4 Potages.

Une bisque d'écrevisses.

Un potage à la Reine au lait d'amandes, avec biscotes.

Une Julienne aux pointes d'asperges.

Un consommé de volaille.

4 Relevés de Potages.

Un brochet à la Chambord.

Une dinde aux truffes.

Un turbot.

Une culotte de bœuf au vin de Madère, garnie de légumes.

12 Entrées.

Un aspic de filets mignons de perdreaux.

Une jardinière.

Des filets de poularde, piqués aux truffes.

Des perdreaux rouges au fumet.

Des filets de mauviette sautés.

Des scaloppes de poularde, au velouté.

Des filets de lapereaux, en turban.

Un vol au vent à la financière.

Des ailerons piqués, à la chicorée.

Deux poulets de grains au beurre d'écrevisse.

Des scaloppes de saumon, à l'espagnole.

Des filets mignons, piqués de truffes.

SECOND SERVICE.

4 grosses Pièces.

Une truite.

Une pâté de foies gras.

Des écrevisses.

Un jambon glacé.

4 Plats de Rôt.

Un faisan.

Des éperlans.

Des bécassines.

Des soles.

8 Entremêts.

Une jatte de blancmanger.

Un miroton de pommes.

Des asperges en branche.

Des truffes à la serviette.

Une jatte de gelée d'orange.

Un soufflé à la vanille.

Des cardons à la moelle.

Des truffes à la serviette.

This menu, which was termed "illustrious and astounding" by La

Reynière, tells its own story too well, as he observes, to need

any comment. It is only to be regretted that there is no record of

the accompanying wines or of the previous training of the guests

who sat down to the feast. The item _un faisan_ will be understood

in the plural, there having been twenty-four persons present, and

among that number it is to be presumed that more than two or three

would stand ready to attack a well-hung pheasant resplendent in his

tail-feathers. Still, there are only two _poulets de grains_ specified

in the list, which would indicate that the menu was strictly one of

quality, not of quantity--a thing to coquet and flirt with, rather

than to charge upon with no thought of the penalty of the morrow. As

the mention of truffles _à la serviette_ occurs twice at the end of

the _lecture_, it may be assumed that this was considered a doubly

important entremets--the last to leave its perfume in the mouth and

accentuate the _sève_ diffused by the final glass of Château Lafite

or Clos-Vougeot. On the restaurateur and the chef the editor enjoins

continued efforts looking to the advancement of the grand art of

dining, exhorting them that to cease their exertions would mean to

recede, and that to maintain their exalted reputation they should

labour daily as if it were yet to be won.

Altogether, the "Almanach" will be found most remunerative reading

by those who peruse it with a proper sense of its important aim. We

may not hope to equal the appetite of the author, it is true, but its

attentive study will assuredly stimulate appetite and amply instruct us

in the æsthetics and delights of the table. The only dietetic heresy

that presents itself to the writer is the eulogy of the strawberry as

an article of diet, for which Linnæus the botanist and Dr. Boteler are

originally responsible, it being well known that this fruit in gout

and rheumatism--two frequent colleagues of good cheer--is often as

deadly as port. Preserved Wiesbaden or Bar-le-Duc strawberries, safely

tucked in the folds of an omelette, are less pernicious, and may be

partaken of occasionally if convoyed by the right wine. The raw fruit

should always be sparingly indulged in by the epicure; boys and women

alone may eat it with comparative impunity. To this one exception has

been chronicled--"Strawberries and cream render me sad," said Mme. du

Deffand; and, remembering Malherbe's praise of women and melons, madame

wisely left them alone.

Finally, among all those who have discoursed upon the theme, it may

be said that La Reynière comes the nearest perhaps in illustrating

Montaigne's expression, _l'art de la gueule_. And, despite the

laudations of the venders with which it is so generously interlarded,

the "Almanach" well merits a full morocco binding by Ruban, with

dentelle borders _à l'oiseau_, and a pâté stamped on its covers in gold.

