CHAPTER XXIII.

A FINAL RENUNCIATION.

The following day Dorothy and her husband lunched with Mr. Hungerford,

as had been arranged, and afterward viewed with delighted appreciation

the paintings that were soon to be exhibited at the Excelsior Art Club.

There were twelve in all, and they displayed remarkable artistic

ability, both in coloring and workmanship, together with certain

realistic suggestions that appealed at once to the admiration and

sympathies of the beholder.

As one studied them carefully one could not fail to be impressed with

the depths of thought and a certain something forcibly suggestive of

high ideals portrayed in them; or to recognize both the dignity and

purity of sentiment that had inspired the hand that had so skillfully

wielded the brush. It was as if the artist's chief aim had been to

give all that was best in himself to kindle the noblest qualities of

heart in those who might look upon his pictures as long as they should

endure.

They were, in truth, beautiful poems in color, to feast the eye,

elevate and refine the thought--"songs without words," to make glad and

uplift all who were able to appreciate in any degree the divinity of

art.

Dorothy realized much of this as she went, day after day, to study

these treasures which her father had brought from his atelier in Paris,

and her heart glowed with ever-increasing pride in these unquestionable

evidences of his genius. It also overflowed with devout gratitude as

she read, beneath the surface, the story of a wonderful consecration;

of the courage, fortitude, and perseverance which the man, in his

lonely exile, must have exercised in order to have been able to rise

out of the depths to which he had fallen to achieve such grand and

noble results.

One day she went alone for a last look at these beautiful pictures

before they were hung for the public to view. Upon this occasion the

father and daughter had a long heart-to-heart talk with each other,

during which John confessed to Dorothy that he had allowed himself to

cherish strong hopes of a reunion with her mother, if he could prove

that he had become worthy of her. He realized now, however, he said,

that under no circumstances could he be worthy, for he had cut himself

off from her, absolutely and finally, by that irreparable mistake of

long ago, and he ought to have known that such hopes could never be

realized. Hence, as matters now stood, he thought it would be best

that the world should never be enlightened regarding their relationship

to each other as father and daughter.

"It could not be done, dear," he said, with lips that trembled

painfully, "without involving explanations and a rehearsal of past

history which would make your mother unpleasantly conspicuous in the

circle where she has maintained an honored position for so many years;

and I could not bear to have a breath of gossip touch her, to mar her

peace in any way."

"That is very considerate of you, papa," replied Dorothy, who had been

greatly exercised in view of the matter herself, after becoming

convinced that the breach of fifteen years ago could never be bridged.

She had already talked it over with her husband, and they had both

agreed that, for her mother's sake, it would be better that the

relationship between herself and the talented artist remain a secret

among themselves. Still, it was not an easy task for her, as she sat

beside him, looking into his yearning eyes and listening to his

faltering tones, to assent to his self-sacrificing proposition to

relinquish his claim upon her, also.

John's heart sank at her words. He had not quite given up all hope

until that moment; but Dorothy's noncommittal reply had seemed to

confirm his worst fears, that there was absolutely no hope of a reunion

with Helen.

"Then, for her sake, we will agree to----" he began, in a hopeless

voice.

"For your own sake, papa, as well as for hers," interposed Dorothy,

laying a gentle hand upon his arm, and almost weeping as she read the

misery in his face. "We must not ignore the fact that it would not

leave you unscathed in the midst of your honors; and, I imagine, there

might arise other complications for us all."

He captured her hand and stroked it tenderly with both of his own.

"The problem might so easily have been solved if--if I could have won

her anew; then we could all have come together again naturally, and no

one would have been any the wiser regarding the past," he said. "Oh,

Dorrie! do you think I could, even now? _Is_ there no hope?"

His voice was hoarse from an agony of yearning as he concluded.

She could not answer him for a moment. At length she lifted her

tear-laden eyes to him.

"Papa," she breathed, almost inaudibly, "I--know there is--a grave in

mamma's heart."

"The grave of a royal love brutally slain! The grave of a love for

which there can be no resurrection!" he groaned. "I know it, too--God

help me! Well," he went on, after a struggle to recover himself, "she

has given you back to me as a pledge of her divine forgiveness, and for

this I am unutterably grateful. So, dear, we will keep our secret from

the world, and make the most of our love for each other. I shall go

back to Paris within a couple of weeks, take up my work again, and keep

on striving to accomplish something that will make the name of John

Hungerford worth remembering. I shall, probably, never return to this

country, Dorrie; but you will occasionally come to me, will you not?

Say that you will grant me these oases in the desert of my future."

He looked so crushed, yet seemed so patient under his bitter

disappointment that Dorothy, with difficulty, refrained from sobbing

outright; but, forcing herself to speak cheerfully, she replied:

"I certainly shall. Paris is only a week away, and Clifford and I will

enjoy slipping over now and then to spend a little time with you;

besides, he always goes to London on business twice a year and takes me

with him, so we shall see each other oftener than 'occasionally,' and I

will write you every week."

Thus it was arranged; and John tried to make the most of his reunion

with Dorothy--tried to be grateful that there would be some blossoms of

comfort to cull along the way, during what must otherwise be a very

desolate future. Nevertheless, the crushing blow his hopes had

received, the bitter cup of renunciation he was forced to drink,

seemed, for the time, almost more than he could bear, and left their

crucial impress upon him.

He was a frequent visitor in Dorothy's lovely home on the Hudson during

the remainder of his stay in New York, and both she and her husband

exerted themselves to make his sojourn as delightful as possible, and

so give him something pleasant to remember when he should leave them to

resume his work and his lonely life abroad.

