Marmion: A
章节目录
共 268 题- EDITOR'S PREFACE.
- I. SCOTT AT ASHESTIEL.
- II. COMPOSITION OF 'MARMION.'
- III. CHARACTERISTICS OF THE POEM.
- IV. CRITICISMS OF THE POEM.
- V. THE TEXT OF THE POEM.
- TO
- THE RIGHT HONOURABLE
- HENRY, LORD MONTAGUE
- THIS ROMANCE IS INSCRIBED
- BY
- THE AUTHOR
- MARMION.
- INTRODUCTION TO CANTO FIRST.
- TO WILLIAM STEWART ROSE, ESQ.
- CANTO FIRST.
- THE CASTLE.
- I.
- II.
- III.
- IV.
- V.
- VI.
- VII.
- VIII.
- IX.
- X.
- XI.
- XII.
- XIII.
- XIV.
- XV.
- XVI.
- XVII.
- XVIII.
- XIX.
- XX.
- XXI.
- XXII.
- XXIII
- XXIV.
- XXV.
- XXVI.
- XXVII.
- XXVIII.
- XXIX.
- XXX.
- XXXI.
- INTRODUCTION TO CANTO SECOND.
- TO THE REV JOHN MARRIOTT, A. M.
- CANTO SECOND.
- THE CONVENT.
- II.
- III.
- IV.
- V.
- VI.
- VII.
- VIII.
- IX.
- X.
- XI.
- XII.
- XIII.
- XIV.
- XV.
- XVI.
- XVII.
- XVIII.
- XIX.
- XX.
- XXI.
- XXII.
- XXIII.
- XXIV.
- XXV.
- XXVI.
- XXVII.
- XXVIII.
- XXIX.
- XXX.
- XXXI.
- XXXII.
- XXXIII.
- INTRODUCTION TO CANTO THIRD.
- TO WILLIAM ERSKINE, ESQ.
- CANTO THIRD.
- THE HOSTEL, OR INN.
- I.
- II.
- III
- IV.
- V.
- VI.
- VII.
- VIII.
- IX.
- X.
- Song
- XI.
- XII.
- XIII.
- XIV.
- XV.
- XVI.
- XVIII.
- XIX.
- The Host's Tale
- XX.
- XXI.
- XXII.
- XXIII.
- XXIV.
- XXV.
- XXVI.
- XXVII.
- XXVIII.
- XXIX.
- XXX.
- XXXI.
- INTRODUCTION TO CANTO FOURTH.
- TO JAMES SKENE, ESQ.
- CANTO FOURTH.
- THE CAMP.
- II.
- III.
- IV.
- V.
- VI.
- VII.
- VIII.
- IX.
- X.
- XI.
- XII.
- XIII.
- XIV.
- XV.
- XVI.
- XVII.
- XVIII.
- XIX.
- XX.
- XXI.
- XXII.
- XXIII.
- XXIV.
- XXV.
- XXVI.
- XXVII.
- XXVIII.
- XXIX.
- XXX.
- XXXI.
- XXXII.
- INTRODUCTION TO CANTO FIFTH.
- TO GEORGE ELLIS, ESQ.
- CANTO FIFTH.
- THE COURT.
- I.
- II.
- III.
- IV.
- V.
- VI.
- VIL
- VIII.
- IX.
- X.
- XI.
- XII.
- LOCHINVAR.
- Lady Heron's Song
- XIII.
- XIV.
- XV.
- XVI.
- XVII.
- XVIII.
- XIX.
- XX.
- XXI.
- XXII.
- XXIII.
- XXIV.
- XXV.
- XXVI.
- XXVII.
- XXVIII.
- XXIX.
- XXX.
- XXXI.
- XXXII.
- XXXIII.
- XXXIV.
- INTRODUCTION TO CANTO SIXTH.
- TO RICHARD HEBER, ESQ.
- CANTO SIXTH.
- THE BATTLE.
- II.
- III.
- IV.
- V.
- VI.
- VII.
- VIII.
- IX.
- X.
- XI.
- XII.
- XIII.
- XIV.
- XV.
- XVI.
- XVII.
- XVIII.
- XIX.
- XX.
- XXI.
- XXII.
- XXIII.
- XXIV.
- XXV.
- XXVI.
- XXVII.
- XXVIII.
- XXIX.
- XXX.
- XXXI.
- XXXII.
- XXXIII.
- XXXIV.
- XXXV.
- XXXVI.
- XXXVII.
- XXXVIII.
- TO THE READER.
- NOTES
- 1two 2proof
- With this account of the Palmer, cp. 'Piers the Plowman,' v. 523:--
- INTRODUCTION TO CANTO SECOND.
- See also Shield's great English song, 'The Wolf':--
- CANTO SECOND.
- Stanza V. line 90. Cp. Spenser's Una, 'Faery Queene,' I. iv:--
- The recognised name of these shells is still 'St. Cuthbert's beads."
- Stanza XXI. line 408. but = except that. Cp. Tempest, i. 2. 414:--
- Stanza XXX. line 568. Cp. Julius Caesar, ii. 2. 35:--
- INTRODUCTION TO CANTO THIRD.
- CANTO THIRD.
- Stanza VII. line 112. Cp. Spenser's Epithalamium:--
- Hamlet himself, ib. line 83, says:--
- Stanza XVII. line 286. Cp. Burns's 'Bonnie Doon':--
- Spenser writes, 'Faerie Queene,' II. vii. 2:--
- On his horse necke before the quilted SELL.'
- INTRODUCTION TO CANTO FOURTH.
- CANTO FOURTH.
- INTRODUCTION TO CANTO FIFTH.
- CANTO FIFTH.
- Stanza XIII. line 376. Cp. Dryden's 'Aurengzebe':-
- The rest of the strange scene is thus told by Pitscottie:--
- Stanza XVI. line 461. Scott quotes:--
- Stanza XXXIV. line 998. Cp. AEneid, IV. 174:--
- INTRODUCTION TO CANTO SIXTH.
- CANTO SIXTH.
- Stanza II. lines 27-30. Cp. 'Faerie Queene,' III. iv. 7.:--
- Stanza IV. lines 106-9. Cp. 'Il Penseroso,' 161-6,--
- See also Coleridge's 'Dejection,' v.:--
- L'ENVOY.