While the pâté de foie gras is a dish of modern times, the ancients

nevertheless knew the secret of enlarging the liver of the goose; but

with the relapse into barbarism the secret became lost, to remain

undiscovered until the beginning of the seventeenth century. Alsace is

the chosen home of the goose, and this fowl has rendered its capital

more celebrated than the siege of 1870 or the marvellous façade and

clock of its Münster. "My idea of heaven," said the Rev. Sydney Smith,

referring to the Strassburg product, "is eating foies gras to the sound

of trumpets!" For although the pâté is produced in numerous localities

on the Continent, in no other place does it attain the superlative

bloom and delicacy that it does in the more important manufactories of

the historic city on the Ill. To think of Strassburg is to think of

Doyen and his confrères and their incomparable productions, around

which rise the Gothic glories of the mediæval fane, the quaintly gabled

houses embellished by the craft of the wood-carver, the statues of

Gutenberg and Kleber, and the town's great girdles of fortifications

and inner ramparts.

It is said the pâté de foie gras is the invention of a Norman cook

named Close, who was in the employ of the Maréchal de Contades,

military commandant of the province from 1762 to 1788. On the

retirement of the maréchal, his cook remained in Strassburg, and

began the manufacture of the dish which had rendered the table of his

employer famous. There were truffles in the Wasgenwald, with trained

dogs to hunt them; the goose everywhere stood ready for sacrifice;

while the near-by vineyards of Neuwiller, Morsbrunn, and Westhausen

contributed their wines in abundance as its fluid concomitant. But the

pâté did not reach its highest excellence until some time afterwards,

when Doyen, a pastry-cook of great genius, already celebrated for

his _chaussons_ of veal and inimitable apple-puffs, substituted the

blacker, larger, and more fragrant truffle of Périgord, adding a

_bouquet-garni_ composed of numerous spices. Upon the proper blending

of these depends to a large extent the success of the dish, just as

the special flavour of a brand of champagne results from the precise

adjustment of its liqueur.

All through Alsace, wherever ponds or streams exist, may be seen

daily vast flocks of geese during the summer and autumn, screaming,

splashing, and diving in the water. The landscape is white with them,

and the plain resounds with their clamour. Each flock, which often

numbers a thousand, has its goose-herd and goose-dog. At dawn the

herder sounds his reveille, beginning to assemble his charges from

the most remote part of the village or hamlet. These take their place

in the procession of their own accord, until the ranks are complete,

and they eagerly wend their way to the coveted goal. Here they remain

until evening, when, at a summons from the herder, the return journey

is accomplished, each individual flock leaving the phalanx on arriving

near its home. Less idyllic is the life of the town goose, when large

ponds and succulent herbage are not readily accessible, the birds

being confined in yards where, in place of a daily round of bathing

and gossiping, they are compelled to watch the flight of the storks

overhead and mark the monotonous passing of the hours as they are

tolled from the Rathhaus tower. Nearly every other house or yard of the

poorer classes has its geese, the young fowls alone being utilised for

their livers. In late October or early November the fattening begins, a

process lasting usually from two to three weeks, the prized livers--the

true "golden egg" of the bird of St. Michael--then weighing from two to

three pounds.

[Illustration: THE BIRD OF ST. MICHAEL

From the etching by Birket-Foster, R.A.]

The humanitarian will protest against the cruelty of gorging the fowl

to repletion, depriving it of drink, and imprisoning it in close

cages to gratify the voracity of man. Yet it must be admitted that

hitherto everything possible to the maintenance of the health and

pleasure of the subject has been lavishly supplied, and that a brief

span at most would elapse ere time must claim its victim. The fox and

the goose have always been closely associated, and what applies to

one may well apply to the other. "Certainly," reasons Bulwer, "in the

chase itself all my sympathies are on the side of the fox. But if all

individuals are to give way to the happiness of the greatest number,

we must set off against the painful fate of the fox the pleasurable

sensation in the breasts of numbers which his fate has the honourable

privilege to excite." Without the inconveniences that the Strassburg

goose is compelled to undergo in behalf of the metamorphosis of its

liver, the list of _plats de prédilection_ were shorn of one of its

greatest attractions, and a city now of world-wide fame must soon drag

out a monotonous existence and be forgotten unless by the student of

architecture--a fact duly set forth in the following stanza:

"Strasbourg tire vanité

De ses pâtés de foie;

Cette superbe cité

Ne doit sa prospérité

Qu'aux oies!"