[Illustration]

[Illustration: THE CHEF

From a print after an old Dutch master]

[Illustration]

A GERMAN SPEISEKARTE

"Beim vollen Humpen zechen wir, wir kräftigen Germanen,

Und trinken von dem edlen Bier wie weiland unsere Ahnen;

Denn in dem edlen Gerstensaft, da sprudelt noch die alte Kraft."[22]

By the French the Germans are charged with having no cuisine that is

worthy of the name, and having produced no poet of gastronomy or no

work on the subject that merits serious attention. Dining at midday,

and fond of Pumpernickel, what can they be but "barbarians," and how

may they be expected to comprehend the finesse of an art which has been

created for the elect among mankind? "Surely," argues De Quincey, "of

the rabid animal who is caught dining at noonday, the _homo ferus_ who

affronts the meridian sun by his inhuman meals, we are entitled to say

that he has a maw, but nothing resembling a stomach. A nation must

be barbarous which dined in the morning." As with day's decline the

sun illumes with fairest hues the western sky, and Nature gradually

prepares for sleep by the restful hour of twilight, so it would seem

that man, in like manner, after the cark and care of the day should

refresh himself by the solace that waits upon the evening dinner and

pleasant companionship ere he too retires for the slumbers that are to

fit him for the exigencies of the morrow.

But habit is everything, and it is well not to accept these aspersions

too seriously, and to remember that no nation surpasses the Germans

in the important art of baking, including all forms of breadstuffs

and pastry. From her inviting _Bäckereis_ and _Conditoreis_ floats an

ambrosial fragrance that may not be equalled by the _pâtisseries_ of

Paris, the variety of her products being as great as their cheapness

and wholesomeness. One is born a poet, saith the adage; it is equally

true that the German is a born baker who has no superior in his sphere.

Perchance German cook-books and gastronomical literature have been

summarily passed upon, and are not uninteresting reading, after all. It

should be recollected that Frederick the Great wrote a poem in praise

of his cook, that Martin Schookius composed a book on cheese entitled

"De Aversione Casei," and that still another old German work has for

its theme the zest of a lemon-peel--a topic that assuredly calls for

consummate skill in its elaboration.

Since the latter half of the sixteenth century Germany has contributed

her full share of manuals on cookery as compared with most countries.

Already, about 1500, there appeared a work entitled "Ein nützlichs

Buchlin von der Speis des Menschen." Among the more important treatises

of the same century were "Ein neu Kochbuch" (1587), by Marx Rumpolt,

cook to the Elector of Mainz and to the Queen of Denmark, and Frau

Anna Wecker's "Neu Köstlich und nützliches Koch-Buch" (1597). It was

about this period that Montaigne, after his travels through Italy

and Germany, declared that even in the inns the Germans paid far

better attention to the furbishing of their plates and dishes than

was the case with the hostelries of France. Treatises relating to

"wohl-schmeckenden Speisen" and "vornehme Tafeln" have since continued

to multiply in the Fatherland, until Germany has become fully satisfied

with her own mode of cookery and such modifications of certain French

and Italian dishes as accord with her chosen ideas of nutrition.

Yet the German cook-book presents serious drawbacks. For, apart from

the inevitable tendency of the _Zeitwort_ to twine itself around

the end of well-nigh interminable sentences, the characters of the

language itself are so trying that a scientific treatise may be perused

only at the risk of being compelled to resort to spectacles forever

afterwards. The melodious measures of Goethe and Schiller, the cadences

of Heine and Lenau, will be found less formidable, the rhythm and

flow carrying the eye over the typographical boulders with greater

ease. A German cook-book, however, may well deter the most insatiable

student from proceeding farther than the initial chapter. Think, for

example, what the difficulties would be of absorbing a volume which

presents such a title as this: "Die Feinere Kochkunst dargestellt nach

den Erfordernissen unserer Zeit, mit Berücksichtigung der damit in

Verbindung stehenden sonstigen Zweigen der Gastronomie."

Fancy endeavouring to solve the true inwardness of an ancient Nürnberg

treatise which bears this explanation of its contents: "Vollständig

vermehrtes Trincier-Buch, von Tafeldecken Trinciren, zeitigung der

Mundkoste, Schauessen und Schaugerichten, benebens xxiv Gast oder

Tischfragen."

And when we reflect that the German author who undertakes to

elucidate a given theme probes it to the very bottom as far as human

understanding and science can fathom it, we may readily conclude that

to master the literature of German gastronomy would call for stupendous

patience on the part of an alien.

Yet Germany has contributed a volume in the French language respecting

a province of the nation under consideration, wherein the table

manners, customs, alimentation, and the public and private life of the

old Germans are most picturesquely and minutely set forth.[23] The

ancient province of Alsace, where forty-two varieties of pâtés and

countless varieties of cakes have been in use for several centuries,

has ever been noted for the excellence of its cooks and its fondness

for good cheer. In the tenth century Bishop Uthon of Strassburg

viewed with alarm the table excesses of the priests of his diocese,

which he attempted to check by establishing monastic schools. In the

fourteenth century, on the other hand, Bishop de Lyne, who was termed

_Kappen-Esser_, was charged with gross intemperance by the clergy,

who averred he thought only of the pleasures of the table--_gulæ

ebrietatique deditus_--and that he was unable to hold morning audiences

without having previously partaken of a rich soup and a fat capon.

