CHAPTER XXIV.

A MASTERPIECE.

Three years later, at the earnest solicitation of Dorothy and her

husband, Helen temporarily gave up her work to make an extensive tour

abroad with them.

It proved to be, on the whole, a most happy and restful experience; and

yet there were times when a tear would start, or a regretful sigh

escape her lips as they went over ground and visited many places which

she had traversed with John during their ideal honeymoon, so many years

ago, and which could not fail to revive old associations.

But her two devoted children were delightful traveling companions, well

posted, observant, and thoroughly appreciative in their sight-seeing;

always careful for her comfort, and allowing her to rest whenever she

did not feel quite equal to their more vigorous desire to "miss nothing

that was worth while."

During these years previous to their trip, Dorothy had visited her

father, in Paris, several times, and when at home had corresponded

regularly with him; thus Helen had been in the way of knowing something

of the details of his life and work.

She had also read of various notable things he had done, from foreign

papers and art journals. But he had never directly communicated with

her, nor she with him, except to thank him most gratefully for, and

express her delighted appreciation of, Dorothy's portrait when it came

to her carefully packed and ready to hang upon her wall.

She had realized that when they reached Paris, where they planned to

remain longer than in most of the places they visited, she would be

liable to see more or less of him, and she had taken this carefully

into consideration before giving her consent to the trip. She felt

that if she went she must cast no shadow upon the pleasure of the

others. Dorothy had again become very fond and exceedingly proud of

her father; Mr. Alexander also held him in highest esteem; hence, in

justice to all, her own attitude must, in some measure, at least,

conform to theirs. She believed, too, that John understood her, and

would not allow himself to do or say aught that would disturb her

harmony, while she would be able to avoid awkward situations by always

having one or both of the young people with her.

John received them, upon their arrival, with delightful hospitality,

and they found that every possible arrangement had been made for their

comfort in one of the best pensions of the city, as they preferred to

be located thus, rather than in a less homelike hotel.

He had also a most attractive program planned for nearly every day of

their stay, subject, of course, to their preferences. But Helen found

herself more weary than she had anticipated on reaching Paris, and

decided it would be best for her to keep quiet for a few days before

attempting to do very much sight-seeing.

As usual, she was allowed to follow the dictates of her own judgment,

while the others fell in with John's plans, and went about with their

accustomed vigor.

The third day after their arrival, one of Helen's former patrons, who

was residing just out of the city, and had known of her coming, came to

call upon her, and, seeing that she was not quite herself, begged the

Alexanders to give her up into her hands for a week or two, promising

to give her every care, and take her about to whatever points of

interest she desired or felt able to visit.

Dorothy was wise enough to see that it was not altogether weariness,

but something of a mental strain, under which her mother was laboring,

and she unhesitatingly, even eagerly, consented to the arrangement. So

Helen was whisked away to Mrs. Hollis Hamilton's delightful villa,

where, with an unacknowledged burden lifted from her heart, she began

immediately to rally, and was quite herself again in a few days.

She saw John only twice after that, until the day before they were to

leave Paris. They had planned several times to visit his studio, but

something unforeseen had interfered each day. Now they could put it

off no longer, and that afternoon found them all gathered in his rooms

to view his treasures and have a little last visit together before

their departure on the evening express for Italy.

It was the studio of an artist who had won both wealth and renown;

richly furnished, artistically decorated, and hung with rare gems from

his own brush, as well as from that of others; besides being graced

with various costly curios, with some fine pieces of sculpture, upon

which one could feast the eye for hours at a time, and never become

weary of the privilege.

John had a few minutes' chat alone with Helen after they had made a

leisurely circuit of the rooms together, and during which he explained,

among other things--what interested her most--the underlying thought

that had inspired the subject and been wrought into many of his

pictures.

It was the last time he ever saw her, and the memory of her face as she

listened to and talked with him never left him. As long as he lived,

it shed its luster on his pathway. It was like a radiant star, newly

risen, which would henceforth illumine the gloom of his darkened

firmament and cheer his lonely hours.