(Can roasted Philomel a liver

Fit for a pie produce?--

Fat pies that on the Rhein's sweet river

Fair Strassburg bakes. Pray, who's the giver?

A goose!)[25]

One should taste a pâté in Strassburg itself on a crisp November day,

after a protracted stroll through the sleepy town. Then one may saunter

anew through its mediæval streets and labyrinthine corridors to view

the Münster whose gargoyles glower so weirdly in the moonlight, ere

pausing at the Luxhof or the Spaten, where cool fountains of Münchner

continually flow.

That the pâté de foie gras is a factor of gout and a prolific cause

of indigestion, as is commonly asserted, is true to the same extent

that holds good with many other viands when inordinately indulged in

or partaken of too frequently. It was never intended to be eaten by

the "terrine," and much also depends upon its freshness and the source

of its manufacture. A generous slice of a fresh authentic Strassburg

pâté, eaten with bread, need hold no terrors for a healthy digestion,

or prove other than a source of the most delightsome recollections.

Savouring it, one may again summon the surroundings of its native

land--the verdant meads of the Alsace plain, the herder tending his

argent flocks, the soft contours of the Vosges outlined against the

distant sky.

But the alimentary resources of Germany are nowhere revealed to greater

advantage than in the innumerable forms of the sausage, and it may well

be questioned whether the songs of the Lorelei are not, after all,

inspired by the perfection of this product, rather than called forth by

the beauties of the Lurlenberg or the merits of the vineyards of the

Rheingau.

To become a connoisseur of sausages in all their protean phases is no

simple task. Only a German may analyse intelligently all the species

and varieties, from the huge Cervelat of Braunschweig and goose-liver

Trüffelwurst of Strassburg to the Salamis of Gotha and Blutwurst of

Schwaben. And as the sausage is fashioned with a special view to its

harmonious combination with beer, it is self-evident that one must be

a beer-drinker of experience in order to pronounce upon the virtues

of a given kind. "Wurst" and "Durst," Uhland long since pointed out,

not only rhyme, but belong together in a material way. But by this he

in no wise implied that one might choose a variety at random, with no

thought of consonance as regards its liquid accompaniment, or even

that one should be unmindful of climatic conditions. Thus the variety

that blends best with the dark, potent Gerstensaft of Nürnberg as

one quaffs it in great Seidels thick with its head of creamy foam

in the Mohrenkeller, or in cool Steins in the Bratwurst-Glöcklein,

would be entirely out of place as a complement to the amber Pilsener

of Austria, the Weiss beer of Berlin, or even the many malt extracts

of Württemberg. It is likewise equally easy to understand that a

particular sausage which might appeal to one in Hanover might be

utterly incongruous to the climate of the Elbe or the Neckarthal.

The delicate Bockwurst, composed of veal and pork, should be used with

Bock beer, for which it was especially designed. The juicy Knackwurst,

with its flavour of garlic, which belongs to the family of the

Frankfurt and Wienerwurst, is eminently worthy its exalted place as a

garnish to Sauerkraut, where the Mettwurst and the Schwartenmagen would

sound a discordant note. To determine the precise kind that should be

taken with the Münchner Hof-Bräu, as it is dispensed in the Café and

Garten of the Hotel Royal at Stuttgart, where the regal beer of Munich

reaches its apotheosis, would require a more extended experience than

might be contributed by the writer. A Knackwurst, possibly, may be

suggested during the summer, and a Bratwurst in winter. And yet this

would depend largely upon the hour of the evening, as well as on the

recommendations of the Kellnerin. Not more dissimilar are the hams of

the thick-jowled swine of Westphalia and those of the long-snouted

brindled hogs of Rothenburg an der Tauber, than are the various

sausages of different districts. Indeed, with the sausage alone Germany

might form a rampart round the world, and float a navy upon her daily

tide of beer.