Dating from early times, Alsace became known as the wine-cellar,

granary, and larder of the surrounding countries--a paradise and a

garden eminently favourable for good living. Charles Gérard has proved

the local Dumas, and his volume, besides its erudite presentation

of the resources and olden customs of the country, contains many

interesting gastronomical anecdotes, such as "Favourite dishes of

celebrated personages," "Influence of a Rhein carp on a financier of

the school of Fouquet," "Frying, its nature and effect on manners,"

etc. Assuredly should a nation be credited with a natural aptitude for

gastronomy which in the early part of 1700 could devise an omelette of

brook-trout (_Forellen Eyerkuchen_) and cold pâtés of trout (_Forellen

Kalte Pasteten_), to say nothing of a certain pâté of fish (_Pâté de

langues de carpes et foies de lottes_) composed of the tongues of carp,

eels' livers, and the tails of crawfish--the invention of a Strassburg

_Koch_, which he served to the Cardinal de Rohan, and which M. Gérard

defines as the supreme limit of epularly eminence.

The researches of M. Gérard place the national dish, Sauerkraut, as an

invention dating from beyond the middle ages and proclaim its origin as

distinctly Alsatian. The date of the frog's leap into the frying-pan

he places in the year 1280, and specifies Alsace as the discoverer of

his edible qualities. The potage bisque or bisque d'écrevisses has long

been known to the epicures of the province, while the merits of stuffed

crabs were pointed out in the "Oberrheinisches Koch-Buch" of Frau

Spörlin, wife of a Protestant minister of Mulhausen. Among the strange

customs described is that appertaining to the olden festival called

Hirztag, at which time women and maids alone had the right to appear in

the inns and liquid dispensaries and avail themselves of the privileges

extended to men in eating and drinking. On these occasions any of the

male sex who was brave enough to appear was seized, stripped of his hat

and coat, and obliged to pay forfeit by a round of wine--a usage thus

described by the poet Moscherosch:

"Spitze Schue und Knöpflein dran,

Die Frau ist Meister und nicht der Mann."

(With jaunty button'd and pointed shoe,

Gretschen will riot it over you.)

No work on cookery in the German language, it is true, has obtained a

great reputation outside of its own country. But although the Teuton

is a midday diner, a custom that must prove inimical to gastronomical

perfection and thereby the highest social evolution, it were extremely

unjust to charge him with a lack of understanding in eating. On the

contrary, no one, not even the Gaul, enjoys eating and drinking more

than he, or eats and drinks amid pleasanter surroundings during a large

portion of the year. The open-air restaurants and beer-gardens are a

feature, and a most delightful feature, of German life. In the shaded

bowers of the Wirthshaus, under the umbrage of horse-chestnuts and

limes, to the plash of fountains in suburban Gasthof gardens, amid the

consonance of viols and reeds in the attractive temples of Gambrinus,

do the Germans voice the refrain,

"Isz, trink, sei fröhlich hier auf Erd',

Und denk nicht dass es besser wird."

(Eat, drink, be merry, seize the present hour,

Deem not the future holds a fairer flower.)

It must not be forgotten that in the course of time the cookery of

every nation gradually becomes complementary to the national beverages.

Conversant with the popular drinks of a people, one may promptly form

an opinion of their alimentation and characteristics. The cookery of

Germany has become subservient to, and, as it were, revolves around

Münchner and Pilsener, Hochheimer and Deidesheimer. If, therefore,

one cannot appreciate its innumerable brews and the juices of the

Riesling and the Traminer, its forms of nutrition will naturally

prove distasteful, in the same manner that the virtues of French

entrées would be found wanting if deprived of the ruby pressings

of the Sauvignon and Pinot. The rosy Schweinerippchen, after its

bath in saltpetre, and also Sauerkraut would be impossible without

their syncretic accompaniment, beer or a German white wine; and it

is only since the general use of beer in the United States that the

last-named dish, from being considered a vulgar one has become so

popular, notwithstanding it is usually but a shade of its original as

one knows it in its own home. The same may be said of sausages, in

the compounding of which the Teuton is master of the world. Different

nations, like different individuals, enjoy things in their own way, and

who shall determine whether the Gaul or the Teuton makes the most of

the fleeting hour, which necessarily includes the pleasures attendant

upon the daily nourishment of man?