All Dorothy's old affection for him was revived during this visit,

while both her admiration and wonder increased more and more with every

interview, in view of his mental and moral attainments, to say nothing

of the rapid advancement he had made in his profession, and which

seemed likely to place him, at no distant period, in the foremost rank

of artists. He certainly was a distinguished-looking man, and one

could not converse with him half an hour without becoming aware that

beneath the attractive exterior there were depth and strength of

character that would lead him still higher as years passed over him.

His work won honors at the exhibition of the Excelsior Art Club. His

two finest pictures were marked sold on the opening day, and were sent

to grace Dorothy's home at its close. The others were all disposed of,

and when the artist finally left for Paris he not only bore with him a

rich harvest from his brush, but several orders for paintings to be

executed at his convenience.

He had made his presence in the city known to Mrs. Everleigh as soon as

he could conveniently arrange to do so; and upon meeting him she had

also appeared deeply impressed by the great change in him. It hardly

seemed possible to her that he could be the same man who, five years

previous, had expressed little hope of his life, and manifested no

energy or wish to prolong it.

At her request John had called upon her at her home. When he sent up

his card bearing his own name instead of that of Williams, under which

she had previously known him, she came to him wearing a look of

perplexity; but she instantly recognized and greeted him cordially,

although she studied his face earnestly as she shook hands with him.

"My friend, there has certainly been a remarkable change in you," she

said. "I am more than glad to see you, however, after all these years,

and"--smiling into his eyes--"I am sure you have been forging straight

ahead."

"You once told me, Mrs. Everleigh, that 'there was still work for me to

do here,' and I have been _trying_ to do it," John returned, with an

answering smile.

"I feel confident you have; but"--referring to the card in her

hand--"how is it that you have sent me this--that you now call yourself

John Hungerford?"

John explained that at the time he first met her, when he was so low

down in the world, he had dropped his last name, using his middle one

instead, to avoid recognition.

"You do not mean to tell me that you are John Hungerford, the artist,

who has been exhibiting at the Excelsior Art Club?" the lady inquired,

with sudden alertness.

"Yes--the same," he quietly replied.

"Well, I congratulate you!" she earnestly returned. "I have seen your

pictures, but, of course, did not dream that I knew the artist. You

certainly have been working to some purpose. But how was it that you

ran away from us so unceremoniously five years ago?"

"That must have seemed rather ungrateful of me, I am compelled to

admit," said the gentleman, with a deprecatory smile. "But I had

already been the recipient of too many favors; I felt I must begin to

stand alone--I had to _prove myself_--so I suddenly cut my cables, and

launched out into the deep."

"We all have to stand alone in the sifting process," returned his

companion. "We all have to prove ourselves, and I believed that you

would make good; but I would have been glad of some tidings from you

now and then."

"Thank you; and it is very gratifying to know that you had that

confidence in me," said John, with evident emotion. "I feel, however,

that I owe much to you for the measure of success I have attained, for

you taught me something of what life and its individual

responsibilities mean. But for your and H--Mrs. Ford's unparalleled

kindness to me in my darkest hour, I shrink from the thought of what

might have been the alternative."

Mrs. Everleigh shot a quick glance at him as he made the slip on

Helen's name; then she gently observed, with her old winning smile:

"We must not forget the Power behind, my friend."

"No, dear lady, we must not; neither must we be unappreciative of His

faithful messengers," John gravely returned.

Then he proceeded to briefly outline something of his life and work

abroad, speaking in high praise of his teacher, Monsieur Jacques, and

his kindly interest in him; and referred modestly to his own success,

both in Paris and also during his present visit to America.

They spent a delightful hour together, and when he finally arose to go

Mrs. Everleigh named an early date for him to come and dine _en

famille_, "for," she told him, "I have not heard half enough even yet.

I must see more of you while you are here."

When he was gone she sat a long time in deep thought, evidently

reviewing the very interesting story John had related to her. At last

she looked up with a slight start, a peculiar look sweeping over her

face.

"Hunger--_ford_!" she said aloud, dwelling with emphasis on the last

syllable of the name. "I wonder----"

What she wondered can only be surmised, but, knowing what she did of

Helen's life--even though she had never been told the story in

detail--it is safe to say that a suspicion of the relationship between

John, Helen, and Dorothy had been aroused in her mind.

John did not see Helen again during the remainder of his stay in New

York. Helen felt that it would be better for them both to avoid

another interview, and she persistently kept herself in the background.

But she went to see his pictures, as she had promised, after they were

hung at the art club, choosing her opportunity one day when Dorothy and

her father were out of town, and thus securing for herself plenty of

time in which to examine his work without fear of a personal encounter,

which would have been both awkward and painful for her.

She afterward wrote him a frank, friendly letter, in which she

expressed highest commendation of his beautiful pictures, and her

assurance that the future would bring him even higher honors.

She closed by asking him to paint her a portrait of Dorothy the first

time she went to Paris to visit him, which, she knew, would be in about

three months.

This request was like balm and oil to the man's wounded spirit, for it

assured him that she never would have made it if there had been aught

but good will in her heart for him, and immediately upon his arrival in

his adopted city--adopted, for he knew that it would henceforth be his

permanent home--he at once proceeded to fulfill her wishes, doing what

he could from memory and the aid of photographs, that he might not have

so much to do when Dorothy should arrive to give him sittings for the

finishing touches.

Six months from the time she had made her request, Helen received a

beautiful, richly framed, three-quarter size portrait of her dear one,

that was to make her heart glad during all her future years--glad not

only because of the faithful likeness, graceful pose, and artistic

costume, but because of the masterly work that proclaimed it a

production of high art, and which, to her, seemed like a priceless seal

set upon the complete redemption of the man who had once been her

husband.

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