Of the innumerable varieties, the well-known Cervelat is the largest,

and of these the most colossal come from Braunschweig, which also

produces the finest Knack-and Zungenwürste, the finest truffled

geese-liver as well as calves'-liver sausages coming from Strassburg.

Although the Plockwurst, the diminutive Wienerbrühwürstchen, the tiny

Lübecker Saucisschen, the Schlackwurst, and very many other kinds are

not included in the subjoined list relating to this specialty, its

perusal will be found of absorbing interest by the connoisseur, and

its study remind the too unobservant traveller who has sojourned in

Germany of, alas! how many neglected opportunities. The quotations are

given in marks and kilograms, the mark equalling twenty-five cents and

the kilogram being equivalent to a little over two pounds. The record

being that of a north-German shop, southern Germany is only meagrely

represented, and the list sounds its own praises too well to call for

comment:

_Preis Verzeichniss._

_Per Kilo._

_Braunschweiger._ _M._ _Pf._

Cervelatwurst 4.

Mettwurst 3. 60

Trüffelleberwurst 4.

Sardellenleberwurst 3. 60

Feine Leberwurst 3.

Zungenblutwurst 3. 20

Blutwurst, geräuchert 2. 40

Frische Sulze in Blase

Blut- und Leberwürste, Stück 25

_Gothaer._

Cervelatwurst I 3. 60

" II

" homöopatische

" Grobschnitt

Salamis 4.

Mortadella gekocht 4.

_Göttinger._

Mettwurst

_Colmar._

Gänselebertrüffelwurst 7

_Gothaer._

Feine Leberwurst, geräuchert 3. 60

Knackwürste, Paar 35

Jagdwürste 65

Zungenblutwurst 3. 20

Blutwurst 2. 80

Paaszsülze 3. 60

_Thüringer._

Cervelatwurst

Schwartenmagen 2. 80

Blutwurst, frische, haussch 2. 80

Knackwürste, Paar 40

_Westfälischer._

Schinkenroulade 4.

_Strassburger._

Gänselebertrüffelwurst 7.

Kalbslebertrüffelwurst 4.

Salamis di Verona

Mortadella di Bologna

_Wiener._

Selchwürstchen, Paar 25

Saucisschen 13

_Frankfurter._

Bratwürste, Paar 45

_Janer'sche._

Bratwürste, Paar 45

_Regensburger._

Wurst, Paar

_Berliner._

Erbswurst, Stück 65

_Schomberger._

Delikatesswürstchen

How they shine in their silken skins, these triumphs of the

_Metzgerei_, seen through the plate-glass of a Delikatessen shop--ebon

and bronze, russet and red, blonde and grey, mottled and veined, of

all hues and all sizes: long and slender, plump and fat, curved like a

crescent, round-barrelled and egg-shaped, as if their juices and spices

were eager to be set free; some that gain in succulence by time; others

that, like the rose, have but their hour in which to be plucked.

An essentially south-German dish is the Metzelsuppe--the

"bouillabaisse" of Swabia--in which the sausage plays an important

role, but which, to be appreciated, requires an essentially German

taste as well as a digestion without limit. This consists of several

preparations of freshly killed pork, including soup, bacon, and

sausages with Sauerkraut, the sausages usually being the Leber and the

Blutwurst. It has found its Thackeray in Uhland, whose poem has become

a classic, although, with the possible exception of the bacon and

Sauerkraut, the alien will find the poem preferable to the dish.