Who that has visited the land of the three fluvial graces--the Rhein,

the Neckar, and the Donau--does not retain pleasant memories of some

native dish partaken of amid picturesque surroundings?--a Hasenbraten,

a Pfannkuchen, a duck, a Bockwurst, Knackwurst, or a Wienerwürstle that

fairly melts in one's mouth. How lovely those trout which were served

at the Wolfsbrunnen at Heidelberg, which you savoured in the cool of

the evening after seeing them caught fresh from the spring itself!

The Spätzle and Nudeln and sour sauce, too, which rival the national

dish of Italy; the veal cutlets and sautéd potatoes, which one never

meets as perfect as in southern Germany, and that attain their supreme

excellence in a summer Gasthof garden, must likewise ever be held in

grateful remembrance. How golden the landscape looked through your

Rhein wine Römer, how drowsily the clouds floated over the Odenwald,

and how delightfully the evening breeze awoke the responsive chords

of the beeches! In whatever direction one may turn, there is always a

haven for the hungry and the thirsty. No hill is too high, no valley

too remote for its font of refreshment, where the tap is invariably

fresh and the shrine of more substantial "restoration" is seldom to be

despised. On every hand one may find the welcome of an inn, as hearty

as Shenstone's, and, where the nature of the surroundings will allow,

one may readily verify the lines of the old poet:

"Nun kommt der grüne Berg wo selbsten auch nichts fehlt,

Von dem was das Gemüth ermuntert und erfreuet;

Deshalb wird er auch vielfältiglich erwählet,

Er hat den schönsten Stof zur grösten Fröhlichkeit."

(Well stored with all that gladd'neth man,

The green hill rises, cool and fair;

And many a pilgrim, spent and wan,

Doth quaff from font of Münchner there.)

Clearly, the _Gemüthlichkeit_ of the Germans, a word for which an

equivalent scarcely exists in any other language, may be traced to the

national beverages and an alimentation with which they harmonise--with

golden opportunities to cultivate it in the Wirthshaus, Gasthof,

restaurant, and beer-garden.

In many of the larger restaurants and beer-gardens which are conducted

on a scale that is well defined by the favourite term, "kolossal,"

the great Speisekarte, ornately decorated and rubricated in the olden

style, is grandly in evidence. A typical index to good cheer may be

taken from almost any of the vast breweries of Munich, with their

long lists of Braten, Wildpret, Pfannengerichte, Eierspeisen, Salat

and Compots. On some of these appears an epitome of the corps of

assistants, including the white-aproned waitresses with their names and

characteristics, and the great array of help that is necessary to slake

the thirst and appease the hunger of a German multitude. The conclusion

of the Speisekarte of the Löwenbräukeller may be cited as an example:

