16. Daily ritual.

"Here is the daily life of one of the twenty-five thousand Brahmans

of Benares. He rises before the dawn, and his first care is to look

at an object of good omen. If he sees a crow at his left, a kite,

a snake, a cat, a hare, a jackal, an empty jar, a smoking fire,

a wood-pile, a widow, a man blind of one eye, he is threatened with

great dangers during the day. If he intended to make a journey, he

puts it off. But if he sees a cow, a horse, an elephant, a parrot, a

lizard, a clear-burning fire, a virgin, all will go well. If he should

sneeze once, he may count upon some special good fortune; but if twice

some disaster will happen to him. If he yawns some demon may enter his

body. Having avoided all objects of evil omen, the Brahman drops into

the endless routine of his religious rites. Under penalty of rendering

all the day's acts worthless, he must wash his teeth at the bank of

a sacred stream or lake, reciting a special _mantra_, which ends in

this ascription: 'O Ganges, daughter of Vishnu, thou springest from

Vishnu's foot, thou art beloved by him! Remove from us the stains of

sin and birth, and until death protect us thy servants!' He then rubs

his body with ashes, saying: 'Homage to Siva, homage to the source of

all birth! May he protect me during all births!' He traces the sacred

signs upon his forehead--the three vertical lines representing the

foot of Vishnu, or the three horizontal lines which symbolise the

trident of Siva--and twists into a knot the hair left by the razor

on the top of his head, that no impurity may fall from it to pollute

the sacred river.

"He is now ready to begin the ceremonies of the morning (_sandhya_),

those which I have just observed on the banks of the river. Minutely

and mechanically each Brahman performs by himself these rites of

prescribed acts and gestures. First the internal ablution: the

worshipper takes water in the hollow of his hand, and, letting it

fall from above into his mouth, cleanses his body and soul. Meanwhile

he mentally invokes the names of Vishnu, saying, 'Glory to Keshava,

to Narayana, to Madhava, to Govinda,' and so on.

"The second rite is the exercise or 'discipline' of the respiration

(_prajayama_). Here there are three acts: first, the worshipper

compresses the right nostril with the thumb, and drives the breath

through the left; second, he inhales through the left nostril,

then compresses it, and inhales through the other; third, he stops

the nose completely with thumb and forefinger, and holds his breath

as long as possible. All these acts must be done before sunrise, and

prepare for what is to follow. Standing on the water's edge, he utters

solemnly the famous syllable OM, pronouncing it _aum_, with a length

equalling that of three letters. It recalls to him the three persons

of the Hindu trinity: Brahma, who creates; Vishnu, who preserves;

Siva, who destroys. More noble than any other word, imperishable,

says Manu, it is eternal as Brahma himself. It is not a sign, but a

being, a force; a force which constrains the gods, superior to them,

the very essence of all things. Mysterious operations of the mind,

strange associations of ideas, from which spring conceptions like

these! Having uttered this ancient and formidable syllable, the man

calls by their names the three worlds: earth, air, sky; and the four

superior heavens. He then turns towards the east, and repeats the verse

[415] from the Rig-Veda: 'Let us meditate upon the resplendent glory of

the divine vivifier, that it may enlighten our minds.' As he says the

last words he takes water in the palm of his hand and pours it upon the

top of his head. 'Waters,' he says, 'give me strength and vigour that

I may rejoice. Like loving mothers, bless us, penetrate us with your

sacred essence. We come to wash ourselves from the pollution of sins:

make us fruitful and prosperous.' Then follow other ablutions, other

_mantras_, verses from the Rig-Veda, and this hymn, which relates the

origin of all things: 'From the burning heat came out all things. Yes,

the complete order of the world; Night, the throbbing Ocean, and after

the throbbing Ocean, Time, which separates Light from Darkness. All

mortals are its subjects. It is this which disposes of all things,

and has made, one after another, the sun, the sky, the earth, the

intermediate air.' This hymn, says Manu, thrice repeated, effaces

the gravest sins.

"About this time, beyond the sands of the opposite shore of the Ganges,

the sun appears. As soon as its brilliant disc becomes visible the

multitude welcome it, and salute it with 'the offering of water.' This

is thrown into the air, either from a vase or from the hand. Thrice

the worshipper, standing in the river up to his waist, flings the

water towards the sun. The farther and wider he flings it, the greater

the virtue attributed to this act. Then the Brahman, seated upon his

heels, fulfils the most sacred of his religious duties: he meditates

upon his fingers. For the fingers are sacred, inhabited by different

manifestations of Vishnu; the thumb by Govinda, the index-finger by

Madhava, the middle finger by Hrikesa, the third by Trivikama and the

little finger by Vishnu himself. 'Homage to the two thumbs,' says

the Brahman, 'to the two index-fingers, to the two middle fingers,

to the two "unnamed fingers," to the two little fingers, to the two

palms, to the two backs of the hands.' Then he touches the various

parts of the body, and lastly, the right ear, the most sacred of all,

where reside fire, water, the sun and the moon. He then takes a red

bag (_gomukhi_), into which he plunges his hand, and by contortions

of the fingers rapidly represents the chief incarnations of Vishnu:

a fish, a tortoise, a wild boar, a lion, a slip-knot, a garland. [416]

