 57.
Grant, Duncan, 324.
Granville, 62.
Granzow, 325.
Gravelot, 34.
_Grece Expirant sur les Ruines de Missolonghi, La_, 41.
Greek artists, 35, 125, 128, 163.
Greuze, 21, 34.
Gris, Jean, 258.
Gros, 17, 34, 35, 335.
_Grotte, La_, 56.
Guardi, 188;
_The Grand Canal--Venice_, 24.
Guariento; _The Heavenly Host_, 274.
Guercino, 56.
Guerin, Charles, 35, 36, 322, 322-323.
Guillaumin, 89, 96, 103, 104, 165, 166, 194.
_Guitarrero, Le_, 67.
Guizot, caricature of, 62.
Hallock, Madame Mary, 266.
Hals, Franz, 70, 80, 89, 187, 284.
_Hamac, Le_, 76.
Hankwan, 127.
Hartley, 324.
Hartmann, Sadikichi, 266.
Hassam, Childe, 324.
Hauptmann, Gerhart, 52.
Hayden, 324.
Haydn, 155.
_Head of a Chinese Lady_, 127.
_Head of an Old Man_, 217.
_Heavenly Host, The_, 274.
Held, portrait of Anna, 216
Helmholtz, 31, 165, 168, 285.
Henri, Robert, 273, 283.
Henri-Matisse. _See_ Matisse.
Hiroshige, 73, 99;
_Series of the Tokaido_, 100.
Hogarth, 19, 116.
Hokusai, 73, 99, 218;
_Views of Fuji_, 100.
Holbein, 209;
_The Ambassadors_, 24.
_Homme an Balcon, L'_, 257.
Horace, 134.
_House of Parliament--London, The_, 100.
Humbert, 165.
Impressionism (Impressionists), 31, 36, 43, 46, 47, 48, 49, 70, 74,
80, 82, 83-106, 107, 108, 111, 112, 114, 119, 120, 129, 135, 136,
137, 139, 141, 144, 156, 158, 165, 166, 167, 168, 169, 173, 174,
175, 176, 177, 188, 189, 194, 195, 196, 198, 199, 202, 203, 208,
209, 211, 222, 223, 224, 238, 239, 241, 246, 248, 274, 279, 280,
282, 284, 285, 286, 287, 294, 295, 315, 318, 324, 330, 331, 336,
337, 338, 339.
_Improvisation No. 29_, 315.
_Ingenue_, 115.
Ingres, 17, 35, 56, 62, 108, 111, 112, 126, 203, 210, 226, 227, 239,
243, 322;
_Le Bain Turc_, 69;
_La Source_, 69;
_Stratonice_, 210;
_Thetis et Jupiter_, 79.
Intimists, 315-319.
_Intruse, L'_, 193.
Italian art, 56, 82, 97.
_Janissaires a l'Attaque_, 40.
Japanese art, 64, 93, 99, 100, 188.
_Japonaise, La_, 98.
_Jardin, Le_, 317.
_Jardin de Bellevue, Le_, 80.
_Jardin d'Essoyes, Le_, 126.
_Jarretiere, La_, 75.
Jaulmes, Gustave, 202, 322.
Jawlensky, 324.
_Jeu de Balles_, 235.
_Jeunes Bretonnes_, 195.
John, Augustus, 320.
Jongkind, 43, 69, 91, 96, 175.
Journal, Delacroix's, 37, 39, 45, 164, 156, 177.
_Journal des Artistes_, 335.
Juanes, Juan de, 51.
_Justice de Trajan, La_, 40, 42.
_Justinien Composant les Institutes_, 43.
Kandinsky, 234, 264, 308-315;
_The Art of Spiritual Harmony_, 310;
_Improvisation No. 29_, 315.
Kanoldt, 325.
Keion; _Flight Turning a Corner_, 274.
Knauerhase, 324.
Korngold, 52;
_Symphonietta_, 332.
Kroll 324.
La Fosse, 79.
Lancret, 34.
Landon, C. P., 44.
Laprade, Pierre, 321.
Largilliere, 121.
Larson, Carl, 221.
La Tour, 34.
Lautrec, _see_ Toulouse-Lautrec.
Laval, 197.
Lawrence, 37, 209.
Lebasque, 321.
Le Beau, Alcide, 202, 322.
Leclerc, Julien, 193.
Leger, Fernand, 256-257, 258;
_Maisons et Fumees_, 256;
_Les Toits_, 256.
Legrand, Louis, 213, 218, 218-219, 221, 227;
_Maitresse_, 219.
Legros, 209.
Leibniz, 269.
Le Moyne, 79, 121.
Le Nains, the, 34.
Lewis, Wyndham, 320, 323.
Lhermitte, 209.
Lhote, 324.
_Liberte Guidant le Peuple sur les Barricades, La_, 38, 40.
Liombruno, 223.
_Lion Dechirant un Cadavre_, 41.
_Lise_, 109, 109-110, 111.