=Gesammt-Personal der Restauration

Löwenbräukeller München=

Concert-Saal oder Garten

1 Ursula, die Oberkellnerin, 18[24]

2 Therese, die Schwarze, 8

3 Grethi, die Dicke, 13

4 Marie, die Schwarze

5 Marie, die Tirolerin, 17

6 Anna, die Schwiegermutter, 13

7 Gertraud, die Schlanke, 9

8 Leni, die Durstige, 7

9 Marie, 6

10 Marie, die Dicke, 6

11 Pepi

12 Lina

13 Kathi, die Schwabingerin

14 Marie, die Freundliche

15 Therese

16 Marie, die Schöne

17 Veronika

18 Anna, die Stille

19 Babette

20 Anna, die Brave

21 Emilie, die Stramme

22 Marie, die Schwäbin

23 Röschen

24 Hildegard }

25 Marie, die Blonde } Gallerie

26 Marie, die Schwarze }

27 Emma }

28 Elise } I. Nebensaal

29 Betty }

30 Klara }

31 Thekla--Spiel oder 1 Thurmzimmer

32 Paula }

33 Amanda } II. Nebensaal

34 Lucie }

35 Rosa }

36 Hulda } Löwenterrasse

37 Emmy }

38 Louise }

39 Martha } untere Terrasse

40 Gusti }

41 Cäcilie }

42 Hanna } obere Terrasse

43 Adelheid }

44 Grethi, die Kleine

45 Therese, die Schwarze

46 Elise, die Große

47 Anna, die Schlanke

48 Cenzi, die Hübsche

49 Toni, die Sanfte

50 Marie, die Dicke

50 Kellnerinnen

* * * * *

1 Geschäftsführer

1 erster Cassier

2 zweite Cassiere

2 Ceremoniers

2 Billeteurs, 2 Controleurs

1 Programm-Verkäufer

4 Postkarten-Verkäufer

1 Garderobier

2 Garderobe-Cassiere

8 Garderobe-Gehilfen

1 Velociped-Aufbewahrer

1 erster Metzger

2 zweiter Metzger

1 Lehrjunge (Piccolo)

6 Schenkkassiere

6 Einschenker

1 Hausmeister

1 Hausschreiner

1 Monteur für electrische Beleuchtung

1 Hausgärtner

1 Hausknecht (Bieraufzieher)

1 Laufbursche

2 Besteckputzer

1 Buchhalterin und 1 Buffetdame

4 Buffetdamen

1 erste und 1 zweite Küchenbeschließerin

1 Weißzeugbeschließerin

1 Ober-Köchin (_chef de cuisine_)

1 erste Köchin (für Braten, Geflügel u. Wildpret)

1 zweite Köchin (für Pfannengerichte u. Ragouts)

1 dritte Köchin (für Gemüse und Eierspeisen)

1 vierte Köchin (für Spieß- und Rostbraterei)

4 Kochpraktikantinnen (Kochfräulein)

1 erste und 1 zweite Küchenmagd

1 Kupferputzerin

1 Mädchen für Speiseaufzug im Bräustübel

1 Mädchen für Speiseaufzug im großen Saal

1 Mädchen f. Speiseaufzug f. Gallerie u. Nebensaal

3 Biermädchen

1 Zimmermädchen

1 Waschmagd

6 Hausmägde

135 Personen

The cookery of Germany is, on the whole, both appetising and wholesome.

In the better class of restaurants and hotels it has absorbed many

modes of preparation from France, combining these with its own. Where

cookery has stood still in the latter country, it has advanced in the

former; and one may dine as well, perhaps, in many of its smaller

towns as in most provincial hostelries beyond its borders. Its private

cookery remains more distinct and preserves its local flavour. If

the French are more successful with the chicken, the Germans may be

relied upon to do full justice to the goose and duck. Nowhere does the

fowl which saved Rome rise to the sublime heights that it does in the

district of the Vosges, not only as a roast with "Compot," but in its

more ethereal perfection--the goose-liver "Pastete," or pâté de foie

gras.

If one desires a roast goose after the German mode, let him proceed

after the following manner: Rub a young dressed goose overnight with

salt, pepper, sage, thyme, and sweet marjoram inside and out; in the

morning prepare a dressing as follows--a large handful of stoned

raisins and Zante currants, bread crumbs, a couple of sour apples

chopped fine, and one mealy potato, with butter mixed in, and all well

rolled together, but put no spices in the dressing. For the gravy,

boil the giblets in a little water and mash the liver in a spoonful of

flour, chop the gizzard, stir these in the liquid they were boiled in,

add it to the gravy in the dripping-pan, sprinkle in a little thyme,

sage, and sweet marjoram, and it is done. Serve the gravy separately.

When cooked and served, garnish with sliced lemons and parsley. A

"Compot" of some kind, like Hagenmark, cherries with Kirsch, or even

applesauce, if not too tart, should complete the dish.

The duck may be similarly treated; but a goose or duck _à l'Allemande_

would scarcely meet with favour in France, where the rules are laid

down so strictly that even a slight deviation from accepted canons

would be met by a hiss from parquet and gallery alike. Thus the

"Almanach des Gourmands," in speaking of the young wild duck, or

albran, which in October becomes a canardeau and in November a canard,

mentions, among various ways of preparing it, that of serving it with

turnips, adding that this honour belongs more strictly to _monsieur

son père_. This gastronomic slip--that of serving turnips with a

_wild_ duck--on the part of La Reynière, who is rarely caught napping

in anything relating to foods or food preparations, aroused the ire

of Savarin, who protests against it in these vigorous words: "The

adjunction of such a vegetable as this to this noble game would be

for a young wild duck an improper and even injurious proceeding, a

monstrous alliance, a dishonourable degradation." On the other hand,

Savarin himself was roundly denounced by M. de Courchamps for assigning

a truffled turkey a place among the roasts instead of among the large

pieces of the first service. This culinary heresy, he states, has

lessened the esteem in which M. Brillat-Savarin has been held in other

respects, and seriously hurt the reputation of his book. The ethics of

gastronomy, it will be seen, are as marked as those of society, and

the arrangement of a bill of fare calls for as much finesse as do the

functions of a chaperon.

The Pleasures of the Table An Account of Gastronomy from Ancient Days to Present Times. With a History of Its Literature, Schools, and Most Distinguished Artists; Together With Some Special Recipes, and Views Concerning the Aesthetics of Dinners and Dinner-giving · 第 9 / 31 段