"The second part of the service is no less rich than the first

in ablutions and _mantras_. The Brahman invokes the sun, 'Mitra,

who regards all creatures with unchanging gaze,' and the Dawns,

'brilliant children of the sky,' the earliest divinities of our Aryan

race. He extols the world of Brahma, that of Siva, that of Vishnu;

recites passages from the Mahabharata, the Puranas, all the first

hymn of the Rig-Veda, the first lines of the second, the first words

of the principal Vedas, of the Yajur, the Sama, and the Atharva, then

fragments of grammar, inspired prosodies, and, in conclusion, the first

words of the book of the Laws of Yajnavalkya, the philosophic Sutras:

and finally ends the ceremony with three kinds of ablutions, which are

called the refreshing of the gods, of the sages and of the ancestors.

"First, placing his sacred cord upon the left shoulder, the Brahman

takes up water in the right hand, and lets it run off his extended

fingers. To refresh the sages, the cord must hang about the neck,

and the water run over the side of the hand between the thumb and the

forefinger, which is bent back. For the ancestors, the cord passes

over the right shoulder, and the water falls from the hand in the

same way as for the sages. 'Let the fathers be refreshed,' says the

prayer, 'may this water serve all those who inhabit the seven worlds,

as far as to Brahma's dwelling, even though their number be greater

than thousands of millions of families. May this water, consecrated

by my cord, be accepted by the men of my race who have left no sons.'

"With this prayer the morning service ends. Now, remember that

this worship is daily, that these formulas must be pronounced,

these movements of the hands made with mechanical precision; that

if the worshipper forgets one of the incarnations of Vishnu which

he is to figure with his fingers, if he stop his left nostril when

it should be the right, the entire ceremony loses its efficacy;

that, not to go astray amid this multitude of words and gestures

required for each rite, he is obliged to use mnemotechnic methods;

that there are five of these for each series of formulas; that his

attention always strained and always directed toward the externals

of the cult, does not leave his mind a moment in which to reflect

upon the profound meaning of some of these prayers, and you will

comprehend the extraordinary scene that the banks of the Ganges at

Benares present every morning; this anxious and demented multitude,

these gestures, eager and yet methodical, this rapid movement of the

lips, the fixed gaze of these men and women who, standing in the water,

seem not even to see their neighbours, and count mentally like men in

the delirium of a fever. Remember that there are ceremonies like these

in the afternoon and also in the evening, and that in the intervals,

in the street, in the house at meals, when going to bed, similar rites

no less minute pursue the Brahman, all preceded by the exercises of

respiration, the enunciation of the syllable OM, and the invocation of

the principal gods. It is estimated that between daybreak and noon he

has scarcely an hour of rest from the performance of these rites. After

the great powers of nature, the Ganges, the Dawn, and the Sun, he

goes to worship in their temples the representations of divinity,

the sacred trees, finally the cows, to whom he offers flowers. In

his own dwelling other divinities await him, five black stones,

[417] representing Siva, Ganesa, Surya, Devi and Vishnu, arranged

according to the cardinal points: one towards the north, a second to

the south-east, a third to the south-west, a fourth to the north-west,

and one in the centre, this order changing according as the worshipper

regards one god or another as most important; then there is a shell,

a bell--to which, kneeling, he offers flowers--and, lastly, a vase,

whose mouth contains Vishnu, the neck Rudra, the paunch Brahma, while

at the bottom repose the three divine mothers, the Ganges, the Indus,

and the Jumna.

"This is the daily cult of the Brahman of Benares, and on holidays

it is still further complicated. Since the great epoch of Brahmanism

it has remained the same. Some details may alter, but as a whole it

has always been thus tyrannical and thus extravagant. As far back

as the Upanishads appears the same faith in the power of articulate

speech, the same imperative and innumerable prescriptions, the same

singular formulas, the same enumeration of grotesque gestures. Every

day, for more than twenty-five hundred years, since Buddhism was a

protest against the tyranny and absurdity of rites, has this race

mechanically passed through this machinery, resulting in what mental

malformations, what habitual attitudes of mind and will, the race is

now too different from ourselves for us to be able to conceive."

Secular Brahmans now, however, greatly abridge the length of their

prayers, and an hour or an hour and a half in the morning suffices

for the daily bath and purification, the worship of the household

deities and the morning meal.

The Tribes and Castes of the Central Provinces of India, Volume 2 · 第 401 / 579 题