Liszt, 97.
Little Dutchmen, the, 188.
_Loge, La_, 114.
_Lola de Valence_, 68.
_London series_ (Monet), 102.
Loti, Pierre, 191.
Lotiron, 324.
Louis Philippe, 43.
Louis XVI, 34.
Louvre, the, 36, 53, 69, 136, 223, 226.
Luce, 175.
Lucretius, 134.
_Lutte de Jacob avec l'Ange, La_, 40, 45.
_Lutteurs, Les_ (Courbet), 59-60.
_Lutteurs, Les_ (Daumier), 59.
Luxembourg gallery, 53, 68, 99, 104, 115.
Macdonald-Wright, S., 283, 284-285, 286, 287-288, 289, 289-290, 292,
293, 296, 298, 300-302, 303, 338;
_Arm Organisation in Blue-Green_, 301;
_Synchromie en Bleu_, 297.
_Madame T. et Son Fils_, 26.
_Mlle. Durand-Ruel_, 113, 114.
Maeterlinck, 310;
_L'Intruse_, 193.
_Maisons et Fumees_, 256.
_Maitresse_, 219.
Mallarme, 275.
Manet, 25, 52, 53, 62, 64-82, 83, 87, 90, 93, 98, 99, 106, 107, 108,
109, 111, 112, 113, 115, 127, 128, 131, 134, 135, 191, 204, 207,
212, 225, 226, 239, 243, 282, 283, 308, 330, 335, 336, 337;
_Angelina_, 68;
_Les Anges au Tombeau_, 79;
_Le Bar des Folies-Bergere_, 80;
_Les Bulles de Savon_, 80;
_Le Buveur d'Absinthe_, 66, 68;
_La Chanteuse des Rues_, 79;
_Le Chemin de Fer_, 80;
_Le Claire de Lune_, 80;
_Combat du Kerseage et de l'Alabama_, 80;
_Course de Taureaux_, 80;
_Le Dejeuner_, 79;
_Le Dejeuner sur l'Herbe_, 69-70, 77-78, 79;
_Emile Zola_, 79;
_En Bateau_, 79;
_L'Enfant a l'Epee_, 67;
_Eva Gonzales_, 79;
_Execution de Maximilien_, 80;
_La Femme au Perroquet_, 79;
_Le Guitarrero_, 67;
_Le Jardin de Bellevue_, 80;
_La Jarretiere_, 75;
_Lola de Valence_, 68;
_Nana_, 75;
_La Nymphe Surprise_, 66;
_Olympia_, 74-75, 79, 335;
_Les Parents de l'Artiste_, 67;
_Le Port de Bordeaux_, 80;
_Rendez-vous de Chats_, 77, 80;
_Le Repos_, 76.
Manguin, 321.
Mantegna; _The Dead Christ_, 24.
Mantz, Paul, 336.
_Man with the Hoe, The_, 57.
Marconi, 97.
Marinetti, 265, 276.
Marquet, 324.
_Marseillaise_, 311-312.
Martin, Henri, 101, 102, 175.
Martinet's gallery, 68.
_Martyrdom of Saint Bartholomew, The_, 55.
Marval, Madame, 321.
Masaccio, 22, 42, 329;
_Saint Peter Baptising the Pagans_, 24.
_Massacre de Scio_, 36, 39.
Massys, 217;
_The Courtesan_, 217;
_Head of an Old Man_, 217;
_Portrait of a Canon_, 217.
Matisse, 22, 32, 97, 123, 202, 203, 216, 222-236, 237, 238, 241, 243,
246, 247, 254, 256, 262, 280, 281, 282, 284, 285, 289, 291, 308,
309, 310, 315, 316, 320, 321, 323, 324, 331, 332, 337;
_Baigneuses_, 226, 235;
_La Glace sans Tain_, 235;
_Jeu de Balles_, 235;
_La Musique--esquisse_, 235;
_La Musique_ (_panneau decoratif_), 235.
Mauve, 182.
_Maya Desnuda, La_, 42.
Mazo, 67.
Mazzola-Bedoli, 203.
Meissonier, 53.
Meier-Graefe, 55, 340.
Memlinc, 217;
_The Casting of the Lots_, 217;
_Our Lord's Passions_, 217.
_Menage Sisley, Le_, 109, 110-111, 112.
_Mere et Enfant_, 123.
Merimee, 43.
Merril, Stuart, 193.
_Metbodes et Entretiens d'Atelier_, 44.
Metzinger, Jean, 257, 257-258;
_La Femme au Cheval_, 258;
_Le Port_, 258.
_Meules, Les_, 102.
Meunier, 62.
Michelangelo, 27, 36, 42, 44, 60, 61, 75, 82, 95, 119, 122, 129, 145,
155, 159, 163, 165, 235, 236, 237, 254, 267, 273, 284, 285, 294,
306, 308;
_Creation of the Sun and Moon_, 24;
_Slaves_, 21, 290, 299, 338.
