INTRODUCTION TO CANTO FOURTH.

'James Skene, Esq., of Rubislaw, Aberdeenshire, was Cornet in the

Royal Edinburgh Light Horse Volunteers; and Sir Walter Scott was

Quartermaster of the same corps.'--LOCKHART.

For Skene's account of the origin of this regiment, due in large

measure to 'Scott's ardour,' see 'Life of Scott,' i. 258.

line 2. See Taming of the Shrew, i. 4. 135, and 2 Henry IV, v. 3.

143, where a line of an old song is quoted:--

'Where is the life that late I led?'

line 3. See As you Like It, ii. 7. 12.

line 7. Scott made the acquaintance of Skene, recently returned from

a lengthened stay in Saxony, about the end of 1796, and profited

much by his friend's German knowledge and his German books. In later

days he utilized suggestions of Skene's in 'Ivanhoe' and 'Quentin

Durward.' See 'Life of Scott,' PASSIM, and specially i. 257, and iv.

342.

line 37. Blackhouse, a farm 'situated on the Douglas-burn, then

tenanted by a remarkable family, to which I have already made

allusion--that of William Laidlaw.'--'Life,' i. 328. Ettrick Pen is

a hill in the south of Selkirkshire.

line 46. 'Various illustrations of the Poetry and Novels of Sir

Walter Scott, from designs by Mr. Skene, have since been

published.'--LOCKHART.

line 48. Probably the first reference in poetry to the Scottish

heather is, says Prof. Veitch ('Feeling for Nature,' ii. 52), in

Thomson's 'Spring,' where the bees are represented as daring

'The purple heath, or where the wild thyme grows.'

lines 55-97. With this striking typical winter piece, cp. in

Thomson's 'Winter,' the vivid and pathetic picture beginning:--

'In his own loose-revolving fields, the swain

Disastered stands.'

See also Burns's 'Winter Night,' which by these lines may have

suggested Scott's 'beamless sun':--

'When Phoebus gies a short-liv'd glow'r

Far south the lift;

Dim-dark'ning thro' the flaky show'r,

Or whirling drift.'

The 'tired ploughman,' too, may owe something to this farther line

of Burns:--

'Poor labour sweet in sleep was lock'd';

while the animals seeking shelter may well follow this inimitable

and touching description:--

'List'ning the doors an' winnocks rattle,

I thought me on the ourie cattle,

Or silly sheep, wha bide this brattle

O' winter war,

And thro' the drift, deep-lairing, sprattle

Beneath a scaur.'

line 91. 'I cannot help here mentioning that, on the night on which

these lines were written, suggested as they were by a sudden fall of

snow, beginning after sunset, an unfortunate man perished exactly in

the manner here described, and his body was next morning found close

to his own house. The accident happened within five miles of the

farm of Ashestiel.'--SCOTT.

line 101. 'The Scottish Harvest-home.'--SCOTT. Perhaps the name

'kirn' is due to the fact that a churnful of cream is a feature of

the night's entertainment. In Chambers's Burns, iii. 151, Robert

Ainslie gives an account of a kirn at Ellisland in 1790.

line 102. Cp. the 'wood-notes wild' with which Milton credits

Shakespeare, 'L'Allegro,' 131.

lines 104-5. The ideal pastoral life of the Golden Age.

line 132. 'Sir William Forbes of Pitsligo, Baronet; unequalled,

perhaps, in the degree of individual affection entertained for him

by his friends, as well as in the general respect and esteem of

Scotland at large. His "Life of Beattie," whom he befriended and

patronised in life, as well as celebrated after his decease, was not

long published, before the benevolent and affectionate biographer

was called to follow the subject of his narrative. This melancholy

event very shortly succeeded the marriage of the friend, to whom

this introduction is addressed, with one of Sir William's

daughters.'--SCOTT.

line 133. 'The Minstrel' is Beattie's chief poem; it is one of the

few poems in well-written Spenserian stanza.

line 147. Ps. lxviii. 5.

line 151. Prov. xxvii. 10.

line 155. For account of Sir W. Forbes, see his autobiographical

'Memoirs of a Banking House'; Chambers's 'Eminent Scotsmen'; and

'Dictionary of National Biography.'

line 163. Cp. Pope, 'Essay on Man,' IV. 380, and Boileau, 'L'Art

Poetique, 'Chant I:--

'Heureux qui, dans ses vers, sait d'une voix legere

Passer du grave au doux, du plaisant an severe.'

line 172. 'Tirante el Blanco,' a Spanish romance by Johann Martorell

(1480), praised in 'Don Quixote.'

line 174. 'Camp was a favourite dog of the Poet's, a bull terrier of

extraordinary sagacity. He is introduced in Raeburn's portrait of

Sir Walter Scott, now at Dalkeith Palace.'--LOCKHART.

line 181. Cp. Tempest, v. i. 93.

line 191. 'Colin Mackenzie, Esq., of Portmore. See "Border

Minstrelsy," iv. 351.'--LOCKHART. Mackenzie had been Scott's friend

from boyhood, and he received his copy of 'Marmion' at Lympstone,

where he was, owing to feeble health, as mentioned in the text. He

was a son-in-law of Sir William Forbes, and in acknowledging receipt

of the poem he said, 'I must thank you for the elegant and delicate

allusion in which you express your friendship for myself--Forbes--

and, above all, that sweet memorial of his late excellent father.'--

'Life of Scott,' ii. 152.

line 194. 'Sir William Rae of St. Catherine's, Bart., subsequently

Lord Advocate of Scotland, was a distinguished member of the

volunteer corps to which Sir Walter Scott belonged; and he, the

Poet, Mr. Skene, Mr. Mackenzie, and a few other friends, had formed

themselves into a little semi-military club, the meetings of which

were held at their family supper tables in rotation.'--LOCKHART.

line 195. 'The late Sir William Forbes of Pitsligo, Bart., son of

the author of the "Life of Beattie."'--LOCKHART.

line 196. The Mimosa pudica, or sensitive plant. See Shelley's poem

on the subject:--

'The Sensitive Plant was the earliest

Upgathered into the bosom of rest;

A sweet child weary of its delight,

The feeblest and yet the favourite,

Cradled within the embrace of night.'

line 200. Cp. 'L'Allegro,' 31, 'Sport that wrinkled Care derides.'

line 206. See King Lear, iii. 4. 138, where Edgar, as Poor Tom, says

that he has had 'three suits to his back, six shirts to his body,

horse to ride, and weapon to wear.'

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