With a choice of a different soup for every day in the year, the German

does not lack for variety in the stepping-stone of the dinner. With all

of these the stranger may not be in sympathy, and in none of them will

he find the equal, as an all-round preface to the principal repast, of

a perfect Julienne. But the potato soup, the native pot-au-feu, and

even the soup in which beer is an important ingredient, have their

merits when well prepared. Nor is the boiled beef with horseradish

sauce, which usually follows the soup, to be despised, notably in

warm weather, when rich and heavy viands cloy. One would be equally

lacking in appreciation were he to lose sight of another dish we owe

to Germany, the "marinirte," or sour-spiced herring--that offset to

_Katzenjammer_ and noon-restorer of a jaded appetite and a parched

tongue. The Schmierkäse, or whey-cheese, when cream is employed in

its composition and the green of fresh chives enters as an adjunct to

please the eye and the palate, surely requires no praises, whatever may

be said to the contrary of the variety whose very name one thinks of in

a whisper.

Such dishes as Szegediner Schwein's Goulash mit Sauerkraut, Paprica

Schnitzel mit Ungarischem Kraut, and Ungarisches Goulash mit

Spätzle--triumphs of the Hungarian and Viennese _Kochkunst_--seldom

turn out satisfactory in alien hands. The Spätzle and Nudel are two

farinaceous dishes that also call for a native cook to serve in

perfection. The Spätzle is of south-German origin, and tastes best when

it flanks a viand with a tart sauce and has a Rhein wine to keep it

company. This observation applies more strictly to its native home,

the virtues of German dishes and German cigars being most apparent

amid their natural atmosphere. Indeed, who shall say that the "Pfarrer

von Kirchfeld" or the colourful strains of "Sataniel" would seem the

same if transported oversea? Climate, the hour, the environment--all

the conditions of the _entourage_ exercise a marked influence on many

things, especially on the pleasures of taste. The Zeller that seems

so delicious with the chicken in a south-German restaurant is apt

to prove a delusion elsewhere; and even the best of Affenthaler and

Assmanshäuser, of which one may retain a pleasant remembrance, must

fade before a good Bordeaux. The beer of Germany, when properly cared

for and when allowed to rush swiftly from the wood, alone preserves

a large portion of its delicious tonical freshness wherever partaken

of. Like an omelette soufflé, beer has its moment, and once started

towards the Seidel or Stein, its flow should be as uninterrupted as the

course of a mountain brook that, with music and song and freighted with

coolness, comes dancing down from the distant hills to slake the thirst

of the vale below.

Of game, the hare and the partridge have always been held in great

esteem by the Germans; and while the native Rebhuhn may not compare

with our own prince of feathered game-birds, the ruffed grouse, the

German hare has unquestionable merits when prepared as the favourite

Hasenbraten, Hasenpfeffer, and Hasenrücken gespickt with Sahnen sauce.

Even Goethe sounds a "Hoch!" when he thinks of the game he has

secured, and smacks his lips in anticipation of its appearance on the

table.[26]

The mysteries of the sandwich in all its possibilities are unknown

to Germany. But amends are made by the attractions of the Kalter

Aufschnitt which takes its place, where slices of veal are surrounded

by slices of Cervelat, ham, and tongue, and thin cuts of Leberwurst

with pickles and hard-boiled eggs cut in rounds to form a frame,

and rye bread and mustard _à discretion_. As for the Kuchen--light,

wholesome, and inviting--its forms are legion, though these belong more

strictly to the supper-table or to that phase of feminine entertainment

termed "The Coffee." The common and often excessive use of the

caraway-seed in cakes and breadstuffs is nevertheless to be deplored,

however great its merits as a carminative.