She had been charming, had seemed to forget everything but her interest

in what he had been doing since his visit to America. She showed

herself well versed in art, also--that she had kept up with the times,

and was even well posted upon some of his own more important works that

had received honorable mention in some of the art journals. She was

eloquent, winsome, and witty by turns. Her manner was frank and

gracious, without a vestige of self-consciousness to suggest that she

even remembered the tragedy of their earlier years; something as her

attitude might have been toward a brother or a friend in whom she was

deeply interested. And when at length they paused in a great bow

window that overlooked a beautiful view beyond the sunlit Seine, she

observed, with glowing eyes:

"What a glorious thing it is to be a 'great artist!' Yes," she added,

as he made a gesture of dissent, "Monsieur Jacques' prophecy is proving

true; I can see it unfolding more and more. It is a rare and noble

gift to conceive exquisite mental pictures like these, and then be able

to portray them for others to enjoy. Who can estimate their refining

influence upon the world, especially when one can _feel_ the uplifting

thought and inspiring lessons underlying their surface beauty? If you

are putting as faithful work into your life problem, John, as you are

expending upon your art, you surely are making rapid strides toward

that 'goal' of which we talked three years ago."

"I believe I am honestly trying to do so, Helen," was his quietly

earnest reply; "but"--his lips whitening suddenly--"the way, at times,

has seemed toilsome and--lonely."

His voice almost broke on the last word.

Helen's clear eyes drooped; her face clouded for an instant, and, with

an inward shock of misery, John knew that his words had recalled the

lonely way she had once trodden, bearing both her own burdens and his.

He could have scourged himself for his thoughtlessness. He had charged

himself that morning not to recall by look or word one sorrowful

thought to mar her visit to him. But the next moment she looked up,

serene and smiling.

"That is an experience we all have at times, I fancy," she said. "It

is a suggestion of that little demon--self-pity--that is liable to make

a great deal of mischief for us if we do not speedily conquer him."

"I have found that out for myself," he observed, with an answering

smile; "he is at hand to trip at every step, if one is not alert."

"And we know, John, there can be no company warfare, the battle is

individual, one must toil and fight alone for self-conquest. It does

seem wearisome at times, but it is grand, too, for every individual

victory won is just so much more achieved toward the redemption of all,

because it lessens the evil in the world in exact proportion to our

achievements, and also becomes an incentive to others to buckle on

their armor and do likewise."

"That is a beautiful, helpful thought. I shall not forget it," he

gravely returned.

"And I shall not forget my visit here," Helen went on brightly, "nor

this lovely view out over the Seine; these beautiful rooms, so

artistically arranged--they make an ideal studio--and particularly your

work. It has made me very glad to know what you are doing and how you

are doing it."

"Thank you for telling me that," was all that John could trust himself

to say.

"By the way," she continued, after a moment, during which her eyes had

roved over the place with a lingering look, as if to impress it

indelibly upon her mind, "what have you behind those draperies? I

thought it a window as I passed them; now I see it is not."

John glanced in the direction she indicated, then back at her,

hesitated, and for a moment seemed at a loss to know how to answer her.

At length he said:

"That is a picture upon which I have been working, at intervals, for

seven or eight years. Many times I have thought it finished, but I am

not yet through touching it up--not quite satisfied with it."

"It must be something intensely absorbing," said Helen. "What is the

subject, if you will not deem it an impertinent question?"

"I have called it 'My Inspiration,' because it and what it portrays

have long been that to me."

"How interesting! You make me very curious. May I see it, John?"

Again he hesitated, flushing slightly, and Helen, thinking perhaps she

had been presuming, was on the point of begging his pardon for her

thoughtlessness, when he smiled faintly, and replied:

"Yes; while I am showing Dorothy and Alexander a little gem in marble

in the other room, go and look at it--no one as yet, save myself, has

ever seen it."