_Mille et Une Nuits_, 231.
Millet, 57, 182, 188;
_The Angelus_, 57;
_The Man with the Hoe_, 57.
_Minerva Expelling Mars_, 57.
_Miracle Saint Mark, The_, 24.
Mitsuoki, 77.
_Modern Painters_, 47.
Mokkei, 158.
Molineri, Antonino, 21.
_Monastery Bells_, 332.
Monet, 47, 48, 49, 50, 53, 80, 82, 90, 91, 96, 96-102, 103, 104, 112,
113, 114, 115, 128, 144, 165, 166, 175, 199, 200, 210, 216, 223,
274, 280, 283, 285, 308, 324;
_La Cathedral_, 102;
_Coins de Riviere_, 100;
_L'Eglise a Varengeville_, 99;
_Falaise a Etretat_, 100, 101;
_La Gare St. Lazare_, 50;
_The Houses of Parliament--London_, 100;
_La Japonaise_, 99;
_London series_, 102;
_Les Meules_, 102;
_Les Nympheas_, 102;
_Les Peupliers_, 100;
_Venice series_, 102.
Monnier, 62.
Moore, George, 25, 52.
Monticelli, 182.
Moreas, 193.
Moreau, Gustave, 190, 221, 224.
Morgan, Wallace 221.
Morisot, 165.
Moronobu, 274.
Morot, Aime, 258.
_Moulin de la Gallette, Le_, 26, 114, 115.
Mounet-Sully, portrait of, 216.
Mozart, 42.
_Mrs. Siddons_, 115.
Muenter, 324.
Muenzer, Adolf, 202.
Murillo, 21, 67.
_Musiciens a l'Orchestre_, 213.
_Musique aux Tuileries, La_, 109.
_Musique--esquisse, La_, 235.
_Musique_ (_panneau decoratif_), _La_, 235.
Nadelmann, 163.
_Nana_, 75.
Napoleon, 53.
Napoleon III, 69.
National Gallery, London, 41.
_Natte, La_, 123.
Nattier, 34.
Negro sculpture, 229, 230, 231, 236.
Neo-Impressionism (Neo-Impressionists), 164-186, 189, 197, 199, 203,
208, 222, 224, 234, 260, 275, 278, 293, 303, 330.
_New age, The_, 9, 341.
_Ninth Symphony_, 8.
_Noa Noa_, 190.
_Nu a l'Etoffe Vert et Jaune_, 123.
_Nymphe Surprise, La_, 66.
_Nympheas, Les_, 102.
_Obsequies of the Count of Orgaz_, 55.
_Observateur des Beaux-Arts_, 335.
_Ode aux Fleurs_ (_d'apres Anacreon_), 126.
_OEuvre, L'_, 134.
Olivier, 34.
_Olympia_, 74-75, 79, 195, 335.
_Opus II_ (Schoenberg), 332.
Orage, A. R., 341.
Orphism (Orphists), 239, 262, 275, 290, 291.
Ortolano, 191.
Ottmann, 324.
_Our Lord's Prayer_, 217.
Padovanino, 23.
_Panneaux_, decorative (Renoir), 117.
_Panneaux_ (tambourine player and dancer), (Renoir), 126.
_Parisiennes Habillees en Algeriennes_, 111, 112.
Pater, 34, 121.
Paul, Hermann, 221.
_Paysage de la Martinique_, 194.
Peckstein, 324.
Persian art, 64, 190, 230, 231, 236.
Petitjean, 175.
_Petit Peintre, Le_, 126.
_Peupliers, Les_, 100.
_Philip IV_, 24.
Picabia, Francis, 257, 258-259, 323.
Picasso, 9, 22, 121, 234, 236, 240, 243, 246, 247, 251, 252, 255-256,
158, 259, 262, 274, 284, 308, 323, 331;
_Femme a la Mandoline_, 251.
_Pieta_, 41.
Piot, 322.
Pisanello, 28.
Pissarro, 47, 48, 69, 82, 89, 90, 95-96, 99, 104, 107, 114, 131, 135,
136, 165, 166, 180, 182, 192, 194, 199, 208, 212, 280;
_Sydenham Road_, 99.
Pissarro, Lucien, 165.
_Plume, La_, 338.
Poe, Edgar Allan, 53.
Poe, tales of Edgar Allan, 219.
Pointillism (Pointillists), _see_ Neo-Impressionism.
Polaire, portrait of, 216.
Pollaiuolo, 203.
Pont-Aven school, 187-206, 319.
_Port de Bordeaux, Le_, 80.
_Port, Le_, 258.
_Portrait de Dame_, 114.
_Portrait d'Homme_, 184-185.
_Portrait of a Canon_, 217.
Post-Impressionism (Post-Impressionists), 234.
_See also_ Matisse.
Poussin, 19, 21, 22, 40, 97, 129, 320.
Praxiteles, 218.
Prendergast, 321-322.
Prevost, 216.
Puget, 108.
Putz, Leo, 202.