Dumas tells the story of the excellent cake called madeleine, an

entremets which all who have been in France will remember. Is it a

flower of the Vosges, indigenous to Alsace, that has been transplanted

across the border?--it must have been the invention of the German

_Kuchenkunst_. This is the account of the madeleine as it appears in

the "Grand Dictionnaire de Cuisine":

"A tourist-friend who was at Strassburg, and who started

out on his travels a little late, expecting to reach the

next village before dark, was unsuccessful in finding a

shelter until nearly midnight, when he perceived the spire

of a distant church, and soon afterwards the welcome rays of

a light that seemed to emerge from some subterranean abode.

Knocking at the door, a gruff voice demanded:

"'Who is it, and what do you want?'

"'I am a traveller, weary and worn, and well-nigh starved. For

heaven's sake, let me in.'

"With this the door was unbarred by a man of savage aspect

whose hair and beard were covered with flour, and who was

naked to the waist.

"'Come in, and make haste,' he said in a cavernous voice; and

a large room was disclosed to the traveller the interior of

which was lighted by the fires of an immense oven. The door

was then re-barred by the forbidding-looking occupant.

"'Pardon, Monsieur,' said the traveller, little at ease. 'I

have just completed sixteen or eighteen leagues with scarcely

a mouthful; cannot I buy something to appease my hunger, and

have a couch to lie on?'

"'I have only my own bed,' replied the man, in his gruff

voice; 'as to something to eat, that is not wanting--it

remains to be seen if it will please you.'

"And opening a cupboard, he produced a basket containing a

dozen or so of oval-shaped cakes of a fine golden hue.

"'Try these,' he said to the traveller, 'and tell me what you

think of them.'

"When the basket was emptied, he asked, 'What do you think of

my madeleines?'

"'Something to drink first,' muttered the traveller in a

strangled voice.

"The cupboard was opened anew, and uncorking a bottle covered

with dust, the baker filled two glasses, passing one to the

stranger.

"'Drink,' he said; 'I don't wish my cakes to choke you.'

"The glass was emptied at a draught, when the visitor passed

it to be refilled,--it was an excellent Bordeaux.

"'Your health, my friend; you have given me one of the most

delicious repasts that I have ever had. But tell me what do

you call these lovely cakes?'

"'What! don't you know the madeleines of Commercy?'

"'You mean to say I am at Commercy?'

"'Yes, and, without knowing it, you have eaten the best cakes

in the world.'"

_Se non è vero è ben trovato_--the madeleine still remains to gladden

the traveller. They bring it now in little boxes of a dozen--flat on

the top and grooved like a shell underneath, the colour a rich golden

brown--as the train halts for a moment at the town on the Meuse where

Cardinal de Retz wrote his memoirs.

One of the earliest of German cook-books, published at Strassburg

in 1516, and now of the utmost rarity, bears for its title

"Kuchenmeisterey," or the mastery of cake-making. Perchance were one

to turn its faded Gothic leaves, some forgotten master-stroke of the

baker might reveal itself, to vie with the madeleine in popularity

and add to the already endless list of farinaceous _Leckerbissen_ and

_Frauenessen_, wherein the Germans have no superiors.

The story of the madeleine suggests that of the Vienna roll, which,

it is said, owes its origin to the investment of Vienna by the Turks.

During the protracted siege of the city, when the town had become

almost reduced to starvation and the position of the enemy was unknown,

a baker was making his last batch of bread. His little son, who had

been amusing himself with his marbles and drum, had gone to bed,

leaving a marble on the drum-head. The baker kept on with his baking

and attending to his ovens, sitting down between times to meditate

on his probable fate when the final loaf was gone, and gleaming

cangiars and ferocious janizaries had begun their work of carnage.

Suddenly his attentive ear was arrested by an unaccustomed vibratory

sound proceeding from the drum, while his eye perceived a continuous

dancing movement of the marble. Soon it became apparent to him that

the vibration was caused by forces working on the fortifications

without--the steady pounding of mattock and pickaxe--and that the

undermining of the walls had begun almost at his door. At once his

loaves were forgotten, and, hastening to spread the alarm, the enemy

was attacked unawares and successfully routed. The following day the

baker was summoned before the emperor.