He turned to the younger couple, who were approaching, and, saying he

had something to show them, led them into the adjoining room; while

Helen, experiencing something very like a sense of guilt for having

begged such a favor--a favor that as yet had never been granted

another, not even Dorothy, it appeared--stole to the curtained alcove,

loosened the knotted cords, parted the heavy draperies, and looked up.

A low exclamation of astonishment escaped her.

The picture was a full-length portrait of herself, wearing an evening

dress of silver-gray velvet, garnished with costly lace and touches of

rose pink, and standing just as she had stood that night, three years

ago, when John took leave of her in her apartment at the Grenoble. The

figure and costume were perfect in every detail. John had a remarkable

memory, and he had caught not only the unconscious grace of her pose,

but also the sheen of the velvet, and almost the exact pattern of the

lace she had worn. And the face! It almost made her weep as she

studied it, for she could not fail to read the tender, worshipful

stroke of his brush in its every line and feature.

She could not bear it; the story it told was too pathetic. She let the

draperies fall gently back into place, reknotted the cords as she had

found them, and stole softly from the room into the reception hall,

where she waited, trying to recover her color and self-control, until

the others rejoined her.

Evidently they had been having a playful tilt over something, for

Dorothy was bubbling over with merriment, and both gentlemen were

smiling in sympathy with her mood. Thus Helen escaped any sense of

awkwardness in meeting John again, or in the leave-takings that

followed; no reference was made to the picture; he did not even seem to

be curious as to how it had affected her, and she parted from him with

what appeared to be but a cordial handshake and a simple good-by.

But when they were gone, the man stood, white and motionless, for

several moments where they left him, struggling mightily within

himself. The supreme test had come--the test of absolute and final

renunciation. At last, with a quick indrawn breath that was very like

a sob, he went to the alcove where Helen had stood but a few minutes

before, loosened and drew back the draperies, and studied his picture

long and critically.

Then he brought his pallet and brushes, and worked with great care upon

it for nearly an hour.

At last he stood back and searched the face again. He had changed the

eyes in some way that made it seem almost as if a living soul were

looking through them, and the lips wore a softer, tenderer expression

that was like a gentle benediction.

The new light in the eyes, and the sweeter lines about the mouth were

the result of what he had caught from Helen herself an hour ago while

they stood talking together in the great window overlooking the Seine.

"It is finished; and it is my masterpiece!" he breathed, as he

reverently drew the curtains over the picture again, and then went

thoughtfully back to his workroom.

* * * * * * *

During many years that followed, the work of John Hungerford continued

to win fame and fortune for the faithful artist. A "Hungerford

painting" was regarded as a prize by its possessor, and its price as of

secondary importance; while, as a man, his name became the recognized

synonym of all that was benevolent, good, and philanthropic.

Struggling artists of merit were generously and tactfully helped over

hard places, and sent on their way rejoicing; the idler was kindly

reproved and inspired to more persistent effort; the prodigal and

profligate were sought after, and, with convincing argument and wise

counsel, won from their degrading and enervating pleasures to higher

appreciation of the talent with which they had been endowed; the

faint-hearted were encouraged, the sick befriended, the homeless

sheltered. In fine, the distinguished artist was not only recognized

as an authority and a connoisseur in his profession, but also as a

great-hearted _Man_, whose beautiful and hospitable home, as well as

his studio, became a delightful and instructive resort for lovers of

art, or a refuge in time of need, as the case might be, and open to all

who, with worthy intent and honest endeavor, chose to avail themselves

of his generosity and kindness.

Thus John Hungerford not only labored assiduously to charm the eye,

elevate and refine the taste, and mold the character through the medium

of his art, but he also--having himself been disciplined and purified

by suffering, and redeemed by faithfully working out his own salvation;

having learned also the higher meaning of Life, and its sacred

individual responsibilities--became the beloved benefactor of many who,

in later years, followed in his footsteps, to enrich, in turn, the

lives of others.

Thus he abundantly fulfilled Helen's inspiring prophecy: "The future

holds all good for you, John," and so found peace, if not absolute

happiness, at eventide.

THE END.

Redeemed · 第 24 / 24 章