"What reward do you claim for your services?--you have saved the city,"

said the emperor.

"I would serve the bread for the palace," replied the artist of the

loaves, "and I would have my rolls shaped like the Crescent we have

conquered."

A favourite convivial song of the Fatherland, with its rollicking

strain, may not be omitted from a German Speisekarte. The words are

by a former minister of education, von Muehler, of Prussia; the music

that of the dance "La Madrilena." It should be sung in chorus and led

by one who is light on his feet and a master of the side-step, with

the sonorous instrumentation of viols and horns to lend it additional

spirit and swing:

BEDENKLICHKEITEN

(Heinrich von Muehler, 1842. Bis 1872 Preussischer Cultusminister.)

[Illustration:

_Munter._ Spanischer Tanz: La Madrilena.

1. Grad' aus dem Wirthshaus nun komm' ich her-aus;...

Stra-sse, wie wun-der-lich siehst du mir aus!...

Rech-ter Hand, lin-ker Hand, bei-des ver-tauscht:

Stra-sse, ich mer-ke wohl, du bist be-rauscht!

2. Was für ein schief Gesicht, Mond, machst denn du?

Ein Au-ge hat er auf, eins hat er zu?...

Du wirst be-trun-ken sein, das seh' ich hell:...

Schä-me dich, schäme dich, al-ter Ge-sell!

3. Und die La-ter-nen erst, was muss ich sehn!

Die kön-nen al-le nicht gra-de mehr stehn;...

Wa-ckeln und fa-ckeln die Kreuz und die Quer:...

Schei-nen be-trun-ken mir al-le-sammt schwer!

4. Al-les im Stur-me rings, Gro-sses und Klein;

Wag' ich dar-un-ter mich, nüch-tern al-lein?...

Das scheint be-denk-lich mir ein Wa-ge-stück!

Da geh' ich lie-ber in's Wirthshaus zu-rück!

]

While the Germans have not yet adopted applesauce with green goose or

cranberries with turkey, no fault can be found with their admirable

choice of the "Compot" in general as an accessory and grace-note to

the roast. One may even forgive them the taste which permits them to

serve the noted hams of Westphalia uncooked, in view of the excellence

of their beer, their admirable Kuchen, and the merits of their rolls

and sweets. Besides cakes innumerable, the larder of the Hausfrau

fairly groans with "Compots," some form of which is invariably served

with roast meats, poultry, or game. And inasmuch as woman in Germany

is created for the special purpose of ministering to the comforts,

the tastes, and the selfish wishes of man, independent of her own

inclinations, it may be assumed that her natural fondness for sweets is

shared equally by the opposite sex.

One may or may not be impressed with the merits of the German

_Kochkunst_ in all its branches, which perhaps requires a native or

a seasoned taste to be estimated at its just and proper worth. But

that it comports with those whom it chiefly concerns, and that it is

appreciated by all true sons of the Fatherland, will admit of little

doubt when one considers the national _Gemüthlichkeit_, or views the

profound deliberation that the perusal of a Speisekarte always evokes

from the Gast, the Wirth, and the Herr Oberkellner.

[Illustration]

[Illustration: PROMENADE NUTRITIVE

Frontispiece of "Le Gastronome Français" (1828)]

[Illustration]

THE SCHOOL OF SAVARIN

"Depuis longtemps j'avais un mot à dire de Brillat-Savarin.

Cette figure, souriante plutôt que riante, ce demi-ventre, cet

esprit et cet estomac de bon ton, me tentait."

CHARLES MONSELET.

The Pleasures of the Table An Account of Gastronomy from Ancient Days to Present Times. With a History of Its Literature, Schools, and Most Distinguished Artists; Together With Some Special Recipes, and Views Concerning the Aesthetics of Dinners and Dinner-giving · 第 10 / 31 段